Megan Lehmann
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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.5 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 In America
Lowest review score: 0 The Cookout
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 76 Metascore
    • 50 Megan Lehmann
    A thumping soundtrack, including David Bowie's "Rebel Rebel" and Pink Floyd's "Us and Them," fuels this high-energy look at a pack of underdogs who sowed the seeds for today's extreme sports craze.
    • 56 Metascore
    • 50 Megan Lehmann
    Middleton deals with the various male and female perspectives in an even-handed way, concocting a slice of New York life that's frothy as meringue pie.
    • 66 Metascore
    • 50 Megan Lehmann
    Paints a vivid portrait of a compelling young man but, perhaps inevitably, goes overboard on the deification.
    • 68 Metascore
    • 50 Megan Lehmann
    The feel-good finale -- an ending even less in doubt than that of the most predictable Hollywood fare -- is as rousing as you'd hope and the fast-paced, on-ice action is satisfyingly authentic.
    • 58 Metascore
    • 50 Megan Lehmann
    Although deft editing provides neat segues, "Safety" suffers from a case of too many dramas, too little time. Characters are given no chance to develop and, too often, their behavior turns on a dime, hurtling off into a parallel universe of extreme acts.
    • 39 Metascore
    • 50 Megan Lehmann
    Only really little tykes will find the surplus of pratfalls and poo and fart jokes a hoot.
    • 63 Metascore
    • 50 Megan Lehmann
    The film - dimly lit and with an ominous soundtrack that verges on overkill - is largely a showcase for the heavy-lidded Renner.
    • 46 Metascore
    • 50 Megan Lehmann
    Light, doggedly formulaic romantic comedy that's almost instantly forgettable despite the sunny presence of teen queen Mandy Moore.
    • 38 Metascore
    • 50 Megan Lehmann
    What the filmmakers do to the splendid Moore is simply criminal.
    • 72 Metascore
    • 50 Megan Lehmann
    This slow-moving Swedish film offers not even a hint of joy, preferring to focus on the humiliation of Martin as he defecates in bed and urinates on the plants at his own birthday party.
    • 48 Metascore
    • 50 Megan Lehmann
    Many of Kampmeier's characters are either ill-defined or clichéd.
    • 40 Metascore
    • 50 Megan Lehmann
    An overlong melodrama-by-numbers.
    • 52 Metascore
    • 50 Megan Lehmann
    Despite his innate appeal and nimble line readings, Grace can't surmount the deficiencies of the underdog character screenwriter Victor Levin ("Mad About You") has saddled him with.
    • 36 Metascore
    • 50 Megan Lehmann
    An interesting addition to a genre that tends too often to disregard artistic technique.
    • 48 Metascore
    • 50 Megan Lehmann
    Khouri seems never to have met a "chick flick" cliché she didn't like, from the ubiquity of emotional telephone conversations to the lachrymose (but entirely predictable and dramatically flabby) reconciliation at the end.
    • 64 Metascore
    • 50 Megan Lehmann
    Ultimately, though, the lively whirl of debauched, drug-fueled parties and toffee-nosed exchanges between heiresses and aristocrats fails to mask the essential hollowness of the narrative.
    • 41 Metascore
    • 50 Megan Lehmann
    A sporadically amusing curiosity that falls short of effectively satirizing the public's fixation with the minutiae of celebrity lives.
    • 60 Metascore
    • 50 Megan Lehmann
    Basinger appears to be literally phoning in from another movie in the highly improbable, maniacally action-packed thriller-cum-comedy Cellular.
    • 49 Metascore
    • 50 Megan Lehmann
    So serious-minded it occasionally teeters on the brink of absurdity.
    • 72 Metascore
    • 50 Megan Lehmann
    A promising film that is dragged down by the weight of its gray morbidity.
    • 55 Metascore
    • 50 Megan Lehmann
    An earnest undertaking that unfortunately plays like a trite Lifetime movie.
    • 41 Metascore
    • 50 Megan Lehmann
    A hit-and-miss affair.
    • 54 Metascore
    • 50 Megan Lehmann
    The two leads have strong singing voices, but they're not helped by songs with titles like "It's Time to Disco."
    • 41 Metascore
    • 50 Megan Lehmann
    They resort too often to infantile flatulence jokes and fairly obvious gags about errant G-strings, with the anorexic plot culminating in the brothers having - yawn - learned to respect women's feelings.
    • 50 Metascore
    • 50 Megan Lehmann
    The central narrative is ultimately too one-dimensional to sustain interest.
    • 34 Metascore
    • 50 Megan Lehmann
    Chases its tail for so long, it morphs from a whodunit into a who-cares.
    • 44 Metascore
    • 50 Megan Lehmann
    The cheerfully inane comedy Connie and Carla all but suffocates beneath a high-stepping, show-stopping, ear-splitting deluge of musical theater staples, from "Cats" to "Oklahoma!," "Jesus Christ Superstar" to "Fiddler on the Roof."
    • 43 Metascore
    • 50 Megan Lehmann
    Startlingly immature.
    • 50 Metascore
    • 50 Megan Lehmann
    Kidman gives an other stunning performance in Birth, but it is a riddle wrapped in a mystery inside an enigma that ultimately reveals . . . not much.
    • 51 Metascore
    • 50 Megan Lehmann
    A visual treat diminished by lifeless dialogue and self-conscious acting.

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