Melanie McFarland
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For 198 reviews, this critic has graded:
  • 39% higher than the average critic
  • 1% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 11.5 points lower than other critics. (0-100 point scale)

Melanie McFarland's Scores

Average review score: 53
Highest review score: 100 Deadwood: Season 3
Lowest review score: 0 Moonlight: Season 1
Score distribution:
  1. Positive: 75 out of 198
  2. Negative: 59 out of 198
198 tv reviews
    • 98 Metascore
    • 100 Melanie McFarland
    If there ever was a series that makes HBO a necessity, "The Wire" is it.
    • 96 Metascore
    • 90 Melanie McFarland
    What begins as the usual artistic season premiere shivers and sways with unexpected jolts, one of which irrevocably changes the course and feel of the series. Everything blurs, and nothing, and no one, seems true.
    • 94 Metascore
    • 90 Melanie McFarland
    More relevant and biting than it has ever been.
    • 90 Metascore
    • 80 Melanie McFarland
    The women aren't as shrill as they've been in the past, and even Sheila (Callie Thorne), the histrionic widow of Tommy's dead cousin has become a decent comedic foil. Better yet, Susan Sarandon steps up to the plate this season as a confident, rich woman - not a girl, a woman, Tommy points out - who wants to seduce Franco (Daniel Sunjata). [30 May 2006, p.D1]
    • Seattle Post-Intelligencer
    • 85 Metascore
    • 100 Melanie McFarland
    To call "Deadwood" great television doesn't begin to do it justice.
    • 89 Metascore
    • 80 Melanie McFarland
    Leary has emerged as a creative force to be reckoned with; he writes the show with co-creator Peter Tolan in addition to starring in it. His rapid-fire wit and comedic cadence permeate the wiry, combative dialogue that serves the series so well. [21 June 2005, p.E1]
    • Seattle Post-Intelligencer
    • 89 Metascore
    • 80 Melanie McFarland
    "24" roars back brilliantly.
    • 89 Metascore
    • 90 Melanie McFarland
    Arrested Development has been hyped to the clouds in a number of ads, all piling on critical encomiums from all over the country. This time they're telling the truth. [31 Oct 2003, p.E1]
    • Seattle Post-Intelligencer
    • 54 Metascore
    • 60 Melanie McFarland
    No series following an easy delight like "Grey's Anatomy" should be this much of a downer.
    • 89 Metascore
    • 90 Melanie McFarland
    The fans, no doubt, will be content with the conclusion of the brutal street politics--usually the best aspect of each season--as we witness a brilliantly stormy resolution of the unrest between Proposition Joe (Robert F. Chew), Marlo Stanfield (Jamie Hector), who continues to expand his power, and the charismatic, elegant brute Omar Little (Michael K. Williams), a murderous thief worth cherishing.
    • 79 Metascore
    • 80 Melanie McFarland
    Plain wonderful.
    • 88 Metascore
    • 90 Melanie McFarland
    Real and relatable, "Chris" may be the best new comedy of a season filled with sitcoms worth viewing.
    • 88 Metascore
    • 90 Melanie McFarland
    To see Larry behave so socially recklessly each week is a tremendous treat. [2 Jan 2004]
    • Seattle Post-Intelligencer
    • 88 Metascore
    • 90 Melanie McFarland
    Few stars can write and play a kicked-in-the-mouth underdog as smartly as Gervais does here.
    • 40 Metascore
    • 10 Melanie McFarland
    [A] laugh-free comedy.
    • 40 Metascore
    • 20 Melanie McFarland
    I'm not sure which is worse, that tired back story or Martin Landau besmirching his career by appearing in this as a wizened forensics guy.
    • 86 Metascore
    • 80 Melanie McFarland
    All the praise heaped on Pushing Daisies, and every declaration about the dramedy's originality, is merited.
    • 86 Metascore
    • 80 Melanie McFarland
    Outlandish creativity is the central feature here, a switch that inspires viewers to discuss each competition in the same way you'd evaluate a work of art as opposed to hooting at the foulest examples of human behavior. [6 Dec 2005]
    • Seattle Post-Intelligencer
    • 86 Metascore
    • 83 Melanie McFarland
    Outstanding. [21 July 2004, p.E6]
    • Seattle Post-Intelligencer
    • 85 Metascore
    • 80 Melanie McFarland
    One magnificently chilling shot near the end of the season two's first episode shows us just how busy Dexter's been all these years. Rarely has an image of evil looked so delectably good.
    • 49 Metascore
    • 50 Melanie McFarland
    So what we have here is "Miami Vice" minus the palm trees and sports cars, and plus a sliver of an earnest message.
    • 85 Metascore
    • 100 Melanie McFarland
    But don't call it a dramedy. No, the great trick of Rescue Me is that it's the saddest drama on television at which you possibly will laugh at. Some also would call it the best. [13 June 2007, p.C1]
    • Seattle Post-Intelligencer
    • 73 Metascore
    • 70 Melanie McFarland
    True, it's not quite "Tales From the Crypt" but is better than "Tales From the Darkside."
    • 75 Metascore
    • 100 Melanie McFarland
    "Masterpiece" isn't too strong a word to describe this series.
    • 81 Metascore
    • 90 Melanie McFarland
    Besides being the funniest pilot, it has the best cast.
    • 81 Metascore
    • 90 Melanie McFarland
    In a fall season full of lofty recommendations and solid, well-made pilots, it's the only series truly worth getting excited about.
    • 81 Metascore
    • 80 Melanie McFarland
    Very British, coasting on quiet pauses, subtle digs and ironic discomfort -- a bonus for some, a strong negative for many.
    • 80 Metascore
    • 50 Melanie McFarland
    But these components don't detract from Deadwood as much as the series' inability to get the story rolling, although it shows potential for growing more interesting two or three episodes from now. Look at the introduction as an overly long handshake with a huge cast of characters, then take notice of how tedious such an elaborate setup can be, even one punctuated by thundercracks of violence. [19 Mar 2004, p.D1]
    • Seattle Post-Intelligencer
    • 79 Metascore
    • 100 Melanie McFarland
    Serving up the kind of dialogue that leads to tears and cackles, it may be the most joyfully scathing look at stifled lives network TV has ever seen. [1 Oct 2004]
    • Seattle Post-Intelligencer
    • 75 Metascore
    • 90 Melanie McFarland
    The agile humor and light, sharp intelligence permeating the script make "Studio 60" far and away one of the season's best new dramas, if not the top entry.

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