Michael Rechtshaffen

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For 684 reviews, this critic has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 3.1 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 U2 3D
Lowest review score: 0 I Know Who Killed Me
Score distribution:
684 movie reviews
    • 57 Metascore
    • 60 Michael Rechtshaffen
    It's frustrating to see this wonderful-looking, laugh-out-loud funny survival tale fall short of its potential.
    • 52 Metascore
    • 60 Michael Rechtshaffen
    With his stirring visual sense very much intact here, Salles sets the creepy mood eloquently, but the picture -- ultimately fails to reward all the little shivers with any satisfying jolts.
    • 51 Metascore
    • 60 Michael Rechtshaffen
    Snowboarders are given their Dew in this nicely shot but lengthy exercise in corporate branding.
    • 52 Metascore
    • 60 Michael Rechtshaffen
    Queen Latifah finally gets a vehicle that gives her formidable talents and expansive spirit plenty of blooming room.
    • 49 Metascore
    • 60 Michael Rechtshaffen
    A pleasant if pedestrian British romantic comedy.
    • 41 Metascore
    • 60 Michael Rechtshaffen
    The plot's pretty lame, the dialogue is downright hokey, and the characters are a bore, but somehow Final Destination 3 (an oxymoron if there ever was one) still delivers a certain degree of over-the-top amusement.
    • 41 Metascore
    • 60 Michael Rechtshaffen
    There also are hints of Doug Liman and Tony Scott to be found in this hopped-up, bullet-riddled crime thriller, but while certain sequences pack an admitted visceral kick, the prevailing effect is one of utter overkill.
    • 43 Metascore
    • 60 Michael Rechtshaffen
    An audacious, highly contemporary psychological thriller, Sorry,Haters is the kind of audience provoker certain to elicit at least as many haters as admirers.
    • 55 Metascore
    • 60 Michael Rechtshaffen
    Things hold together longer than they would have without Banderas' commanding, committed performance.
    • 64 Metascore
    • 60 Michael Rechtshaffen
    While Gretchen Mol delivers a delightfully exuberant lead performance, the film itself seldom goes beyond skin deep.
    • 47 Metascore
    • 60 Michael Rechtshaffen
    After a very funny start, there just isn't enough content to fill the feature-length curriculum.
    • 62 Metascore
    • 60 Michael Rechtshaffen
    Ultimately falls short of reaching the pleasingly pulpy heights of an "L.A. Confidential" or a "Chinatown" despite those obvious aspirations.
    • 36 Metascore
    • 60 Michael Rechtshaffen
    Manages to retain a certain goofy appeal thanks to the stand-up efforts of its comically adept cast members.
    • 42 Metascore
    • 60 Michael Rechtshaffen
    Timeliness is all very well, but the significant subject matter cries out for a defter directorial touch and a deeper complexity in regard to the characters and performances.
    • tbd Metascore
    • 60 Michael Rechtshaffen
    It's very much in "A League of Their Own" league, but what the inspirational sports drama Believe in Me might lack in freshness, it nicely compensates for in heartfelt, winning conviction and spirited performances.
    • 54 Metascore
    • 60 Michael Rechtshaffen
    No doubt about it, the show's certifiably bizarro, stream-of-consciousness sensibility has made the transition notably intact, which should please its young male fan base.
    • 38 Metascore
    • 60 Michael Rechtshaffen
    Boasting two terrific performances by Uma Thurman and Evan Rachel Wood as the adult and teenage versions of the same character.
    • 55 Metascore
    • 60 Michael Rechtshaffen
    Baby Boom serves up plenty of smart, knowing laughs early on, but by the time it hits the third act (or would that be trimester?), it barely crawls to the finish line.
    • 53 Metascore
    • 60 Michael Rechtshaffen
    Unfortunately, where episodes of the series used to take their cue from a question posed by one of Carrie's columns, writer-director Michael Patrick King never finds that focus, and Sex and the City loses its tart edge in the process.
    • 57 Metascore
    • 60 Michael Rechtshaffen
    This first feature by veteran visual effects supervisor Eric Brevig has its transporting, if benign, charms.
    • 64 Metascore
    • 60 Michael Rechtshaffen
    Although it has its involving moments, the watered-down Waugh fails to make any kind of lasting connection.
    • 58 Metascore
    • 60 Michael Rechtshaffen
    That butting of heads, as performed by actors as strong and soulful as Craig and Schreiber, lends Defiance an emotional charge, even as the film itself struggles dramatically to find its way out of those woods.
    • 53 Metascore
    • 60 Michael Rechtshaffen
    The flatly generic results certainly appear at odds with the picture's stirring visual style, which pays homage to the great Flemish artists.
    • 53 Metascore
    • 60 Michael Rechtshaffen
    Derivative bits aside, the pint-sized Japanese icon takes flight in vibrant CG animation -- no 3D glasses required.
    • 47 Metascore
    • 60 Michael Rechtshaffen
    There are sufficient pratfalls and Miley/Hannah quick-changes to satisfy the fans, while Cyrus retains that natural, unforced likability that made her a star in the first place.
    • 42 Metascore
    • 60 Michael Rechtshaffen
    Some of that frenetic running around has been replaced by inspired effects sequences and amusing riffs by the talented cast, especially new arrivals Hank Azaria and Amy Adams.
    • 55 Metascore
    • 60 Michael Rechtshaffen
    Curiously, despite the ever-energetic Tony Scott at the throttle, the sleek new edition isn't as transporting as it should have been.
    • 47 Metascore
    • 60 Michael Rechtshaffen
    If Weather Girl were to furnish its own forecast, it would be something along the lines of "Warm and breezy before becoming overcast and muggy late in the day."
    • 45 Metascore
    • 60 Michael Rechtshaffen
    While several of the dance sequences admittedly pack a visual pop, the added dimension does the hokey scripting and some of the acting no favors by amplifying their already noticeable shortcomings.
    • 38 Metascore
    • 60 Michael Rechtshaffen
    Amusing, but formulaic, romantic comedy.

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