Michael O'Sullivan
Select another critic »
For 1,091 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Michael O'Sullivan's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Kill Bill: Vol. 2
Lowest review score: 0 Tomcats
Score distribution:
1,091 movie reviews
    • 43 Metascore
    • 60 Michael O'Sullivan
    Meet Joe Black is Hopkins's movie and, despite the film's unnecessary length, his quiet and dignified performance almost carries the ball across the finish line.
    • 47 Metascore
    • 60 Michael O'Sullivan
    It's the Weather Channel on steroids.
    • 47 Metascore
    • 60 Michael O'Sullivan
    The film as a whole, while possessing a kind of vicious beauty, feels as cold and as embalmed as a corpse.
    • 55 Metascore
    • 60 Michael O'Sullivan
    A generally well-made tale of humor and hard luck.
    • 38 Metascore
    • 60 Michael O'Sullivan
    A tad preachy and more than a little bit sanctimonious.
    • 68 Metascore
    • 60 Michael O'Sullivan
    A jaundiced view of litigation, however authentic, is not necessarily the stuff of great drama, even of the legal-thriller variety, which by definition is confined to a claustrophobic courtroom.
    • 70 Metascore
    • 60 Michael O'Sullivan
    Charming but slight comedy.
    • 70 Metascore
    • 60 Michael O'Sullivan
    If these repugnant people were really your friends and neighbors, your time would be more profitably spent reading the real estate listings than the movie reviews. But for 1 1/2 hours in a darkened theater, the derailment of their unhealthy emotions makes for one compulsively watchable train wreck.
    • 41 Metascore
    • 60 Michael O'Sullivan
    Yes, Knowing is creepy, at least for the first two-thirds or so, in a moderately satisfying, if predictable, way.
    • 77 Metascore
    • 60 Michael O'Sullivan
    The kind of stunning and contentious work of art that will leave a lot of folks speechless.
    • 34 Metascore
    • 60 Michael O'Sullivan
    Where Town and Country gets really good and weird – and I do mean good – is only after about an hour into it in deepest, darkest Idaho.
    • 58 Metascore
    • 60 Michael O'Sullivan
    Overwhelmingly predictable despite its cute surprise ending, Tortilla Soup is a filling but unoriginal dish.
    • 60 Metascore
    • 60 Michael O'Sullivan
    Charming but slight.
    • 49 Metascore
    • 60 Michael O'Sullivan
    It's a pretty compelling yarn, not to mention full of pretty pictures, and yet it could be so much more than that.
    • 29 Metascore
    • 60 Michael O'Sullivan
    It's a lot more tightly focused than the first outing, and for fans of the demented comedy of Elliott and Cross, or the thespian chops of Woods (a last-minute replacement for an ailing Marlon Brando), it's worth putting up with humor that's the filmic equivalent of a big, spit-soaked raspberry.
    • 53 Metascore
    • 60 Michael O'Sullivan
    Make no mistake. This is partisan filmmaking at its most gleefully unapologetic. Unless they're also masochists, Bill Clinton haters and Ken Starr fans will know better than to buy a ticket.
    • 52 Metascore
    • 60 Michael O'Sullivan
    There's something that never quite works about the film.
    • 39 Metascore
    • 60 Michael O'Sullivan
    Satisfies and disturbs in just about equal measure.
    • 60 Metascore
    • 60 Michael O'Sullivan
    It is also, despite the all-too-rare focus on the Filipino American community, a creakily familiar take on an age-old family dynamic.
    • 71 Metascore
    • 60 Michael O'Sullivan
    Cares not a whit for such arbitrary concepts as justice, crime or punishment. It understands the relativism of right and wrong and takes a kind of perverse pleasure in reminding us that there are some things we'll never know.
    • 47 Metascore
    • 60 Michael O'Sullivan
    Sappy but sweet B-ball Cinderella story that succeeds thanks largely to the outsize charm of its 4-foot-8-inch, corn-rowed protagonist.
    • 54 Metascore
    • 60 Michael O'Sullivan
    Presents an America that is as much about the pathological display of imperial power -- a showmanship of arrogance and violence -- as policy.
    • 45 Metascore
    • 60 Michael O'Sullivan
    Blade's stomach-turning special effects, bone-crunching martial arts and cynical humor will more than satisfy any action-film addict's need for a fix of eye-popping escapist adrenaline.
    • 69 Metascore
    • 60 Michael O'Sullivan
    Fitfully amusing and ultimately kind of heartwarming in a twisted sort of way
    • 30 Metascore
    • 60 Michael O'Sullivan
    A considerable cut above the crop of recent features by other 'SNL' alums.
    • Washington Post
    • 49 Metascore
    • 60 Michael O'Sullivan
    If Guess Who were either a whole lot funnier, or a whole lot less funny, it would be a far better film.
    • 41 Metascore
    • 60 Michael O'Sullivan
    It is this sense of real life blurring with make-believe that Allen's film is really playing with, like a kitten toying with a scared mouse. Back and forth he bats the subject, moving between reality, illusion and the imitation of reality with a deft touch that may bruise but never kills.
    • 57 Metascore
    • 60 Michael O'Sullivan
    A blackhearted little film. What's being marketed as a frothy French confection about jealousy (specifically the jealousy of a regular guy married to a famous movie star) also just so happens to be a portrait of a marriage going down the toilet.
    • 48 Metascore
    • 60 Michael O'Sullivan
    The pleasure is entirely like eating cake made from cake mix. It's not like you don't know how it's going to turn out, or how it tasted the last time you ate it.
    • 68 Metascore
    • 50 Michael O'Sullivan
    Now for the bad news. The filmmakers seem to have spent so much attention and, presumably, money on getting the primates right that they completely forgot about the people.

Top Trailers