Michael Rechtshaffen
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For 568 reviews, this critic has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Up
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Negative: 70 out of 568
568 movie reviews
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Delusions of Guinevere is a savvy if uneven satire.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Awkward comic timing and uneven performances spoil the desired effect.
    • 40 Metascore
    • 50 Michael Rechtshaffen
    This flaccid psychological thriller keeps spoiling its own surprise by constantly signaling the big plot twist.
    • 49 Metascore
    • 50 Michael Rechtshaffen
    Bates and co-writer Mark Bruner seem to be going for a satirical tone that falls somewhere between David Lynch and Seth Rogen, but deliberately cheesy effects and a sluggish pace sink the early potential.
    • 37 Metascore
    • 50 Michael Rechtshaffen
    The production squeaks by on the visual charm of art director Ian Hastings’ period touches and warm autumnal hues. The voice talent is a decidedly mixed bag.
    • 62 Metascore
    • 50 Michael Rechtshaffen
    Attempts to pass itself off as a fast-paced caper picture doubling as a socially conscious apartheid drama but ends up equally unconvincing in both departments.
    • 42 Metascore
    • 50 Michael Rechtshaffen
    Travolta has/is a blast in an action-thriller-comedy that otherwise comes up short.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    A big fluff ball of a sex farce that's so light and flimsy it's a wonder they were able to thread it through the projector.
    • 51 Metascore
    • 50 Michael Rechtshaffen
    Very much bearing the creative imprint of Robert Rodriguez, but directed by Nimrod Antal, the new edition, in its best moments, is an unabashed B-movie that plays like a jacked-up "Twilight Zone" with award-winning actors delivering the pulp-infused dialogue.
    • 48 Metascore
    • 50 Michael Rechtshaffen
    When all is said and done, their Pulitzer-winning photographs prove more potent than this well-intended but frustratingly generic picture.
    • 34 Metascore
    • 50 Michael Rechtshaffen
    Directed with aching purpose by Lawrence David Foldes from a script he wrote with Grafton S. Harper, the lavish-looking but hackneyed memory play is small-screen fodder at best.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    A technically impressive but talky sci-fi drama that never quite comes to life.
    • 53 Metascore
    • 50 Michael Rechtshaffen
    In the absence of a more conventional storytelling approach, this series of brief, fragmented glimpses of the harsh challenges that shaped Lincoln's early life never allows you to get sufficiently close to its celebrated subject.
    • 43 Metascore
    • 50 Michael Rechtshaffen
    A little charm and inventiveness would have gone a long way to tone down some of the picture's more obnoxious impulses.
    • 58 Metascore
    • 50 Michael Rechtshaffen
    Though it's nice to see Mendes take a looser, not quite so studied approach to his filmmaking, some stops along the way -- like a detour to visit Burt's suddenly single brother (Paul Schneider) -- feel dramatically off-course.
    • 63 Metascore
    • 50 Michael Rechtshaffen
    A backwoods psychological thriller delivered faux-documentary-style, with mixed results.
    • 39 Metascore
    • 50 Michael Rechtshaffen
    A tasteful melodrama courtesy of the easy chemistry between its two leads and a generally restrained touch from Tony-winning director George C. Wolfe in his feature debut.
    • 38 Metascore
    • 50 Michael Rechtshaffen
    An often imaginative though less than magical family feature.
    • 72 Metascore
    • 50 Michael Rechtshaffen
    ParaNorman is an amusing but only fitfully involving animated caper.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    While it certainly looks swell thanks to director John Moore's striking visuals, the wings of this rebuilt "Phoenix" have been clipped by generic scripting and a short supply of dramatic tension.
    • 40 Metascore
    • 50 Michael Rechtshaffen
    Will primarily strike a chord with Latina-skewing audiences with minimal crossover potential.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    While Heigl is terrific, this uninspired romantic comedy is considerably less so.
    • 38 Metascore
    • 50 Michael Rechtshaffen
    Unable to decide whether it wants to be a rambunctious family comedy or a tender romantic comedy, the Dennis Quaid-Rene Russo vehicle strains to be both and ends up falling short of both marks.
    • 48 Metascore
    • 50 Michael Rechtshaffen
    The clash of cultures isn't exactly groundbreaking but Qasim "Q" Basir's feature debut is told through the eyes of a young, black American Muslim, a perspective that has rarely been seen.
    • 65 Metascore
    • 50 Michael Rechtshaffen
    A darker, grittier creature that, while benefiting considerably from Dion Beebe's HD cinematography, is a frustratingly inert affair -- a long and talky excursion that fails to engage the viewer from the outset.
    • 62 Metascore
    • 50 Michael Rechtshaffen
    A beautifully shot (by Oscar-winning cinematographer John Toll) but dramatically empty pursuit picture set in the untamed West.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Screenwriter Victor Hawks' inclusive, all-God's-children message is above reproach, but his lead character is ultimately too good for the movie's own good.
    • 54 Metascore
    • 50 Michael Rechtshaffen
    Can't decide what it wants to be when it grows up.
    • 22 Metascore
    • 50 Michael Rechtshaffen
    The storytelling has all the dramatic complexity of a paint-by-numbers set, and you know exactly where all this is headed from the get-go.
    • 59 Metascore
    • 50 Michael Rechtshaffen
    Tedious portrait of a troubled Rolling Stone.

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