Michael Phillips

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For 1,751 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Spotlight
Lowest review score: 0 That's My Boy
Score distribution:
1751 movie reviews
    • 56 Metascore
    • 50 Michael Phillips
    Wine may be sunlight held together by water, as Galileo said, but Bottle Shock is held together only by Alan Rickman.
    • 43 Metascore
    • 50 Michael Phillips
    Making her feature-film directorial debut, Grant is going for an everyday conversational texture and a sense of life's curveballs. But the results wander and you never really believe them.
    • 53 Metascore
    • 50 Michael Phillips
    An interesting misfire. It's also the victim of lousy timing.
    • 64 Metascore
    • 50 Michael Phillips
    It has a rich premise and no lack of amazements. What it lacks in any sort of dramatic shape.
    • 55 Metascore
    • 50 Michael Phillips
    Dark Shadows illustrates the fine line in a pop reboot between "relaxed" and "lazy."
    • 54 Metascore
    • 50 Michael Phillips
    The movie strolls through its paces, sometimes amusingly, though by the end you've heard "Volare" and "Arrivederci Roma" reprised often enough to make you wish "Volare" and "Arrivederci Roma" had never been written.
    • 52 Metascore
    • 50 Michael Phillips
    Isn’t eye candy; it’s a drool-worthy slice of eye pie.
    • 45 Metascore
    • 50 Michael Phillips
    Full of interesting little grace notes, and the cast is excellent, yet it grows more and more frustrating.
    • 55 Metascore
    • 50 Michael Phillips
    Agora has everything except real drama.
    • 47 Metascore
    • 50 Michael Phillips
    Just about everything in the video-gamey World War I picture Flyboys rings false, although the planes certainly are terrific.
    • 44 Metascore
    • 50 Michael Phillips
    The dialogue comes straight out of "The Benny Goodman Story." That look, someone says to a staring, pausing Kutcher, "tells me you're on to something big." Nobody talks in this movie; everyone speechifies or take turns sloganing one another to death.

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