For 866 reviews, this critic has graded:
  • 49% higher than the average critic
  • 1% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Michael O'Sullivan's Scores

  • Movies
Average review score: 56
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
866 movie reviews
    • Metascore: 48
    • Michael O'Sullivan 70
    Satisfies a hunger for the basics: a decent mystery to chew on, a bit of juicy suspense, maybe a plot twist as garnish. The fare is all on the standard menu, but it goes down well just the same.
    • Metascore: 61
    • Michael O'Sullivan 70
    The two-hour film never feels a minute too long.
    • Metascore: 46
    • Michael O'Sullivan 70
    Upon this fine mess shines Janeane Garofalo like a ray of sarcastic sunlight as FBI agent Shelby...With her gift for sweet bile, the sardonic Garofalo makes every second on screen a treasure to be cherished.
    • Metascore: 38
    • Michael O'Sullivan 70
    If you saw the French version, well, here it is, in Disney language, with John-Hughes-style slapstick.
    • Metascore: 42
    • Michael O'Sullivan 70
    It might make you tense, it might make you nauseous, and its clangorous roar could well give you a migraine headache.
    • Metascore: 71
    • Michael O'Sullivan 70
    Both wry and sobering, if such a thing is possible. In Jerusalem, apparently, it's inevitable.
    • Metascore: 14
    • Michael O'Sullivan 70
    A turbo-charged remake that should alienate no fans of the adrenalized 1975 original.
    • Metascore: 44
    • Michael O'Sullivan 70
    Much to my surprise and delight, the movie is nothing like its marketing.
    • Metascore: 53
    • Michael O'Sullivan 70
    What a shame, therefore, that in its puritanical treatment of the only strong female character, the otherwise politically correct police story is blithely unaware of its own closet misogyny.
    • Metascore: 45
    • Michael O'Sullivan 70
    Very funny in a way reminiscent of "Babe: Pig in the City."
    • Metascore: 36
    • Michael O'Sullivan 70
    An innocent comedic revenge fantasy that somehow manages to be sweet and wickedly satisfying at the same time.
    • Metascore: 62
    • Michael O'Sullivan 70
    Trenchant and visceral, American History X may not be perfect, but it's a darn sight better than good.
    • Metascore: 54
    • Michael O'Sullivan 70
    Enriched by a strong and unforced supporting cast, "Bread" nourishes the heart, even if its fairy-tale ending feels tacked on and unnecessary.
    • Metascore: 62
    • Michael O'Sullivan 70
    Maybe not wonderful, but still pretty darn good.
    • Metascore: 58
    • Michael O'Sullivan 70
    The acting of the main cast is uniformly nuanced, and, except for some bad makeup on Mendy's father, the film never looks as low-budget as it must have been.
    • Metascore: 45
    • Michael O'Sullivan 70
    Offers up the kind of pleasures that only a summer movie can...The cast is good-looking, the soundtrack is loud, the plot is stupid.
    • Metascore: 44
    • Michael O'Sullivan 70
    Not the sharpest political humor I've ever heard, but it gets my vote for the stupidest fun I've had in a long time.
    • Metascore: 46
    • Michael O'Sullivan 70
    An odd and oddly endearing romantic black comedy.
    • Metascore: 69
    • Michael O'Sullivan 70
    A thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people, seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause.
    • Metascore: 73
    • Michael O'Sullivan 70
    In a role that challenges our very notion of morality, Cox comes across as both predatory and fatherly, sometimes at once, in an acting turn as astonishing as it is stomach-turning.
    • Metascore: 52
    • Michael O'Sullivan 70
    Fitfully amusing comedy from director and one-time sitcom king Garry Marshall, the fantasy is alive and well among little girls of all ages.
    • Metascore: 48
    • Michael O'Sullivan 70
    Surprisingly brusque yet likable film.
    • Metascore: 32
    • Michael O'Sullivan 70
    Highly watchable stuff (not to mention listenable, with a relentless but not overly obtrusive hip-hop soundtrack propelling the action).
    • Metascore: 45
    • Michael O'Sullivan 70
    At least it's a pleasant walk, with attractive people and nice conversation
    • Metascore: 51
    • Michael O'Sullivan 70
    Delivered with the kind of English aplomb that PBS audiences around the country have come to know and love. It must be the accent.
    • Metascore: 49
    • Michael O'Sullivan 70
    When it comes right down to it, the talking animal thing is sort of secondary to what is, at heart, just a simple but perfectly satisfying little story about a boy who wants to keep his dog.
    • Metascore: 52
    • Michael O'Sullivan 70
    Shakespeare asked, "Or in the heart, or in the head?" It's not a new question by any means, but it's one that is given a fresh and refreshing adult twist by Decena's heady yet steady-handed Dopamine.
    • Metascore: 69
    • Michael O'Sullivan 70
    Sobering yet faintly optimistic documentary.
    • Metascore: 55
    • Michael O'Sullivan 70
    Mind you, there's lots to like, if not love, in this London-set, star-studded comedy. Unfortunately, there's a little bit to hate, too.
    • Metascore: 33
    • Michael O'Sullivan 70
    54
    An entertaining and surprisingly serious look at the infamous New York discotheque, with a genuine nostalgia for the late '70s and early '80s.