Michael Rechtshaffen
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For 602 reviews, this critic has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 2.5 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Let Me In
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Negative: 81 out of 602
602 movie reviews
    • 56 Metascore
    • 50 Michael Rechtshaffen
    Maybe Roth was too busy paying tribute to all his childhood influences to take the necessary steps, but even in this uneasy era of SARS and other airborne horrors, his flesh-eating virus movie never convincingly gets under the skin.
    • 31 Metascore
    • 50 Michael Rechtshaffen
    The laughs tend to come in fits and starts, built around individual set pieces rather than being generated organically out of the storytelling.
    • 57 Metascore
    • 50 Michael Rechtshaffen
    Saving the day is Harrelson's low-key, rooted performance, adding an unexpected layer of poignancy when things take a decidedly darker turn.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Jamie Foxx finds his funny bone is firmly intact in the effervescent, urban-flavored romantic comedy Breakin' all the Rules.
    • 53 Metascore
    • 50 Michael Rechtshaffen
    The movie comes up short on inspiration despite a stellar voice cast that includes James McAvoy and Emily Blunt and a toe-tapping songbook by Elton John and Bernie Taupin.
    • 38 Metascore
    • 50 Michael Rechtshaffen
    While Michael Keaton and Brendan Fraser turn in a pair of sturdy performances, the film itself proves to be a harder sell, especially because it looks and sounds like Mamet but proves to be a flimsy knockoff.
    • 41 Metascore
    • 50 Michael Rechtshaffen
    Unfortunately, the whole seldom adds up to the sum of its illustrious parts, and Jarmusch's trademark deadpan quirks seem to have gotten lost in the translation.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Emerges as a frustrating cop-out.
    • 30 Metascore
    • 50 Michael Rechtshaffen
    After a promising start, this quirky comedy falls flat despite Eckhart's best efforts.
    • 45 Metascore
    • 50 Michael Rechtshaffen
    Audiences expecting a good time will instead be rewarded with wildly unsympathetic lead characters and uncomfortably long stretches without a laugh in sight.
    • 45 Metascore
    • 50 Michael Rechtshaffen
    Jay Lee's grotesque little horror film makes up for in audacity what it might lack in finesse.
    • 56 Metascore
    • 50 Michael Rechtshaffen
    While Jackass 3D can never be accused of stinting on its spring-loaded arsenal of projectile bodily fluids, neither does it approach that sublime, laugh-until-it-hurts level of gross-out nirvana that made the first two installments so darned irresistible.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    An often funny if slight satire that's never as edgy as it thinks it is or as sharply focused as it needs to be.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    The cheap and cheerful picture has its humorous moments thanks to Steven P. Baer's broad but buoyant script and a supporting cast of character actors who know how to hit a good line home.
    • 56 Metascore
    • 50 Michael Rechtshaffen
    While its cast delivers uniformly breezy performances, most everything else about Ramona's move to the multiplex feels unremarkable.
    • 42 Metascore
    • 50 Michael Rechtshaffen
    You'd think the team of Rob Reiner, Jack Nicholson and Morgan Freeman might have had the right stuff. Alas, their labored efforts fail to lift The Bucket List out of its flatlining state.
    • 41 Metascore
    • 50 Michael Rechtshaffen
    There's seldom a dull moment -- but nor are there any that allow viewers young or old to invest in its elite team of furry characters to any satisfying or lasting degree despite the presence of an energetic voice cast.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Delusions of Guinevere is a savvy if uneven satire.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Awkward comic timing and uneven performances spoil the desired effect.
    • 40 Metascore
    • 50 Michael Rechtshaffen
    This flaccid psychological thriller keeps spoiling its own surprise by constantly signaling the big plot twist.
    • 51 Metascore
    • 50 Michael Rechtshaffen
    The Forecaster, a documentary study of the rise and fall of commodities advisor Martin Armstrong, would have paid greater dividends by taking a more impartial approach to its subject.
    • 49 Metascore
    • 50 Michael Rechtshaffen
    Bates and co-writer Mark Bruner seem to be going for a satirical tone that falls somewhere between David Lynch and Seth Rogen, but deliberately cheesy effects and a sluggish pace sink the early potential.
    • 37 Metascore
    • 50 Michael Rechtshaffen
    The production squeaks by on the visual charm of art director Ian Hastings’ period touches and warm autumnal hues. The voice talent is a decidedly mixed bag.
    • 62 Metascore
    • 50 Michael Rechtshaffen
    Attempts to pass itself off as a fast-paced caper picture doubling as a socially conscious apartheid drama but ends up equally unconvincing in both departments.
    • 42 Metascore
    • 50 Michael Rechtshaffen
    Travolta has/is a blast in an action-thriller-comedy that otherwise comes up short.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    A big fluff ball of a sex farce that's so light and flimsy it's a wonder they were able to thread it through the projector.
    • 51 Metascore
    • 50 Michael Rechtshaffen
    Very much bearing the creative imprint of Robert Rodriguez, but directed by Nimrod Antal, the new edition, in its best moments, is an unabashed B-movie that plays like a jacked-up "Twilight Zone" with award-winning actors delivering the pulp-infused dialogue.
    • 48 Metascore
    • 50 Michael Rechtshaffen
    When all is said and done, their Pulitzer-winning photographs prove more potent than this well-intended but frustratingly generic picture.
    • 34 Metascore
    • 50 Michael Rechtshaffen
    Directed with aching purpose by Lawrence David Foldes from a script he wrote with Grafton S. Harper, the lavish-looking but hackneyed memory play is small-screen fodder at best.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    A technically impressive but talky sci-fi drama that never quite comes to life.

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