Melanie McFarland

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For 199 reviews, this critic has graded:
  • 40% higher than the average critic
  • 1% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 12.1 points lower than other critics. (0-100 point scale)

Melanie McFarland's Scores

Average review score: 53
Highest review score: 100 Desperate Housewives: Season 1
Lowest review score: 0 Twins: Season 1
Score distribution:
  1. Positive: 75 out of 199
  2. Negative: 59 out of 199
199 tv reviews
    • 57 Metascore
    • 60 Melanie McFarland
    This is a comedy that does what it's supposed to do, which is to make you smile and giggle at the appropriate points. Be that as it may, the pilot never ascends beyond the level of being cute and nice.
    • 62 Metascore
    • 60 Melanie McFarland
    It's all very quirky. Too quirky, maybe, for an audience that is used to spaceships, robots and explosions.
    • 67 Metascore
    • 60 Melanie McFarland
    If you don't take it too seriously, it can be tremendous fun in a Saturday matinee kind of way.
    • 64 Metascore
    • 60 Melanie McFarland
    "It's Always Sunny" peddles immaturity and discomfort with remarkable wit in a few instances. [4 Aug 2005]
    • Seattle Post-Intelligencer
    • 69 Metascore
    • 60 Melanie McFarland
    [It] vacillates between riveting and middling.
    • 40 Metascore
    • 60 Melanie McFarland
    A touch of "Friends" with "Odd Couple" undertones.
    • 65 Metascore
    • 60 Melanie McFarland
    There's certainly entertainment value in watching Tyra Banks acting as both boot camp sergeant and self-promoting mannequin. [10 Jun 2003]
    • Seattle Post-Intelligencer
    • 74 Metascore
    • 60 Melanie McFarland
    Skin deep? A tad predictable? Certainly. But Nip/Tuck is nonetheless a TV addiction. We watch, mesmerized by the series' cool surface appeal and the nasty ooze pulsating beneath. We grimace when we should, and when we shouldn't, and at the end we, the Nip/Tuck addicts, want more. [22 June 2004, p.E1]
    • Seattle Post-Intelligencer
    • 60 Metascore
    • 60 Melanie McFarland
    "Day Break" is an intricate, imaginative series designed to make you ask questions at every turn, but the killer will be, "What else is on?"
    • 65 Metascore
    • 60 Melanie McFarland
    A few kinks are painfully apparent. Foremost among them is the blowhard persona Colbert forces on us for half an hour. It feels like a weaker extension of "The Daily Show."
    • 66 Metascore
    • 60 Melanie McFarland
    "Hex" may not be stupendous TV, but for a decent summer thrill, nothing on broadcast holds a candle to it.
    • 74 Metascore
    • 60 Melanie McFarland
    When it works, the series effectively portrays the sorrowful human toll the underground trade takes on men and women, parents and children caught up in the struggle either by choice or unseen forces. ... But the weaknesses of this Traffic mirror Soderbergh's stumbles, which is its tendency to brain viewers with the same clumsy force as a Partnership for a Drug-Free America commercial. [24 Jan 2004]
    • Seattle Post-Intelligencer
    • 63 Metascore
    • 60 Melanie McFarland
    But is it too much to ask for these girls to have a bit more fun? This is one series that really needs to swing that way. For a bunch of glamorous, well-dressed womyn who spend a lot of time hanging out at a cool cafe, they sure do suffer from an excess of unease. [17 Jan 2004, p.E2]
    • Seattle Post-Intelligencer
    • 64 Metascore
    • 60 Melanie McFarland
    While one can never count out a decent cop show, Life's main character is so weird he either fascinates you immediately or turns you off.
    • 67 Metascore
    • 60 Melanie McFarland
    "Top Design"... comes closer to capturing "Runway's" singular appeal than "Top Chef" ever did... Yet with each scan of the "Project Runway" blueprint, a little more of the original's crispness and clarity gets lost.
    • 58 Metascore
    • 60 Melanie McFarland
    Absolutely nothing about it is original or seeks to transform the half-hour genre. Still, the fact that it is executed by sure-footed comedy veterans more than makes up for the sin of familiarity.
    • 73 Metascore
    • 60 Melanie McFarland
    As enjoyable as it is to keep up with Vince (Adrian Grenier) on the eve of attaining superstardom in "Aquaman," "Entourage" has yet to display much substance.
    • 64 Metascore
    • 60 Melanie McFarland
    In the way of so many television series inspired by comedians, "The Sarah Silverman Program" fails to directly translate the insanity of Silverman's stand-up.
    • 53 Metascore
    • 60 Melanie McFarland
    There's something weirdly charming about the pair's chemistry.
    • 68 Metascore
    • 60 Melanie McFarland
    "Kidnapped," which gives us a frequently riveting story populated by intriguing, complex characters, is regular-grade TV trying too hard to be gourmet.
    • 53 Metascore
    • 60 Melanie McFarland
    The miniseries' trite finish falls short of capturing the amazement we felt the first time we saw Judy Garland bring Dorothy to life.
    • 37 Metascore
    • 60 Melanie McFarland
    You won't be quoting lines from it over Friday morning coffee, but it is, if not good, then good enough.
    • 59 Metascore
    • 60 Melanie McFarland
    "My Boys"... has development potential if you can get past the notion that it's been done to death.
    • 54 Metascore
    • 60 Melanie McFarland
    No series following an easy delight like "Grey's Anatomy" should be this much of a downer.
    • 53 Metascore
    • 60 Melanie McFarland
    Against everything else available to viewers, "Huff" is premium cable-grade content without the "wows" that justify the extra expense.
    • 60 Metascore
    • 60 Melanie McFarland
    If you don't like Woods' frantic, frequent speeches, and you can't get out of the "Without a Trace" Thursday habit, best to steer clear.
    • 58 Metascore
    • 60 Melanie McFarland
    The tale's beyond complicated, to be sure. But it also may be the most watchable six hours of strangeness you'll see this season.
    • 74 Metascore
    • 60 Melanie McFarland
    Chuck is, at its best, cute--and that's not enough to keep up with the big dogs.
    • 67 Metascore
    • 60 Melanie McFarland
    The jokes that hit their target almost make up for the wide misses.
    • 44 Metascore
    • 60 Melanie McFarland
    You probably can tell that this thing isn't bound for the sitcom hall of fame, but it's a good time.

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