Michael Phillips
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For 1,467 reviews, this critic has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 5 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 The Master
Lowest review score: 0 Only God Forgives
Score distribution:
1,467 movie reviews
    • 89 Metascore
    • 88 Michael Phillips
    The acting's so true, and Bahrani's so observant, you find yourself caring about everyone onscreen.
    • 88 Metascore
    • 88 Michael Phillips
    The filmmaker's documentary training pays off in detail after detail.
    • 82 Metascore
    • 88 Michael Phillips
    I can't imagine Anvil! not appealing to anyone interested in any aspect of showbiz, and the drug of fame, and the lives people lead in pursuit of the next fix.
    • 76 Metascore
    • 88 Michael Phillips
    It's a big ice cream sundae, this one -- not great documentary filmmaking but tasty all the way.
    • 84 Metascore
    • 88 Michael Phillips
    Revanche has an unusual rhythm: Once it leaves the grotty urban despair behind for the deceptive calm of the countryside, it relaxes and explores the character’s interior lives.
    • 73 Metascore
    • 88 Michael Phillips
    Certain things in Three Monkeys can only be described as brilliant.
    • 94 Metascore
    • 88 Michael Phillips
    Vivid, assured and extremely suspenseful.
    • 83 Metascore
    • 88 Michael Phillips
    Raimi knows how to modulate his technique, as with the coolly controlled morality tale "A Simple Plan," but he's a firm believer in the power of an active, expressive camera, as well as the value of insinuation.
    • 69 Metascore
    • 88 Michael Phillips
    Watching Loeb opposite Berg, you're reminded of the miracles of chemistry and the luck of the draw when it comes to casting a show -- any show.
    • 73 Metascore
    • 88 Michael Phillips
    Warts, entrails and all, I had a ball at Zombieland. It’s 81 minutes of my kind of stupid.
    • 66 Metascore
    • 88 Michael Phillips
    More than any previous screen role, this one affords Damon a chance to work his sly comic chops.
    • 79 Metascore
    • 88 Michael Phillips
    This is an exceptional film about nearly unendurable circumstances, endured. You will come out the other side of it a markedly enriched filmgoer.
    • 83 Metascore
    • 88 Michael Phillips
    While director Armando Iannucci's brand of satire -- just plausible enough to be painful -- isn't for all tastes, it's a little bit of heaven to hear screen characters spew such eloquently vicious bile.
    • 73 Metascore
    • 88 Michael Phillips
    Be warned: Thirst is one of those pictures that tacks on another chapter just when you think it’s wrapping up.
    • 58 Metascore
    • 88 Michael Phillips
    The film is gripping---an honorable and beautifully acted addition to the tradition of homefront war stories.
    • 61 Metascore
    • 88 Michael Phillips
    The funniest American comedy of the summer.
    • 85 Metascore
    • 88 Michael Phillips
    The film version of “Breakfast at Tiffany’s” came out in the year in which An Education is set, and beyond the hairstyles, there’s something of the willful, gleeful Golightly reinvention expert about Jenny.
    • 82 Metascore
    • 88 Michael Phillips
    Tone is everything here. While likely influenced by Chilean absurdists of another era, such as playwright Egon Wolff, in The Maid Silva treads an ultra-fine line between caricature and character, leaning toward the latter without weighing down an essentially featherweight creation.
    • 49 Metascore
    • 88 Michael Phillips
    I’m inclined to agree with a colleague who told me he could swing with Antichrist when it was simply unstable but couldn’t go with it when it turned insane.
    • 73 Metascore
    • 88 Michael Phillips
    It is a fine little old-school thriller.
    • 77 Metascore
    • 88 Michael Phillips
    The Messenger is not itself grueling, which is practically a miracle. Rather, this pungent little chamber piece offers a full yet delicate range of emotions, and it humanizes its characters so that polemics are left in the background.
    • 69 Metascore
    • 88 Michael Phillips
    A true feat of daring and one of the craziest films of the year.
    • 76 Metascore
    • 88 Michael Phillips
    The movie putters near the end, but it's a film lover's delight.
    • 73 Metascore
    • 88 Michael Phillips
    A real charmer, Me and Orson Welles is the work of a director who takes nostalgia, romantic possibility and the theater seriously, without being a pill about it.
    • 64 Metascore
    • 88 Michael Phillips
    Gigante represents the sort of artful low-budget accomplishment that could, and should, be coming out of distressingly stingy Chicago once a year — whatever the subject, whatever the sensibility.
    • 82 Metascore
    • 88 Michael Phillips
    Haneke’s vision is gripping. The craftsmanship, classically shaped narrative and icy visual beauty cannot be denied.
    • 81 Metascore
    • 88 Michael Phillips
    A remarkable downer-upper paradox: a bruising tale of teenage resilience, honest and emotionally complicated and alive.
    • 55 Metascore
    • 88 Michael Phillips
    I greatly prefer this cleverly sustained and efficiently relentless remake to the '73 edition. It is lean and simple.
    • 77 Metascore
    • 88 Michael Phillips
    Polanski turns a conventional conspiracy thriller into a triumph of tone, ensemble playing and atmospheric menace.
    • 90 Metascore
    • 88 Michael Phillips
    A Prophet pushes its protagonist into circumstances he did not choose but in which he watches and learns and kills and eventually becomes all he can be, albeit criminally. Certainly Muslims living in France have embraced the movie and Malik, played by Rahim

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