Michael Rechtshaffen
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For 506 reviews, this critic has graded:
  • 62% higher than the average critic
  • 3% same as the average critic
  • 35% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The LEGO Movie
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Negative: 59 out of 506
506 movie reviews
    • 47 Metascore
    • 50 Michael Rechtshaffen
    While Heigl is terrific, this uninspired romantic comedy is considerably less so.
    • 35 Metascore
    • 50 Michael Rechtshaffen
    Jumper proves disappointingly inert. All the state-of-the-art visual effects in the world can't compensate for spotty plotting and bland characters that prevent an intriguing premise from going the distance.
    • 66 Metascore
    • 50 Michael Rechtshaffen
    This "Living Dead" exercise delivers far less monstrosity and a great deal of pomposity, not to mention dull characters who aren't nearly as lively as those dead guys.
    • 30 Metascore
    • 50 Michael Rechtshaffen
    After a promising start, this quirky comedy falls flat despite Eckhart's best efforts.
    • 44 Metascore
    • 50 Michael Rechtshaffen
    The picture continuously shuffles moods like tunes on an iPod without ever making any lasting commitments.
    • 45 Metascore
    • 50 Michael Rechtshaffen
    Jay Lee's grotesque little horror film makes up for in audacity what it might lack in finesse.
    • 43 Metascore
    • 50 Michael Rechtshaffen
    Eddie Murphy's amusingly out of this world in this otherwise tired vehicle.
    • 35 Metascore
    • 50 Michael Rechtshaffen
    The largely uninspired Clone Wars feels landlocked. In the absence of any extensive innovation, the video game-ready results play more like a feature-length promo for the imminent TV series of the same name than a stand-alone event.
    • 52 Metascore
    • 50 Michael Rechtshaffen
    There's definitely a workable, reality TV-based angle at the core of Last Stop -- something along the lines of "No Reservations" but with scattered human remains instead of Anthony Bourdain.
    • 52 Metascore
    • 50 Michael Rechtshaffen
    In Arnold's absence, an important ingredient of the "Terminator" iconography -- namely, the fun factor -- is in short supply.
    • 39 Metascore
    • 50 Michael Rechtshaffen
    A tasteful melodrama courtesy of the easy chemistry between its two leads and a generally restrained touch from Tony-winning director George C. Wolfe in his feature debut.
    • 36 Metascore
    • 50 Michael Rechtshaffen
    An awkward mix of proficient 3-D animation, detailed technical recreation and strained storytelling that stalls on takeoff.
    • 34 Metascore
    • 50 Michael Rechtshaffen
    It's business as usual at Camp Crystal Lake, with very little in the way of fresh jolts or an innovative visual style that would have really revitalized the hokey franchise.
    • 41 Metascore
    • 50 Michael Rechtshaffen
    Unfortunately, the whole seldom adds up to the sum of its illustrious parts, and Jarmusch's trademark deadpan quirks seem to have gotten lost in the translation.
    • 50 Metascore
    • 50 Michael Rechtshaffen
    Pretty much any sign of creative life gets left out in the cold in Ice Age: Dawn of the Dinosaurs, the monotonous, strictly by-the-numbers third edition of the wildly lucrative digitally animated franchise.
    • 41 Metascore
    • 50 Michael Rechtshaffen
    There's seldom a dull moment -- but nor are there any that allow viewers young or old to invest in its elite team of furry characters to any satisfying or lasting degree despite the presence of an energetic voice cast.
    • 50 Metascore
    • 50 Michael Rechtshaffen
    An initially intriguing plot line makes a messy getaway in this throwback heist movie.
    • 58 Metascore
    • 50 Michael Rechtshaffen
    Though it's nice to see Mendes take a looser, not quite so studied approach to his filmmaking, some stops along the way -- like a detour to visit Burt's suddenly single brother (Paul Schneider) -- feel dramatically off-course.
    • 45 Metascore
    • 50 Michael Rechtshaffen
    In a way, the film ultimately gets snagged in its own contraption.
    • 42 Metascore
    • 50 Michael Rechtshaffen
    Travolta has/is a blast in an action-thriller-comedy that otherwise comes up short.
    • 31 Metascore
    • 50 Michael Rechtshaffen
    Definitely has its amusing moments, but ultimately all that improvised shtick gets mighty tired without any real break in the nonaction.
    • 57 Metascore
    • 50 Michael Rechtshaffen
    Saving the day is Harrelson's low-key, rooted performance, adding an unexpected layer of poignancy when things take a decidedly darker turn.
    • 55 Metascore
    • 50 Michael Rechtshaffen
    What could have been a biting black comedy taking product placement to the logical extreme instead is so obviously predictable that even a savvy cast led by David Duchovny and Demi Moore can't sell it.
    • 65 Metascore
    • 50 Michael Rechtshaffen
    Never achieves the propulsive traction and outrageous/endearing balance that made "The Hangover" such a smash this time last year.
    • 30 Metascore
    • 50 Michael Rechtshaffen
    Despite the lazily self-satisfied results, his (Sandler) aging fan base likely will come along for the lackadaisical ride.
    • 56 Metascore
    • 50 Michael Rechtshaffen
    While its cast delivers uniformly breezy performances, most everything else about Ramona's move to the multiplex feels unremarkable.
    • 51 Metascore
    • 50 Michael Rechtshaffen
    Very much bearing the creative imprint of Robert Rodriguez, but directed by Nimrod Antal, the new edition, in its best moments, is an unabashed B-movie that plays like a jacked-up "Twilight Zone" with award-winning actors delivering the pulp-infused dialogue.
    • 63 Metascore
    • 50 Michael Rechtshaffen
    A backwoods psychological thriller delivered faux-documentary-style, with mixed results.
    • 56 Metascore
    • 50 Michael Rechtshaffen
    While Jackass 3D can never be accused of stinting on its spring-loaded arsenal of projectile bodily fluids, neither does it approach that sublime, laugh-until-it-hurts level of gross-out nirvana that made the first two installments so darned irresistible.
    • 53 Metascore
    • 50 Michael Rechtshaffen
    The movie comes up short on inspiration despite a stellar voice cast that includes James McAvoy and Emily Blunt and a toe-tapping songbook by Elton John and Bernie Taupin.