For 1,218 reviews, this critic has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 4.7 points higher than other critics. (0-100 point scale)

Michael Phillips' Scores

  • Movies
Average review score: 64
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,218 movie reviews
    • Metascore: 97
    • Michael Phillips 100
    The result is a mixture of unified atmosphere and lived-in character study, and while Vasiliu’s role is not as indelible as that of her co-stars, Marinca’s Otilia and Ivanov’s steely abortionist are just about perfect.
    • Metascore: 96
    • Michael Phillips 100
    Its sense of humor is more sly, more sophisticated and more interesting than most PG-13 or R-rated comedies at the moment. The film may be animated, and largely taken up with rats, but its pulse is gratifyingly human.
    • Metascore: 95
    • Michael Phillips 88
    Is director David Fincher's film the stuff of greatness? Not quite. But the picture is very, very good.
    • Metascore: 95
    • Michael Phillips 100
    The key American film of 2012 ... Its stance is extremely tricky. It's not a documentary. It's not a load of revenge nonsense. It's not '24.' I'm still arguing with myself over parts of it. And that's a sign that a movie will endure.
    • Metascore: 95
    • Michael Phillips 100
    The film is a singular achievement, a piece of realist cinema with the pull of a suspense thriller.
    • Metascore: 94
    • Michael Phillips 100
    Burnett's documentarian empathy, coupled with his easygoing skill as a dramatic essayist, result in a film that doesn't look, feel or breathe like any American work of its generation.
    • Metascore: 94
    • Michael Phillips 88
    Vivid, assured and extremely suspenseful.
    • Metascore: 94
    • Michael Phillips 100
    While I may argue with the little guy's taste in musicals, it's remarkable to see any film, in any genre, blend honest sentiment with genuine wit and a visual landscape unlike any other.
    • Metascore: 94
    • Michael Phillips 100
    Small, sure and stunningly acted, this is a picture of exacting control.
    • Metascore: 92
    • Michael Phillips 100
    It is wonderful: a rhapsodic adaptation of a memoir, a visual marvel that wraps its subject in screen romanticism without romanticizing his affliction. It left me feeling euphoric.
    • Metascore: 92
    • Michael Phillips 100
    This is one of the screen's most rewarding explorations of the teacher/student relationship in any language.
    • Metascore: 92
    • Michael Phillips 100
    Day-Lewis... the role of a lifetime.
    • Metascore: 92
    • Michael Phillips 75
    Though uneven and less witty than the first two, Toy Story 3 delivers quite enough in two dimensions.
    • Metascore: 91
    • Michael Phillips 88
    The film goes pretty easy on the royals in the end, and it's a flattering portrait of Blair. But it's not credulous. Frears may swim in the political mainstream with The Queen but he does so like a champion channel crosser.
    • Metascore: 91
    • Michael Phillips 100
    It is personal filmmaking of the highest order, recognized with an Academy Award nomination for best foreign film.
    • Metascore: 91
    • Michael Phillips 88
    As pure craftsmanship, No Country for Old Men is as good as we’ve ever gotten from Joel and Ethan Coen. Only “Fargo” is more satisfying (it’s also a comedy, which this one isn’t).
    • Metascore: 91
    • Michael Phillips 100
    This is a great and necessary document in support of a two-state solution. Even those who don't believe in such a solution may find their minds changed by The Gatekeepers.
    • Metascore: 90
    • Michael Phillips 88
    A Prophet pushes its protagonist into circumstances he did not choose but in which he watches and learns and kills and eventually becomes all he can be, albeit criminally. Certainly Muslims living in France have embraced the movie and Malik, played by Rahim
    • Metascore: 90
    • Michael Phillips 75
    The way Lawrence captures a young woman's fear and resolve, often non-verbally, well … this is a considerable talent well on her way to a great career. It's for performances like this that moviegoers find themselves taking a chance on a title that doesn't have a fast-food tie-in.
    • Metascore: 89
    • Michael Phillips 100
    The film itself is perfectly poised between artistry and audacity. It's beautiful.
    • Metascore: 89
    • Michael Phillips 100
    Borat is a rarity: a comedy whose middle name is danger, or as the Kazakhs say, kauwip-kater.
    • Metascore: 89
    • Michael Phillips 100
    May be the best and saddest film of the year so far.
    • Metascore: 89
    • Michael Phillips 88
    The acting's so true, and Bahrani's so observant, you find yourself caring about everyone onscreen.
    • Metascore: 89
    • Michael Phillips 88
    The Artist may not be great art, but it's pearly entertainment.
    • Metascore: 89
    • Michael Phillips 100
    The word masterpiece costs nothing to write and means less than nothing in an age when every third picture and each new Clint Eastwood project is proclaimed as such. After two viewings, however, Letters From Iwo Jima strikes me as the peak achievement in Eastwood's hallowed career.
    • Metascore: 88
    • Michael Phillips 100
    It's a very small piece, working in a deceptively casual storytelling style. But it's my favorite music film since "Stop Making Sense," and it's more emotionally satisfying than any of the Broadway-to-Hollywood adaptations made in the last 20 years.
    • Metascore: 88
    • Michael Phillips 88
    The filmmaker's documentary training pays off in detail after detail.
    • Metascore: 88
    • Michael Phillips 88
    Mafioso is shaped like a comedy, and it is one, but its intentionally jarring clashes of tone and rhythm are truly out there.
    • Metascore: 88
    • Michael Phillips 88
    Matt Damon narrates, and I do wish the narration didn't end on such a generalized, throw-the-bums-out note, over footage of the Statue of Liberty.
    • Metascore: 88
    • Michael Phillips 88
    The actors, predictably, are superb in roles shaped by screenwriter David Seidler, and directed by Tom Hooper. Yet they are unpredictably superb as well.