Michael Rechtshaffen
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For 538 reviews, this critic has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this critic grades 1.7 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Up
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Negative: 66 out of 538
538 movie reviews
    • 64 Metascore
    • 60 Michael Rechtshaffen
    Although it has its involving moments, the watered-down Waugh fails to make any kind of lasting connection.
    • 58 Metascore
    • 60 Michael Rechtshaffen
    That butting of heads, as performed by actors as strong and soulful as Craig and Schreiber, lends Defiance an emotional charge, even as the film itself struggles dramatically to find its way out of those woods.
    • 53 Metascore
    • 60 Michael Rechtshaffen
    The flatly generic results certainly appear at odds with the picture's stirring visual style, which pays homage to the great Flemish artists.
    • 53 Metascore
    • 60 Michael Rechtshaffen
    Derivative bits aside, the pint-sized Japanese icon takes flight in vibrant CG animation -- no 3D glasses required.
    • 47 Metascore
    • 60 Michael Rechtshaffen
    There are sufficient pratfalls and Miley/Hannah quick-changes to satisfy the fans, while Cyrus retains that natural, unforced likability that made her a star in the first place.
    • 42 Metascore
    • 60 Michael Rechtshaffen
    Some of that frenetic running around has been replaced by inspired effects sequences and amusing riffs by the talented cast, especially new arrivals Hank Azaria and Amy Adams.
    • 55 Metascore
    • 60 Michael Rechtshaffen
    Curiously, despite the ever-energetic Tony Scott at the throttle, the sleek new edition isn't as transporting as it should have been.
    • 47 Metascore
    • 60 Michael Rechtshaffen
    If Weather Girl were to furnish its own forecast, it would be something along the lines of "Warm and breezy before becoming overcast and muggy late in the day."
    • 45 Metascore
    • 60 Michael Rechtshaffen
    While several of the dance sequences admittedly pack a visual pop, the added dimension does the hokey scripting and some of the acting no favors by amplifying their already noticeable shortcomings.
    • 38 Metascore
    • 60 Michael Rechtshaffen
    Amusing, but formulaic, romantic comedy.
    • 40 Metascore
    • 60 Michael Rechtshaffen
    Although the film has its undeniably immersive, convincing moments, the merging of dramatic re-creations and on-camera "performances" proves less seamlessly executed than those masterfully coordinated land, sea and air missions.
    • 52 Metascore
    • 60 Michael Rechtshaffen
    Emotions run raw in this behind-the-scenes look at drummer Patty Schemel and her drug-fuelled run with the 90s grunge rock band, Hole.
    • 51 Metascore
    • 60 Michael Rechtshaffen
    As executed by an appealing ensemble of smooth operators, this adaptation often hits its amusing marks, but with a weighty running time of two hours, it often feels more like a lecture than an intended romp.
    • 50 Metascore
    • 60 Michael Rechtshaffen
    Thanks to a sparkling ensemble headed by Francois Cluzet and Marion Cotillard, the familiar backdrop still provides ample opportunity for audience pleasing in Guillaume Canet's nicely observed dramatic comedy.
    • 39 Metascore
    • 60 Michael Rechtshaffen
    More of a character-etched mood piece than a tautly calibrated caper, Dead Man Down benefits from potent visuals and a compelling international cast that also includes lead Colin Farrell, Terrence Howard and Isabelle Huppert.
    • 44 Metascore
    • 60 Michael Rechtshaffen
    Proves lightly entertaining in spite of its more heartfelt tendencies.
    • 51 Metascore
    • 60 Michael Rechtshaffen
    Steeped in high-tech paranoia, Winkler's film has a nice kinetic energy, effectively portraying the extent to which computers have become an intrinsic part of our lives. The screenplay, however, for which Winkler shares credit with four others, feels like watered-down John Grisham. [24 July 1995]
    • The Hollywood Reporter
    • 41 Metascore
    • 60 Michael Rechtshaffen
    Although some of the supporting performances can be a bit choppy, director Schirmer sets an effectively unsettling naturalistic visual tone, bathing all those dark impulses in sunny Indiana daylight.
    • 45 Metascore
    • 60 Michael Rechtshaffen
    Stepping behind the camera, versatile actor Dylan Baker makes an assured directorial debut, drawing spirited performances from his seasoned cast while mainly steering clear of the usual, treacly movie-of-the week conventions that often go with the territory.
    • 22 Metascore
    • 50 Michael Rechtshaffen
    The storytelling has all the dramatic complexity of a paint-by-numbers set, and you know exactly where all this is headed from the get-go.
    • 52 Metascore
    • 50 Michael Rechtshaffen
    In the absence of a more conventional storytelling approach, this series of brief, fragmented glimpses of the harsh challenges that shaped Lincoln's early life never allows you to get sufficiently close to its celebrated subject.
    • 23 Metascore
    • 50 Michael Rechtshaffen
    Although the resulting tonal shifts between funny and serious aren't always executed as seamlessly as they might be, Khoury deserves props for defying rom-com conventions more often than he succumbs to them.
    • 47 Metascore
    • 50 Michael Rechtshaffen
    A big fluff ball of a sex farce that's so light and flimsy it's a wonder they were able to thread it through the projector.
    • tbd Metascore
    • 50 Michael Rechtshaffen
    The cheap and cheerful picture has its humorous moments thanks to Steven P. Baer's broad but buoyant script and a supporting cast of character actors who know how to hit a good line home.
    • 55 Metascore
    • 50 Michael Rechtshaffen
    A fresh, young energetic cast is this wobbly musical comedy's main claim to "Fame."
    • 56 Metascore
    • 50 Michael Rechtshaffen
    Maybe Roth was too busy paying tribute to all his childhood influences to take the necessary steps, but even in this uneasy era of SARS and other airborne horrors, his flesh-eating virus movie never convincingly gets under the skin.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Emerges as a frustrating cop-out.
    • 38 Metascore
    • 50 Michael Rechtshaffen
    For a while there, Mathieu Kassovitz's atmospherically charged direction sucks the viewer into the story's hellish vortex. That is until the film becomes possessed by an increasingly ludicrous beyond-the-grave element from which there is no rational return.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Thanks to Martin and Hunt, who both have a seemingly casual flair for mining laughs from even the most generic lines of dialogue, Cheaper by the Dozen works better than it might have in less capable hands, but even they're challenged by some of the picture's forced mood swings.
    • 60 Metascore
    • 50 Michael Rechtshaffen
    Ultimately unsatisfying.

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