Megan Lehmann

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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 In America
Lowest review score: 0 The Cookout
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 33 Metascore
    • 38 Megan Lehmann
    In trying to straddle both the grown-up and kiddie worlds with this inappropriately sexualized effort - their first theatrical release since 1995's "It Takes Two" - the Olsens have lost their footing.
    • 44 Metascore
    • 38 Megan Lehmann
    Self-indulgent folly.
    • 70 Metascore
    • 38 Megan Lehmann
    Frustratingly superficial.
    • 34 Metascore
    • 38 Megan Lehmann
    The story is so slight, a low-wattage hair dryer could blow it away.
    • 41 Metascore
    • 38 Megan Lehmann
    Spun is quickly exposed as being all flash, no substance.
    • 36 Metascore
    • 38 Megan Lehmann
    Beautiful Brit actress Sophia Myles ("From Hell") is so arch, canny and amusing as the posh, pink-obsessed spy Lady Penelope, it's as if she is acting in the movie this should have been.
    • 37 Metascore
    • 38 Megan Lehmann
    Despite oblique references to "Psycho" and "Children of the Corn," Freddy vs. Jason lacks the knowing wit needed to keep it afloat in an age when even the horror spoofs have been spoofed.
    • 55 Metascore
    • 38 Megan Lehmann
    Ben Stiller's overbearing schtick officially reaches its expiration date with the desperate and puerile Dodgeball: A True Underdog Story.
    • 18 Metascore
    • 38 Megan Lehmann
    Fairly cringe-inducing, full of witless double-entendres and the requisite "gags" involving bodily fluids.
    • 33 Metascore
    • 38 Megan Lehmann
    This pursuit farce is harmless (if stale) entertainment, but the sledge-hammer attempt to appeal to the country's fastest-growing movie-going demographic makes for a clunky narrative and one-note characters.
    • 23 Metascore
    • 38 Megan Lehmann
    The animated, Hanukkah-themed musical is, in fact, 75 minutes worth of belching, barfing and poo-jokes braided into a Grinch-meets-Scrooge-meets-"It's a Wonderful Life" storyline that's as stale as last year's potato latkes.
    • 50 Metascore
    • 38 Megan Lehmann
    Follows a narrative arc as choppy as a messy windswell, and the result is a dog's dinner of profiles, repetitive narration, safety tips and banal "insights" into the joys and dangers of cresting waves that sometimes reach 70 feet.
    • 49 Metascore
    • 38 Megan Lehmann
    This Alfie has been castrated.
    • 33 Metascore
    • 38 Megan Lehmann
    This one-joke comedy vehicle is flying through a laugh-free zone.
    • 45 Metascore
    • 38 Megan Lehmann
    A sluggish meander through the life of the man considered by many to be a deity of golfing.
    • 67 Metascore
    • 38 Megan Lehmann
    Behind the glitz, Hollywood is sordid and disgusting. Quelle surprise!
    • 37 Metascore
    • 38 Megan Lehmann
    Falls far short of capturing the hedonistic spirit of this ephemeral art community. It's more like a routine home video with arty pretensions.
    • 40 Metascore
    • 38 Megan Lehmann
    The biggest problem with the corny horror film Anacondas: The Hunt for the Blood Orchid is that its titular reptiles are about as scary as jellied eels.
    • 53 Metascore
    • 38 Megan Lehmann
    Predictable and uninspired romantic drama fizzles like a wet squib.
    • 44 Metascore
    • 38 Megan Lehmann
    Kalem's grasp of dramatic storytelling is no firmer, and the disorderly film merely chases its tail for the second half, going nowhere fast.
    • 59 Metascore
    • 38 Megan Lehmann
    De Palma fools around with split screens and slo-mo, but no amount of cinematic artifice can varnish over the fact that this is simply a bad film.
    • 35 Metascore
    • 38 Megan Lehmann
    Prywes has produced a technically accomplished nostalgia piece on a shoestring budget, but the plotting is too sitcom-lite to support its aspirations to magic realism.
    • 57 Metascore
    • 38 Megan Lehmann
    Combined with the eyestrain produced by the cheap cardboard 3-D glasses, the resulting vertigo is decidedly unpleasant -- although having moon rocks and blobs of cream pie flying out from the screen is kinda cool in a retro way.
    • 54 Metascore
    • 38 Megan Lehmann
    Bart Everly followed Frank around for two years, yet his film seems to consist mostly of regurgitated C-Span and news footage from the period, interspersed with asides from the outspoken liberal.
    • 75 Metascore
    • 38 Megan Lehmann
    Seems to exist solely to drive this observation home in the most heavy-handed way.
    • 60 Metascore
    • 38 Megan Lehmann
    See it only for Paul Bettany's performance.
    • 62 Metascore
    • 38 Megan Lehmann
    At some point, all this visual trickery stops being clever and devolves into flashy, vaguely silly overkill.
    • 36 Metascore
    • 38 Megan Lehmann
    Violent and unoriginal actioner.
    • 49 Metascore
    • 38 Megan Lehmann
    A well-intentioned, semi-autobiographical pastiche, is trapped in a straitjacket of political correctness, self-conscious acting and spurts of try-hard dialogue that come off as precious.
    • 25 Metascore
    • 38 Megan Lehmann
    Not as vile as "Sleepover," nor as tangy as "Mean Girls."

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