Megan Lehmann
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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Team America: World Police
Lowest review score: 0 Swept Away
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 49 Metascore
    • 63 Megan Lehmann
    A cheaply made, occasionally repetitive, but passionately argued documentary.
    • 68 Metascore
    • 63 Megan Lehmann
    Very funny. It's also heartbreakingly sad.
    • 43 Metascore
    • 63 Megan Lehmann
    Has just enough fairy dust to charm its target audience.
    • 67 Metascore
    • 63 Megan Lehmann
    A documentary mosaic of kooky Americana.
    • 47 Metascore
    • 63 Megan Lehmann
    Disaster movies, from "The Poseidon Adventure" to "Towering Inferno," are impossible to take seriously and "Day" is no exception - it's simply a fast-moving pageant of end-of-the-world eye candy.
    • 47 Metascore
    • 63 Megan Lehmann
    It's all entertaining enough, but don't look for any hefty anti-establishment message in what is essentially a whip-crack of a buddy movie that ends with a whimper.
    • 71 Metascore
    • 63 Megan Lehmann
    Less of a "You go, girl" manifesto than its title would suggest.
    • 54 Metascore
    • 63 Megan Lehmann
    Occasionally stagy and flat, "Die" is worth seeing for Busch's grand performance, which won him a Special Jury Prize at this year's Sundance Film Festival.
    • 52 Metascore
    • 63 Megan Lehmann
    The problem lies with the paucity of sizzle between the romantic leads, Renée Zellweger and Ewan McGregor. They just don't look like they're having any fun together, particularly the bony Zellweger, who has trouble filling out the wow-worthy ensembles and perpetually looks like she's sucking on a lemon.
    • 74 Metascore
    • 63 Megan Lehmann
    Instructive, cathartic or just too painful? You decide.
    • 61 Metascore
    • 63 Megan Lehmann
    Delivers one of those classic movie moments in which two screen legends go toe to toe, both barrels metaphorically blazing.
    • 45 Metascore
    • 63 Megan Lehmann
    If you can overlook its TV-episode look, occasional lapses in logic and detours into lurid overkill, this old-school psychological thriller, which marries a tracking-the-serial-killer narrative with occult themes, is a creepy diversion.
    • 72 Metascore
    • 63 Megan Lehmann
    Corcuera's unflinching documentary Back of the World is a real-life horror story told in three parts.
    • 56 Metascore
    • 63 Megan Lehmann
    Wants to be an epic in the mold of "Saving Private Ryan," but it's hindered by its modest budget.
    • 77 Metascore
    • 63 Megan Lehmann
    Pray will force you to look at the music as more than just gobbledygook created by musical-bower birds who can't spell.
    • 53 Metascore
    • 63 Megan Lehmann
    Nair makes Vanity Fair an elegant showcase for an unforgettable heroine.
    • 52 Metascore
    • 63 Megan Lehmann
    Apart from some irritating and redundant camera tricks early on in the film, director Blair Treu plays it white-bread straight, delivering an uncommonly inoffensive, after-school-special-style teen flick.
    • 46 Metascore
    • 63 Megan Lehmann
    The film is ultimately a one-man show -- and when that man is the singularly crafty Depp, it's hard to look away.
    • 61 Metascore
    • 63 Megan Lehmann
    A compelling look at a vexa tious question, Taking Sides is, at times, hamstrung by its own ambiguity.
    • 38 Metascore
    • 63 Megan Lehmann
    Smarter than your average serial-killer movie, thanks to unusually fleshed-out characters inhabited by a high- pedigree cast.
    • 56 Metascore
    • 63 Megan Lehmann
    Just Brit filmmaker Shane Meadows having some fun with the conventions of the spaghetti western.
    • 72 Metascore
    • 63 Megan Lehmann
    The plot is thin as consomme, and the thudding score is distracting, but the heartfelt storytelling and Michael Bertl's disarming cinematography make this a food film to savor.
    • 65 Metascore
    • 63 Megan Lehmann
    When the Powerpuff Girls blink those soulful dinner-plate peepers, you could forgive them anything - even their movie's wafer-thin excuse for a plot.
    • 65 Metascore
    • 63 Megan Lehmann
    Walking a tightrope between high farce and emotional truth, writer-director Gabriele Muccino's breathlessly paced Italian comedy The Last Kiss manages to stay just this side of melodrama.
    • 66 Metascore
    • 63 Megan Lehmann
    The concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.
    • 75 Metascore
    • 63 Megan Lehmann
    Winterbottom's bold film, its gritty visuals offset by Dario Marianelli's lavish score, makes real the desperate lengths that refugees -- those running from poverty as well as dange -- will go to.
    • 69 Metascore
    • 63 Megan Lehmann
    Cadigan is honest enough to leave in a disturbing scene in which he talks about the "violent imagery" in his head and fantasizes about using a kitchen knife on his mother, before breaking down in tears. It's raw stuff.
    • 66 Metascore
    • 63 Megan Lehmann
    If you like your language blue and your humor coarse, Margaret Cho is for you.
    • 76 Metascore
    • 63 Megan Lehmann
    Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.
    • 56 Metascore
    • 63 Megan Lehmann
    Phoenix gives an electric performance as amoral Army supply clerk Ray Elwood.

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