Michael Phillips
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For 1,441 reviews, this critic has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 4.8 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 A Serious Man
Lowest review score: 0 Hostel: Part II
Score distribution:
1,441 movie reviews
    • 82 Metascore
    • 100 Michael Phillips
    The wondrous cinematography is by Gokhan Tiryaki. It is not an easy picture. Not many masterpieces are.
    • 86 Metascore
    • 100 Michael Phillips
    The Master is brilliantly, wholly itself for a little more than half of its 137 minutes. Then it chases its own tail a bit and settles for being merely a fascinating metaphoric father-son relationship reaching endgame. It may not all "work," but most of it's remarkable.
    • 82 Metascore
    • 100 Michael Phillips
    Finally! A comedy that works.
    • 76 Metascore
    • 100 Michael Phillips
    Flight is exciting - terrific, really - because in addition to the sophisticated storytelling techniques by which it keeps us hooked, it doesn't drag audience sympathies around by the nose, telling us what to think or how to judge the reckless, charismatic protagonist played by Denzel Washington.
    • 80 Metascore
    • 100 Michael Phillips
    An indelible portrait of an American family at its most blithely macabre.
    • 86 Metascore
    • 100 Michael Phillips
    It blends cinematic Americana with something grubbier and more interesting than Americana, and it does not look, act or behave like the usual perception of a Spielberg epic. It is smaller and quieter than that.
    • 94 Metascore
    • 100 Michael Phillips
    Small, sure and stunningly acted, this is a picture of exacting control.
    • 77 Metascore
    • 100 Michael Phillips
    See it, and I dare you not to care about what happens to these kids, these Yankees of chess.
    • 91 Metascore
    • 100 Michael Phillips
    This is a great and necessary document in support of a two-state solution. Even those who don't believe in such a solution may find their minds changed by The Gatekeepers.
    • 81 Metascore
    • 100 Michael Phillips
    Dense like a detailed graphic novel in the Chris Ware or R. Crumb vein, but a real movie in every way, Consuming Spirits is a strange and wormy accomplishment, the sort of personal epic only the most obsessive of cinematic madmen undertake, let alone complete.
    • 81 Metascore
    • 100 Michael Phillips
    No
    No succeeds, wonderfully, because it knows how to sell itself. It is cool, witty, technically dazzling in a low-key and convincing way.
    • 71 Metascore
    • 100 Michael Phillips
    Your kids may will fall in love with it, if you help them find it.
    • 85 Metascore
    • 100 Michael Phillips
    Fruitvale Station works because Coogler and his leading man present a many-sided protagonist, neither saint nor unalloyed sinner.
    • 90 Metascore
    • 100 Michael Phillips
    The whole movie, a feast of ensemble wiles and stunning hair, is juicy, funny and alive.
    • 83 Metascore
    • 100 Michael Phillips
    Yes, for every star there are five more also-rans and maybe-next-times. But there is honor and glory in being part of the blend. And, at the film's midpoint, when Clayton talks about the late-night recording session in 1969 of "Gimme Shelter," the memory takes on the glow of myth.
    • 90 Metascore
    • 100 Michael Phillips
    Her
    A delicate, droll masterwork, writer-director Spike Jonze's Her sticks its neck out, all the way out, asserting that what the world needs now and evermore is love, sweet love. Preferably between humans, but you can't have everything all the time.
    • 84 Metascore
    • 100 Michael Phillips
    Some may find the film underpowered. Not me. With elegant understatement, Cohen creates a humane testament to reaching out, whatever our habits and routines.
    • 100 Metascore
    • 100 Michael Phillips
    In completing this simple, beautiful project Linklater took his time. And he rewards ours.
    • 79 Metascore
    • 100 Michael Phillips
    Dear White People isn't perfect. And yet the flaws really don't matter. This is the best film about college life in a long time, satiric or straight, comedy or drama.
    • 87 Metascore
    • 100 Michael Phillips
    Whiplash is true to its title. It throws you around with impunity, yet Chazelle exerts tight, exacting control over his increasingly feverish and often weirdly comic melodrama.
    • 77 Metascore
    • 100 Michael Phillips
    Writer-director Perry has made a bracing and very Roth-y study of ambition and itchy literary yearning. In another time and another world, Robert Altman captured the essence of William Faulkner's landscape by filming a non-Faulkner crime story, "Thieves Like Us." This is comparable to what Perry has done here.
    • 89 Metascore
    • 100 Michael Phillips
    Ida
    One of the year's gems.
    • 85 Metascore
    • 88 Michael Phillips
    The film version of “Breakfast at Tiffany’s” came out in the year in which An Education is set, and beyond the hairstyles, there’s something of the willful, gleeful Golightly reinvention expert about Jenny.
    • 94 Metascore
    • 88 Michael Phillips
    Vivid, assured and extremely suspenseful.
    • 82 Metascore
    • 88 Michael Phillips
    Haneke’s vision is gripping. The craftsmanship, classically shaped narrative and icy visual beauty cannot be denied.
    • 81 Metascore
    • 88 Michael Phillips
    A remarkable downer-upper paradox: a bruising tale of teenage resilience, honest and emotionally complicated and alive.
    • 79 Metascore
    • 88 Michael Phillips
    This is an exceptional film about nearly unendurable circumstances, endured. You will come out the other side of it a markedly enriched filmgoer.
    • 69 Metascore
    • 88 Michael Phillips
    A true feat of daring and one of the craziest films of the year.
    • 76 Metascore
    • 88 Michael Phillips
    The movie putters near the end, but it's a film lover's delight.
    • 77 Metascore
    • 88 Michael Phillips
    The Messenger is not itself grueling, which is practically a miracle. Rather, this pungent little chamber piece offers a full yet delicate range of emotions, and it humanizes its characters so that polemics are left in the background.