For 662 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 59
Highest review score: 100 Enlightened: Season 2
Lowest review score: 0 Tyrant: Season 1
Score distribution:
662 tv reviews
    • 59 Metascore
    • 40 Maureen Ryan
    The crass elements of “The Class” threaten to drag the whole show down.
    • 59 Metascore
    • 80 Maureen Ryan
    If you like "Monk," you'll probably love this show, which may actually be even more enjoyable.
    • 59 Metascore
    • 40 Maureen Ryan
    Spiro is not really charismatic enough to carry a show, but the real problem is that P.J. isn’t going to make anyone forget Carrie Bradshaw any time soon.
    • 59 Metascore
    • 30 Maureen Ryan
    Genre fans used to the emotional depth and extraordinary storytelling of "Buffy the Vampire Slayer" and "Angel" will find that this show is not even remotely in "Buffy's" or "Angel's" league.
    • 59 Metascore
    • 40 Maureen Ryan
    Ringer isn't terrible. But it's less than it could be, and it has yet to present viewers with compelling reasons for putting up with its contrivances.
    • 58 Metascore
    • 30 Maureen Ryan
    A plodding series that really just proves life was unrelentingly hard and pretty monotonous in the not-so-wild West.
    • 58 Metascore
    • 50 Maureen Ryan
    When Williams can rein in his hyper qualities, he can be an effective presence. And at least he knows his way around a joke, unlike Gellar, who, post-"Buffy," still hasn't risen above the level of the writing she's given (and the writing for her here is flat and one-dimensional).
    • 58 Metascore
    • 50 Maureen Ryan
    I have nothing against procedurals per se, but all this rather soulless copy has going for it is the jaunty performance of LL Cool J and a fairly efficient tick-tock plot. Depending upon your mood or preference, that may be enough.
    • 50 Metascore
    • 60 Maureen Ryan
    Welcome to the Captain attempts a similarly shaggy, loose sitcom vibe, but isn't quite successful, though it's at least watchable.
    • 44 Metascore
    • 60 Maureen Ryan
    Overall, the new Fox sitcom is surprisingly winning, and the skilled Corddry is the main reason.
    • 76 Metascore
    • 88 Maureen Ryan
    All in all, the show is much better than it was when it was rotely doing “ripped from the headline” stories, which was only a few seasons ago.
    • 58 Metascore
    • 60 Maureen Ryan
    The main thing Camelot has going for it is a lively, unpretentious desire to entertain. It doesn't take itself overly seriously--Merlin has a wry sense of humor--and there are some capable action sequences amid scenes of rustic splendor.
    • 58 Metascore
    • 80 Maureen Ryan
    [A] deeply interesting, occasionally riveting show.
    • 58 Metascore
    • 50 Maureen Ryan
    Ron Swanson's (Nick Offerman) short “tour” of his office--a loose, throwaway moment at the end of the episode--is the funniest thing about the otherwise strained Parks pilot.
    • 58 Metascore
    • 40 Maureen Ryan
    To really hook into this drama, you have to care about the kids and their fates, but to me, they all remained predictable types throughout, and the show did a poor job of showcasing the terrific Octavia Spencer.
    • 58 Metascore
    • 80 Maureen Ryan
    The dialogue is witty, the pacing is brisk and there’s some real heart amid all the tokens of the Palm Beach high life.
    • 58 Metascore
    • 75 Maureen Ryan
    Still, like the second season of “Tim Gunn’s Guide to Style,” which is airing now on Bravo, this show may work for you if you’re looking for a turn-off-your-brain escape.
    • 58 Metascore
    • 80 Maureen Ryan
    This is one of those comedies in which the actors’ and writers’ skills are so sharp that the whole enterprise feels effortless.
    • 58 Metascore
    • 70 Maureen Ryan
    With its mildly irascible lead and its extremely sturdy central premise, it evokes USA's better shows, right down to its blue skies and palm trees.
    • 58 Metascore
    • 30 Maureen Ryan
    What's mystifying is why Starz and the creators of Black Sails seem to think that, given the expanding array of options available to consumers, any content creators can get away with peddling fare that can't even manage to be consistently mediocre.
    • 78 Metascore
    • 50 Maureen Ryan
    There are a few confrontations or comedic moments that catch fire, but mostly "Men" just ambles along, sometimes perceptively and sometimes lazily observing the lives of these guys, who have stumbled into middle age and its grinding routines and hard-won but significant satisfactions.
    • 57 Metascore
    • 40 Maureen Ryan
    Happy Endings is really no better than any of those other comedies ['Better With You,' 'Traffic Light' and 'Perfect Couples,'], which is to say, it's pretty weak.
    • 57 Metascore
    • 80 Maureen Ryan
    Defiance is not just a smart, well-crafted TV show with a good cast and an adventurous flavor, it's also indisputably science fiction, which is a relief.
    • 28 Metascore
    • 40 Maureen Ryan
    At no point will you feel like scratching your own eyes out rather than sitting through an episode. So there’s that.
    • 57 Metascore
    • 40 Maureen Ryan
    On paper, it all appears to be functional. In reality, I find myself uninterested in Ryan's minuscule problems and Wilfred's repeated attempts to hector or nag Ryan into taking more chances with his narrow little life.
    • 57 Metascore
    • 75 Maureen Ryan
    There are caveats, but they would trouble me more if the creator were someone other than Whedon.
    • 57 Metascore
    • 40 Maureen Ryan
    Karen Gillan is a treasure, and it's only by dint of her presence that this comedy works some of the time. Yet in a larger sense, "Selfie" does not really work, because there are a lot of unpleasant and judgmental elements lurking in its premise.
    • 57 Metascore
    • 37 Maureen Ryan
    Lee and co-star Alfre Woodard deserve better than Memphis Beat, which can't quite overcome the cliches that frequently bog it down.
    • 57 Metascore
    • 20 Maureen Ryan
    Even if the jokes on this show weren’t tired and mean-spirited, it would be hard to care about any comedy that hates its own lead characters so much.
    • 57 Metascore
    • 70 Maureen Ryan
    Goldblum’s thoughtful, enjoyable presence is — rather than the one saving grace of an otherwise tiresome procedural — the centerpiece of a generally well-crafted drama, one that’s sprinkled with loving nods to Raymond Chandler and “Double Indemnity.”

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