Michael Nordine
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For 73 reviews, this critic has graded:
  • 36% higher than the average critic
  • 13% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 8.9 points lower than other critics. (0-100 point scale)

Michael Nordine's Scores

  • Movies
  • TV
Average review score: 50
Highest review score: 90 Butter on the Latch
Lowest review score: 10 108 Stitches
Score distribution:
  1. Positive: 20 out of 73
  2. Negative: 14 out of 73
73 movie reviews
    • 61 Metascore
    • 90 Michael Nordine
    Denis Villeneuve's shared dream of a film takes the simple premise of a man glimpsing his doppelganger while watching a movie and mines every bit of tension and oddity from it — there's hardly a scene that doesn't exude menace.
    • 66 Metascore
    • 90 Michael Nordine
    Our glimpses of what's already occurred and what will soon come are vivid and impressionistic, prophetic warnings about which everyone seems powerless to do anything other than silently observe.
    • 60 Metascore
    • 90 Michael Nordine
    There are no jump-scares in this sensuous thriller, and the lack of anything corporeal on which to focus our unease only makes Butter on the Latch more darkly exhilarating.
    • 87 Metascore
    • 88 Michael Nordine
    Manages to be intimate and impersonal at the same time, a trait constantly reinforced by his portrayal of not only Ceausescu but the populace he led, represented, and controlled for nearly three decades.
    • 57 Metascore
    • 75 Michael Nordine
    Julia Leigh's take on the fairy tale is a study in detachment and unspoken dissatisfaction, traits that imbue the proceedings with a barely-contained sexual energy lurking beneath a thin veneer of calm.
    • 60 Metascore
    • 75 Michael Nordine
    Fightville's most worthwhile material tends to lie in the space between what its subjects say and what we know to be true.
    • 62 Metascore
    • 75 Michael Nordine
    There's something to be said about a two-and-a-half-hour war epic that manages to make each of its countless decapitation scenes feel earned, even called for, in the moment.
    • 54 Metascore
    • 70 Michael Nordine
    Though far from perfect, Toad Road is also the first unique horror film to come along in years.
    • 49 Metascore
    • 70 Michael Nordine
    Enemies Closer captures the feel of action flicks of yore -- unsurprising, given that some of them were directed by Hyams himself -- in a way that only limited-release and straight-to-video titles seem allowed to these days (aside from the latest Riddick, that is).
    • tbd Metascore
    • 70 Michael Nordine
    The main strength of writer-director Geoff Ryan's film is its quietude; too many movies exploring the neither-nor status occupied by vets whose experiences "over there" have altered their ability to function back home turn shrill in order to get their point across.
    • 79 Metascore
    • 70 Michael Nordine
    Lapid is so unconcerned with crafting a conventional crime drama that merely titling his film Policeman reads as a minor subversion, a way of defining the narrative in relation to a genre it hardly fits into.
    • 75 Metascore
    • 70 Michael Nordine
    That Battered Bastards is practically a hagiography doesn't negate the fact that it has more anti-establishment joie de vivre in any given scene than most talking-head docs about previously unheralded mensches contain in their entire run times.
    • 50 Metascore
    • 70 Michael Nordine
    It's better than the first.
    • 68 Metascore
    • 70 Michael Nordine
    [Michelle Monaghan's] at her best as Army medic/staff sergeant Maggie Swann in writer-director Claudia Myers's Fort Bliss.
    • 68 Metascore
    • 70 Michael Nordine
    While hardly the first or most accomplished film of its kind, Death Metal Angola's focus on the ability of abrasive music to act as a healing agent builds toward genuine moments of renewal and serenity.
    • tbd Metascore
    • 63 Michael Nordine
    Retreat's wheels are constantly spinning, but they're not always taking us anywhere.
    • 43 Metascore
    • 63 Michael Nordine
    The goings-on can rarely be called truly compelling, even if they're almost always generally pleasant.
    • 57 Metascore
    • 63 Michael Nordine
    The film works because what it documents is less a transformation and more a return to a former, more natural state for its troubled protagonist.
    • 80 Metascore
    • 63 Michael Nordine
    I Wish has a tough time balancing the heartfelt with the saccharine and too often feels slight.
    • tbd Metascore
    • 63 Michael Nordine
    The serio-comic technique and ping-ponging aesthetics ultimately make for a winning approach.
    • 51 Metascore
    • 60 Michael Nordine
    Has a lived-in, almost documentary-like realism to it, but as drama it's occasionally inert.
    • 70 Metascore
    • 60 Michael Nordine
    Schlesinger seems in such a rush to guide us to the end unscathed that she sometimes loses sight of the small details that make this journey unique.
    • tbd Metascore
    • 60 Michael Nordine
    The film is frequently amusing but indulges too often in flights of fancy.
    • 45 Metascore
    • 60 Michael Nordine
    Though it takes a long while for the many moving parts to click into place, the final minutes redeem not only a few characters but also Blood Ties itself -- not enough to make up for prior transgressions, perhaps, but enough to leave a favorable last impression.
    • 52 Metascore
    • 60 Michael Nordine
    It's refreshing that director Jim Taihuttu is more interested in the humdrum goings on of those who split their time between illegal and legitimate activities.
    • tbd Metascore
    • 60 Michael Nordine
    Jung Jae-young gives a physical, full-bodied performance in the main role.
    • 62 Metascore
    • 60 Michael Nordine
    Lemelson's interviews can be repetitive in their direct staging, but there's inspiration in his conceit of using a shadow-puppet performance set to gamelan music as interludes.
    • 28 Metascore
    • 60 Michael Nordine
    LeBlanc and Larter carry the day with a spectrum of charm missing from too many entries in this shaky, persistent genre.
    • 77 Metascore
    • 60 Michael Nordine
    A film about individuals who refuse to be silenced could stand to take a few more chances itself.
    • 33 Metascore
    • 50 Michael Nordine
    Like a feature-length Saturday morning cartoon with dashes of violence so graphic you'd swear you'd just stepped into Ralph Bakshi's Wizards. Which isn't to say that Goliath is good so much as compellingly weird on occasion.

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