Michael Rechtshaffen

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For 737 reviews, this critic has graded:
  • 57% higher than the average critic
  • 6% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Cinderella Man
Lowest review score: 0 I Know Who Killed Me
Score distribution:
737 movie reviews
    • 64 Metascore
    • 70 Michael Rechtshaffen
    A period suburban rites-of-passage story with a pitch-perfect cast.
    • 54 Metascore
    • 70 Michael Rechtshaffen
    While Caine and young Milner make for amusing adversaries, it's nice to see Crowley paying respect to his elders by populating the retirement home with a number of familiar faces, including those belonging to Rosemary Harris, Sylvia Syms and longtime "Coronation Street" resident Thelma Barlow.
    • 44 Metascore
    • 70 Michael Rechtshaffen
    Once again, the three young leads give committed performances, with Lautner's character allowed a larger share of the spotlight this time around.
    • 53 Metascore
    • 70 Michael Rechtshaffen
    Bullock is an irrepressible hoot in writer-director John Lee Hancock's otherwise thoroughly conventional take on Michael Lewis' fact-based book "The Blind Side: Evolution of a Game."
    • 62 Metascore
    • 70 Michael Rechtshaffen
    The fact that it's actually based on a true story adds an extra layer of poignancy, heightened further by another superb Sophie Okonedo performance.
    • 57 Metascore
    • 70 Michael Rechtshaffen
    Manhattan's storied hotel is the timely subject of this passionate tribute.
    • 55 Metascore
    • 70 Michael Rechtshaffen
    Part zombie movie, part apocalyptic bioterror, part military conspiracy thriller, the refit hybrid doesn't stint on the visceral kicks demanded by contemporary audiences while remaining reasonably true to those Romero roots.
    • 48 Metascore
    • 70 Michael Rechtshaffen
    Moore and Neeson beautifully underplay their roles, lending screenwriter Erin Cressida Wilson's ("Secretary") dialogue an unexpected, palpable poignancy.
    • 55 Metascore
    • 70 Michael Rechtshaffen
    The film is at its most potent delineating Hefner's role in the American civil rights movement, going beyond the pages of his magazine.
    • 60 Metascore
    • 70 Michael Rechtshaffen
    Decidedly stimulating in its own right, at least in the early going.
    • 53 Metascore
    • 70 Michael Rechtshaffen
    A pitch-perfect, guilty-pleasure serving of late-summer schlock that handily nails the tongue-in-cheek spirit of the Roger Corman original.
    • 68 Metascore
    • 70 Michael Rechtshaffen
    It's a safe bet that exposure to the film should cause audiences to make room on their iPods for some serious downloading.
    • 65 Metascore
    • 70 Michael Rechtshaffen
    This redemptive tale set against southwest Ireland's moody seascape holds its tangible charms.
    • 51 Metascore
    • 70 Michael Rechtshaffen
    Slick superlobbyist Jack Abramoff is the colorful subject of Casino Jack a similarly slick and undeniably entertaining true-life D.C. crime story, boasting a robust Kevin Spacey performance.
    • 49 Metascore
    • 70 Michael Rechtshaffen
    Hatchet II earns bragging rights with buckets of giddily over-the-top blood 'n' guts in sequences that are as gratuitous as they are amusingly ridiculous.
    • 68 Metascore
    • 70 Michael Rechtshaffen
    The production comes by its authenticity naturally -- and not only because several of the cast members (fascinating faces all) happen to be related.
    • 63 Metascore
    • 70 Michael Rechtshaffen
    Although the tentative performances of his two human leads proves less satisfying, and the story's not-so-underlying sociological context can be hard to miss -- it takes place along the U.S.-Mexico border -- the overall picture still impresses.
    • The Hollywood Reporter
    • 39 Metascore
    • 70 Michael Rechtshaffen
    Never achieves sufficient traction to go the blockbuster distance.
    • 52 Metascore
    • 70 Michael Rechtshaffen
    It generally succeeds, too, thanks to a visually energetic approach by director Jon Chu that keeps all the obligatory backstage/onstage bits moving fluidly.
    • 50 Metascore
    • 70 Michael Rechtshaffen
    A giddily over-the-top, super-entertaining goof on the Everyman crimefighter flick written and directed with evident relish by James Gunn.
    • 62 Metascore
    • 70 Michael Rechtshaffen
    Directing from the nonjudgmental script he wrote with Michael Armbruster, Ku's assured, unadorned documentary style allows his leads ample breathing room to inhabit their devastated characters.
    • 66 Metascore
    • 70 Michael Rechtshaffen
    There's still much to admire about this carefully drawn but concise character sketch, especially the strong performances and a unique, affectingly ominous score by folk-rock-gospel outfit Bruce Peninsula.
    • 38 Metascore
    • 70 Michael Rechtshaffen
    While by no means a masterpiece of the form, John Carpenter's The Ward is an economical period piece that still effectively demonstrates what a skilled technician can accomplish in a single location with a compact cast and sturdy old-school effects.
    • 37 Metascore
    • 70 Michael Rechtshaffen
    A sweet 'n' sassy period comedy with a "Juno" sensibility and the soul of a "Little Miss Sunshine," the hard-to-resist Dirty Girl announces the official arrival of Juno Temple.
    • 61 Metascore
    • 70 Michael Rechtshaffen
    It's the affable cast, headed by Drew Barrymore and John Krasinski, that really makes the picture so widely accessible.
    • 46 Metascore
    • 70 Michael Rechtshaffen
    Armed with a splendid voice cast and a gorgeously-rendered 3D-CG landscape, Dr. Seuss' The Lorax entertains while delivering it's pro-environmental, anti-greed message wrapped in a bright package of primary colors that truly pop.
    • 56 Metascore
    • 70 Michael Rechtshaffen
    Imagine a Kiwi spaghetti western filtered through the offbeat sensibilities of early Sam Raimi or the Coen brothers and you've pretty much got the picture that is Good for Nothing.
    • 37 Metascore
    • 70 Michael Rechtshaffen
    A gritty serving of pulp fiction masterfully perpetrated by Samuel L. Jackson as a philosophical ex-con trying to buck the considerable odds by taking a shot at redemption.
    • 63 Metascore
    • 70 Michael Rechtshaffen
    A delightfully stylized caper involving a mute little girl, her pet cat and a cat burglar.
    • 54 Metascore
    • 70 Michael Rechtshaffen
    Oroves nimbler and truer to its origins than last year's "Rodrick Rules."

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