Michael Phillips

Select another critic »
For 1,759 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 The Descendants
Lowest review score: 0 I'm Still Here
Score distribution:
1759 movie reviews
    • 42 Metascore
    • 50 Michael Phillips
    Jackson has not cast himself well, though. He has slathered the imagery in the wrong kind of wonderment and hyperbole, both on Earth and in heaven.
    • 51 Metascore
    • 50 Michael Phillips
    The film is ruled by sound and fury signifying an attempt to launch a new franchise.
    • 45 Metascore
    • 50 Michael Phillips
    Keener alone finds the truth between the lines of this routine affair. She can't do much about the lines she has to say out loud, but as all first-rate screen performers realize, words are only part of the story.
    • 36 Metascore
    • 50 Michael Phillips
    The glibness of Wiesen's freshman effort wouldn't be a problem if the wit was there.
    • 56 Metascore
    • 50 Michael Phillips
    Morgan and Eastwood are scrupulous in keeping their notions of the afterlife as general and inoffensive as possible. They have no religious or spiritual worldview to sell. As I say: Many admire this film to no end. I found its use of recent tragic events, including the London underground bombing, to be more than a little cheap.
    • 53 Metascore
    • 50 Michael Phillips
    I wish the film version of Astro Boy provided a stronger antidote to mediocrity.
    • 60 Metascore
    • 50 Michael Phillips
    It's outlandishly gory and bluntly political, the latter being more interesting than the former. It wears out its welcome, though, long before la revolucion and sequels are promised.
    • 42 Metascore
    • 50 Michael Phillips
    Here and there an image of spectral beauty, assisted by the 3-D technology, floats into view and captures our imagination. But the script, which really should've been called "Sanctimonium," has a serious case of the bends.
    • 39 Metascore
    • 50 Michael Phillips
    Green just isn't the superhero color this year.
    • 40 Metascore
    • 50 Michael Phillips
    The nuttiest hunk of junk in many months.
    • 40 Metascore
    • 50 Michael Phillips
    Robinson is undone partly by his own workmanlike touch as a writer, and partly by matters of casting. I like Harris, and he's quite moving here, but every time Duchovny reappears the overall energy level sinks to crush depth.
    • 59 Metascore
    • 50 Michael Phillips
    What If brings up the distinctions among wit, jokes and robotic banter, and this new romantic comedy has a bit of the first and a few of the second, but it's largely a case of the third.
    • 54 Metascore
    • 50 Michael Phillips
    There's about 10 good minutes out of 85.
    • 32 Metascore
    • 50 Michael Phillips
    If you want a relationship comedy that feels like last year's stuff, doesn't go far enough in any direction and is made watchable only by an overqualified ensemble, there's The Ex.
    • 27 Metascore
    • 50 Michael Phillips
    LaBeouf's quivering instability creates the impression that his performance is constantly buffering on us. He's never dull — he is, in fact, a compelling actor in any circumstance — but the material ends up cheapening the experiences of so many real-life veterans, which surely was not the filmmakers' intention.
    • 58 Metascore
    • 50 Michael Phillips
    I doubt even rabid fans of the first two will consider Shrek the Third a worthy addition to the franchise.
    • 45 Metascore
    • 50 Michael Phillips
    My God is this script predictable. Each relapse and betrayal shows up announced, and then announced again, a little louder, by the dialogue equivalent of an aggravating doorman.
    • 48 Metascore
    • 50 Michael Phillips
    This one's just OK, but at midnight, after who knows what, OK might be enough.
    • 50 Metascore
    • 50 Michael Phillips
    If more of the picture had the inventively grotesque payoff of the scene set at the gymnastics tryout, capped by a female character's inarguably poor dismount, we might have something to puke home about.
    • 71 Metascore
    • 50 Michael Phillips
    The skillful quartet at the center of Drinking Buddies reveals the weaknesses in the material.
    • 40 Metascore
    • 50 Michael Phillips
    Keanu Reeves plays Klaatu, confining his usual two-and-a-half-note vocal range to half that.
    • 47 Metascore
    • 50 Michael Phillips
    Hiddleston, his eyes full of fire and melancholy longing, was an inspired choice. Everything not-quite-right with most movies, however, goes wrong long before the actors arrive on set.
    • 42 Metascore
    • 50 Michael Phillips
    Assuming your psycho-pigtailed-killer memories extend back as far as "The Bad Seed," Maxwell Anderson's play filmed by director Mervyn LeRoy in 1956, Orphan may remind you of the icon made famous by Patty McCormack.
    • 59 Metascore
    • 50 Michael Phillips
    More than anything Minkoff's project feels like a protracted episode of "Jimmy Neutron," a show with characters for whom I don't have the same affection.
    • 37 Metascore
    • 50 Michael Phillips
    Half the time I wasn't sure what Lee was going for in terms of tone, or style, or focus. It was a tricky assignment to begin with, because McBride's novel, and his screenplay, is part socio-historical corrective, part magical-realist folklore, part wartime procedural.
    • 56 Metascore
    • 50 Michael Phillips
    How is that Vikander, who played the robot in the recent (and worthwhile) "Ex Machina," was twice as lively and five times as human in that picture than in The Man from U.N.C.L.E.?
    • 54 Metascore
    • 50 Michael Phillips
    This movie's all over the place, trying too hard to be all Westerns to all sensibilities.
    • 34 Metascore
    • 50 Michael Phillips
    I like Duhamel, and in her first straight-up dramatic role Hough does well enough, though her singing and/dancing career thus far has trained her to oversell, as opposed to sell, as opposed to act naturally.
    • 56 Metascore
    • 50 Michael Phillips
    Kids may love the movie, and even kids who love the books may like it. For me, though, an astonishing percentage of the books' appeal has vanished.
    • 31 Metascore
    • 50 Michael Phillips
    With her arresting, off-kilter look of bruised desire, Michelle Williams ends up being the most interesting aspect of this somber corn.

Top Trailers