Michael Phillips
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For 1,463 reviews, this critic has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 4.9 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 The Class
Lowest review score: 0 I Hope They Serve Beer in Hell
Score distribution:
1,463 movie reviews
    • 83 Metascore
    • 88 Michael Phillips
    Sweeney Todd may haunt you in ways you’re not used to with a movie musical. At least not since “Mame.”
    • 63 Metascore
    • 88 Michael Phillips
    Mainly it’s a very solid dance picture, which is the point.
    • 75 Metascore
    • 88 Michael Phillips
    The Witnesses may be schematic, but it lets each character live and breathe. The film captures a time and place that seems very distant now.
    • 78 Metascore
    • 88 Michael Phillips
    Swift and compelling, winner of this year’s Oscar for best foreign-language picture, The Counterfeiters may not be destined for the large international audience that embraced last year’s winner, “The Lives of Others.” But it’s the better, tougher film, with a more provocative moral dilemma at its center.
    • 67 Metascore
    • 88 Michael Phillips
    Pulls you into a well-observed world and its characters.
    • 83 Metascore
    • 88 Michael Phillips
    Small but sure, the film is like Alejandro himself: quick on its feet, attuned to a harsh life’s hardships and possibilities.
    • 83 Metascore
    • 88 Michael Phillips
    “Elephant” may have won the Palme d’Or at Cannes but it really didn’t have anything to say about anything. Modest and artful, Paranoid Park says a great deal.
    • 76 Metascore
    • 88 Michael Phillips
    Shine a Light is one of those lions-in-winter affairs, and Jagger, who has a body fat count of negative 67, can still dance like a maniacal popinjay, and Richards still looks like a satyr who has stayed up all night every night of his adult life.
    • 71 Metascore
    • 88 Michael Phillips
    It is a fine and plaintive experience, more modern-day folklore than ethnographic study, and a wonderfully assured piece of cinema.
    • 79 Metascore
    • 88 Michael Phillips
    Jenkins and The Visitor”make lovely music together. It’s a case of a veteran character actor slipping on a leading role like the most comfortable pair of pants in the world.
    • 67 Metascore
    • 88 Michael Phillips
    It's worth seeing just for the banter between Segel and Hader, which recalls the peak conversational riffs from "Knocked Up."
    • 79 Metascore
    • 88 Michael Phillips
    As big-budget comic book adaptations go, this one's a gratifying freak--the right kind of conflicted, as well as quick-witted. It's a lot of fun.
    • 73 Metascore
    • 88 Michael Phillips
    Everything about Kung Fu Panda is a little better, a little sharper, a little funnier than the animated run of the mill.
    • 80 Metascore
    • 88 Michael Phillips
    Takes you places an ordinary documentary filmmaker might’ve gone to yet missed completely.
    • 84 Metascore
    • 88 Michael Phillips
    Deeply personal, wryly funny and fantastically cinematic.
    • 78 Metascore
    • 88 Michael Phillips
    The picture's visual style is clean, exact and beautifully photographed by Yorgos Arvanitis.
    • 78 Metascore
    • 88 Michael Phillips
    The latest, meticulously atmospheric and wonderfully acted Potter adventure lands happily--broodingly, but happily---near the top of the series heap, just behind Alfonso Cuaron's "Harry Potter and the Prisoner of Azkaban."
    • 73 Metascore
    • 88 Michael Phillips
    Keeps you off-balance as it establishes a world where every conversation is a flirtation, and trouble and heartbreak sneak in on little cat feet when no one's looking.
    • 72 Metascore
    • 88 Michael Phillips
    A welcome surprise: a supernatural romantic comedy that works, graced with a cast just off-center enough to make it distinctive.
    • 82 Metascore
    • 88 Michael Phillips
    A triumph of ambience, Rachel Getting Married is the first narrative feature since the 1980s from director Jonathan Demme that feels like a party--bittersweet, but a party nonetheless.
    • 84 Metascore
    • 88 Michael Phillips
    There’s something of the harlequin in Leigh’s conception of this bright, manic young woman.
    • 82 Metascore
    • 88 Michael Phillips
    Remarkable documentary filmmaking, unflinching and full of unlikely grace.
    • 67 Metascore
    • 88 Michael Phillips
    As a director, Kaufman isn't yet his own best salesman. He's not enough of a visual stylist to sell his script's most challenging conceits. But the cast rises to a very strange and rich occasion.
    • 84 Metascore
    • 88 Michael Phillips
    The story of Harvey Milk is a tragedy, but not since Jeff Spicoli in "Fast Times at Ridgemont High" has Sean Penn played such a serenely happy individual.
    • 68 Metascore
    • 88 Michael Phillips
    While Streep has a tiny bit too much fun with some of her character's excesses, she's awfully good. So is Hoffman, who walks a fine line between obvious guilt and possible innocence.
    • 81 Metascore
    • 88 Michael Phillips
    The Wrestler works for the same reason "Rachel Getting Married" works. The way they're acted, shot, edited and scored, both films deploy a loose, rough-hewn documentary style to great dramatic advantage. The corn isn't hyped. The performances click without going for the jugular.
    • 83 Metascore
    • 88 Michael Phillips
    For me, it's a sign that a filmmaker is on to something if you love hanging out with the characters as they eat and drink and talk and reveal little bits of themselves through everyday action.
    • 80 Metascore
    • 88 Michael Phillips
    It pulls audiences into a meticulously detailed universe, familiar in many respects, wacked and menacing in many others.
    • 80 Metascore
    • 88 Michael Phillips
    Each performance in this plaintive work is superb, but Kyoko Koizumi's gently melancholy portrait of the businessman's wife keeps Tokyo Sonata true and affecting, even when the later passages go a little nuts.
    • 89 Metascore
    • 88 Michael Phillips
    The acting's so true, and Bahrani's so observant, you find yourself caring about everyone onscreen.

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