Michael Rechtshaffen
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For 591 reviews, this critic has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 2.2 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Up
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Negative: 75 out of 591
591 movie reviews
    • 43 Metascore
    • 50 Michael Rechtshaffen
    All three actors turn in solid, committed performances despite physically limiting surroundings, even as you're left with the inescapable feeling that this raft has sailed.
    • 49 Metascore
    • 50 Michael Rechtshaffen
    Bates and co-writer Mark Bruner seem to be going for a satirical tone that falls somewhere between David Lynch and Seth Rogen, but deliberately cheesy effects and a sluggish pace sink the early potential.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Screenwriter Victor Hawks' inclusive, all-God's-children message is above reproach, but his lead character is ultimately too good for the movie's own good.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    This portrait of strong, independent women grappling with change in their individual lives holds initial allure, but the effect proves ephemeral.
    • 51 Metascore
    • 50 Michael Rechtshaffen
    The Forecaster, a documentary study of the rise and fall of commodities advisor Martin Armstrong, would have paid greater dividends by taking a more impartial approach to its subject.
    • 54 Metascore
    • 50 Michael Rechtshaffen
    Although the performances are uniformly on point and the dialogue is tartly British, the film ultimately fails to earn its riotous stripes.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Groundswell Rising is an undeniably passionate but frustratingly one-sided examination of the controversial method of gas extraction.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    A big fluff ball of a sex farce that's so light and flimsy it's a wonder they were able to thread it through the projector.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    The cheap and cheerful picture has its humorous moments thanks to Steven P. Baer's broad but buoyant script and a supporting cast of character actors who know how to hit a good line home.
    • 55 Metascore
    • 50 Michael Rechtshaffen
    A fresh, young energetic cast is this wobbly musical comedy's main claim to "Fame."
    • 56 Metascore
    • 50 Michael Rechtshaffen
    Maybe Roth was too busy paying tribute to all his childhood influences to take the necessary steps, but even in this uneasy era of SARS and other airborne horrors, his flesh-eating virus movie never convincingly gets under the skin.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Emerges as a frustrating cop-out.
    • 38 Metascore
    • 50 Michael Rechtshaffen
    For a while there, Mathieu Kassovitz's atmospherically charged direction sucks the viewer into the story's hellish vortex. That is until the film becomes possessed by an increasingly ludicrous beyond-the-grave element from which there is no rational return.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Thanks to Martin and Hunt, who both have a seemingly casual flair for mining laughs from even the most generic lines of dialogue, Cheaper by the Dozen works better than it might have in less capable hands, but even they're challenged by some of the picture's forced mood swings.
    • 60 Metascore
    • 50 Michael Rechtshaffen
    Ultimately unsatisfying.
    • 58 Metascore
    • 50 Michael Rechtshaffen
    When there's a whole mess of zombie killing to be done, who cares about reflective writing or that time-wasting element of suspense?
    • 57 Metascore
    • 50 Michael Rechtshaffen
    A wobbly comedy-drama.
    • 31 Metascore
    • 50 Michael Rechtshaffen
    The laughs tend to come in fits and starts, built around individual set pieces rather than being generated organically out of the storytelling.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    Awkward comic timing and uneven performances spoil the desired effect.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Jamie Foxx finds his funny bone is firmly intact in the effervescent, urban-flavored romantic comedy Breakin' all the Rules.
    • 62 Metascore
    • 50 Michael Rechtshaffen
    Attempts to pass itself off as a fast-paced caper picture doubling as a socially conscious apartheid drama but ends up equally unconvincing in both departments.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    An often funny if slight satire that's never as edgy as it thinks it is or as sharply focused as it needs to be.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    While it certainly looks swell thanks to director John Moore's striking visuals, the wings of this rebuilt "Phoenix" have been clipped by generic scripting and a short supply of dramatic tension.
    • 39 Metascore
    • 50 Michael Rechtshaffen
    An awkward blend of live action and animation.
    • 54 Metascore
    • 50 Michael Rechtshaffen
    Can't decide what it wants to be when it grows up.
    • 43 Metascore
    • 50 Michael Rechtshaffen
    The drama gets stuck in a dispiritingly dull rut and fails to build toward what is supposed to be a something of a crowd-rousing triumph over adversity.
    • 38 Metascore
    • 50 Michael Rechtshaffen
    An often imaginative though less than magical family feature.
    • 34 Metascore
    • 50 Michael Rechtshaffen
    Despite the labors of leads Nicole Kidman and Will Ferrell, there's no screen magic being made here.
    • 23 Metascore
    • 50 Michael Rechtshaffen
    Every bit as vulgar, sophomoric and thoroughly tasteless as 1999's Deuce Bigalow: Male Gigolo. But what is most annoying is the sequel's capability of inducing laughter even as one hates oneself for so easily succumbing to the total silliness of it all.
    • 44 Metascore
    • 50 Michael Rechtshaffen
    A Spanish-language black comedy with a frenetic style that plays out like regurgitated Tarantino and Guy Ritchie.

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