For 842 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 6.7 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 60
Highest review score: 100 Louie: Season 3
Lowest review score: 0 Anchorwoman: Season 1
Score distribution:
842 tv reviews
    • 81 Metascore
    • 80 Maureen Ryan
    At three hours, this adaptation might seem a bit lengthy, but when Raisin’s female cast members are on the screen, the time flies by.
    • tbd Metascore
    • 80 Maureen Ryan
    The cast has terrific chemistry, and the second season of the show ably builds on the strengths of the quite enjoyable first.
    • 63 Metascore
    • 80 Maureen Ryan
    It's rare to come across a comedy that displays such admirable focus and delivers such smartly packaged slices of diverting escapism. More, please.
    • 74 Metascore
    • 80 Maureen Ryan
    I'm not discouraged by the show's early growing pains; the cast is still full of good actors, Last Resort displays an admirable amount of forward momentum and the hiccups along the way are just another indication of how many chances the show is taking.
    • 85 Metascore
    • 80 Maureen Ryan
    Though Sci Fi only sent one Season 4 episode for review, it looks as though the prodigal pilot, as well as the rest of the Galactica crew, is in for a bumpy ride.
    • 79 Metascore
    • 80 Maureen Ryan
    The show may be for niche tastes, but it doesn't overstay its welcome and it manages to go to some demented and surprisingly emotionally places. And then it's done.
    • 64 Metascore
    • 80 Maureen Ryan
    The good news is that the smartly written "Saving Grace" is not a mess. In fact, it's one of the most distinctive new shows of the year.
    • 79 Metascore
    • 80 Maureen Ryan
    This year, there’s much more of the loopy, creative humor that its fans have come to know and love.
    • 88 Metascore
    • 80 Maureen Ryan
    I remain troubled by a big development at the end of Episode 1, which feels like too much of a stretch and is out of keeping with the show's admirable focus on intimate, believable stories. I hope it doesn't signal a move toward more obvious, predictable melodrama -- which already can be found all over the TV landscape. [5 Oct 2007, p.1]
    • Chicago Tribune
    • 70 Metascore
    • 80 Maureen Ryan
    The most refreshing thing about "Runway" is that it's not just a forum for "Survivor"-style cattiness or "Apprentice"-style trumped-up tasks. ... The beauty of "Runway" is the contestants on this win-your-own-fashion-business show have real skills. [5 Jan 2005]
    • Chicago Tribune
    • 81 Metascore
    • 80 Maureen Ryan
    This is a show that knows exactly what viewers expect of it, and over the course of its three seasons, the saga of reticent raider Ragnar Lothbrok (Travis Fimmel) has shown increasing assuredness and has unpretentiously and reliably supplied exciting and bloody adventures.
    • 84 Metascore
    • 80 Maureen Ryan
    A claustrophobic but ultimately affecting TV movie starring Ian McKellen and Anthony Hopkins.
    • 81 Metascore
    • 80 Maureen Ryan
    Structurally, the whole thing feels fresh again, and even if I have doubts about how the writers will wring two worthy seasons out of the new dynamics (Showtime has committed to airing at least one more season), the three 2012 episodes I've seen efficiently pulled me back in.
    • 83 Metascore
    • 80 Maureen Ryan
    Luther, the story of an impulsive, very intelligent London cop, manages to be an excellent showcase for Idris Elba (The Wire) and an increasingly impressive character drama that goes to some dark and absorbing places.
    • 90 Metascore
    • 80 Maureen Ryan
    If, as a woman, you've ever wondered how men act when they're together, how they talk to each other, how they deal with rage and confusion and lust, there's no better guide than this show, which may just be hitting its stride in its third season. [30 May 2006, p.3]
    • Chicago Tribune
    • 73 Metascore
    • 80 Maureen Ryan
    Much of what transpires comes off as an homage to complex dramas like “The Wire” and “The Shield,” and though The Last Panthers isn’t in the league of those American classics, it’s a credible and illuminating look at the movement of cash, guns and lucrative contracts in the interconnected Europe of today.
    • 85 Metascore
    • 80 Maureen Ryan
    Ultimately, Lady Dynamite presents such an amusing combination of humane wisdom and goofy wit that it quickly establishes itself as must-see fare. But don’t binge on this distinctive concoction. It’s best savored over time.
    • 80 Metascore
    • 80 Maureen Ryan
    In the first four episodes of Manhattan’s second season, the atomic-age drama contains quite a bit of fruitful conflict and meaty character development, all of which amp up the show’s energy level and move it into much more compelling territory.
    • 84 Metascore
    • 80 Maureen Ryan
    Like 'Breaking Bad,' 'Mad Men' and 'The Walking Dead,' The Killing uses savvy aesthetic choices and minimalist but effective acting to create a vibe and tell a story with an irresistible undertow of forward momentum.
    • 70 Metascore
    • 80 Maureen Ryan
    Penny Dreadful's gory moments are deployed strategically, and the adjective that best describes this show is not "bloody" but "soulful."
    • 65 Metascore
    • 80 Maureen Ryan
    Berlin Station is not quite as cerebral as “The Americans” or “Rubicon,” and it occasionally cuts corners in its rush to create narrative momentum, but the Epix series has an outstanding cast that takes its reasonably solid storytelling and raises it a few notches through sheer talent and charisma.
    • 79 Metascore
    • 80 Maureen Ryan
    A wildly charismatic performance by star Mike Colter and solid work from the rest of the show’s cast are usually enough to power this addition to the Marvel TV universe through its rough spots, which include a somewhat clunky pilot and a notable tendency to sprawl (a common trait among streaming and pay-cable dramas, and not just in the superhero realm).
    • 77 Metascore
    • 80 Maureen Ryan
    Aliens is generally an intriguing and worthwhile show, combining a "The Wonder Years" vibe with a subversive and effective topicality.
    • 78 Metascore
    • 80 Maureen Ryan
    Damages isn't on the level of 'The Sopranos,' but, like Ellen Parsons, it knows what it's about these days. And if you want to see some prime, grade-A Acting, well, you could do a lot worse.
    • 70 Metascore
    • 80 Maureen Ryan
    The good news is, Sarah, Cosima and the other clones retain most of the real estate in this gorgeously grimy biothriller, and watching the established characters relate to each other is still a lot of fun.
    • 62 Metascore
    • 80 Maureen Ryan
    Fifteen minutes into A Gifted Man, the performance of Patrick Wilson, Jennifer Ehle and Margo Martindale had completely won me over, and of all the pilots I've screened for fall, this is the one I most want to see more of.
    • 82 Metascore
    • 80 Maureen Ryan
    Tactical wins, taut storytelling and zombies munching tasty, tasty braaaaains: All that plus the addition of Michonne and David Morrissey as the Governor in upcoming episodes make me pretty damned happy that The Walking Dead is back.
    • 74 Metascore
    • 80 Maureen Ryan
    This year, there’s more to enjoy than the usual (and often funny) riffs on nerd culture and spy clichés. Chuck’s more assertive and seems to actually enjoy his secret-agent status.
    • 77 Metascore
    • 80 Maureen Ryan
    The achievement of Penny Dreadful is that within its highly stylized, delightfully elaborate and occasionally batsh-t world, it has created complex, fascinating characters--or rather, it has begun to.
    • 76 Metascore
    • 80 Maureen Ryan
    Episodes isn't a weighty series at all, but these actors elevate every scene they are in with spot-on comic timing and a graceful ability to play a range of conflicting emotions at once.

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