Megan Lehmann
Select another critic »
For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.5 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 In America
Lowest review score: 0 The Cookout
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 53 Metascore
    • 38 Megan Lehmann
    Predictable and uninspired romantic drama fizzles like a wet squib.
    • 59 Metascore
    • 38 Megan Lehmann
    De Palma fools around with split screens and slo-mo, but no amount of cinematic artifice can varnish over the fact that this is simply a bad film.
    • 23 Metascore
    • 38 Megan Lehmann
    The animated, Hanukkah-themed musical is, in fact, 75 minutes worth of belching, barfing and poo-jokes braided into a Grinch-meets-Scrooge-meets-"It's a Wonderful Life" storyline that's as stale as last year's potato latkes.
    • 35 Metascore
    • 38 Megan Lehmann
    Prywes has produced a technically accomplished nostalgia piece on a shoestring budget, but the plotting is too sitcom-lite to support its aspirations to magic realism.
    • 25 Metascore
    • 38 Megan Lehmann
    A rote exercise in both animation and storytelling.
    • 46 Metascore
    • 38 Megan Lehmann
    Some solid performances and pretty scenery don't do much to conceal that there's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale.
    • 54 Metascore
    • 38 Megan Lehmann
    Despite a crafty premise and a clever kink in the tale that almost saves it, Connolly isn't dexterous enough to achieve the Hitchockian level of suspense the movie needs.
    • 25 Metascore
    • 38 Megan Lehmann
    There's a hint of nostalgia toward the end, with Jason encountering two nubile female campers in a virtual reality Camp Crystal Lake -- but it merely serves as a reminder that the franchise should have quit while it was ahead.
    • 62 Metascore
    • 38 Megan Lehmann
    At some point, all this visual trickery stops being clever and devolves into flashy, vaguely silly overkill.
    • 18 Metascore
    • 38 Megan Lehmann
    Fairly cringe-inducing, full of witless double-entendres and the requisite "gags" involving bodily fluids.
    • 41 Metascore
    • 38 Megan Lehmann
    Spun is quickly exposed as being all flash, no substance.
    • 75 Metascore
    • 38 Megan Lehmann
    Seems to exist solely to drive this observation home in the most heavy-handed way.
    • 60 Metascore
    • 38 Megan Lehmann
    See it only for Paul Bettany's performance.
    • 49 Metascore
    • 38 Megan Lehmann
    A well-intentioned, semi-autobiographical pastiche, is trapped in a straitjacket of political correctness, self-conscious acting and spurts of try-hard dialogue that come off as precious.
    • 57 Metascore
    • 38 Megan Lehmann
    Combined with the eyestrain produced by the cheap cardboard 3-D glasses, the resulting vertigo is decidedly unpleasant -- although having moon rocks and blobs of cream pie flying out from the screen is kinda cool in a retro way.
    • 47 Metascore
    • 38 Megan Lehmann
    It's so gosh-darned darling it almost turns your stomach.
    • 43 Metascore
    • 38 Megan Lehmann
    The problem is that there's not a sympathetic character among the nasty, brutish males. And the women, except for a flashy cameo by a swimsuit-clad Paris Hilton, are given short shrift.
    • 52 Metascore
    • 38 Megan Lehmann
    Can that achingly abstract thing called love be captured in a beaker or dissected like a frog splayed on a slab? That's the belabored premise of this dorky, clinically structured romance cooked up in the Sundance Institute's screenwriter and filmmaker labs.
    • 50 Metascore
    • 38 Megan Lehmann
    Follows a narrative arc as choppy as a messy windswell, and the result is a dog's dinner of profiles, repetitive narration, safety tips and banal "insights" into the joys and dangers of cresting waves that sometimes reach 70 feet.
    • 70 Metascore
    • 38 Megan Lehmann
    Frustratingly superficial.
    • 46 Metascore
    • 38 Megan Lehmann
    Can be summed up by the fact that Ashton Kutcher, making a glorified cameo as a narcissistic model-slash-actor, is the best thing in it.
    • 73 Metascore
    • 38 Megan Lehmann
    Snoozy and unconvincing.
    • 41 Metascore
    • 38 Megan Lehmann
    It's a simple-minded celebration of speed that pretends to be nothing else, even throwing in the occasional wink to acknowledge its own silliness.
    • 52 Metascore
    • 38 Megan Lehmann
    Tries to be many things -- romantic comedy, mockumentary, a satire on beauty and aging -- but ends up succeeding at none.
    • 36 Metascore
    • 38 Megan Lehmann
    Ryan spends much of the grubby-looking boxing drama Against the Ropes with her face screwed up in distaste, as if a dirty sock is being waved under her nose. Perhaps it's because the movie she's in stinks.
    • 37 Metascore
    • 38 Megan Lehmann
    Falls far short of capturing the hedonistic spirit of this ephemeral art community. It's more like a routine home video with arty pretensions.
    • 45 Metascore
    • 38 Megan Lehmann
    A sluggish meander through the life of the man considered by many to be a deity of golfing.
    • 33 Metascore
    • 38 Megan Lehmann
    In trying to straddle both the grown-up and kiddie worlds with this inappropriately sexualized effort - their first theatrical release since 1995's "It Takes Two" - the Olsens have lost their footing.
    • 51 Metascore
    • 38 Megan Lehmann
    What is astonishing is that husband-and-wife writers Wally Wolodarsky (who also directed) and Maya Forbes, with combined credits that include "The Simpsons" and "The Larry Sanders Show," could churn out something this nasty and ludicrous.
    • 44 Metascore
    • 38 Megan Lehmann
    Kalem's grasp of dramatic storytelling is no firmer, and the disorderly film merely chases its tail for the second half, going nowhere fast.

Top Trailers