Michael Wilmington
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For 1,276 reviews, this critic has graded:
  • 77% higher than the average critic
  • 2% same as the average critic
  • 21% lower than the average critic
On average, this critic grades 13.2 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 The Flower of Evil
Lowest review score: 0 Chaos
Score distribution:
1,276 movie reviews
    • 98 Metascore
    • 100 Michael Wilmington
    A brilliant work of the imagination capable of truly seizing and igniting our fantasies.
    • 94 Metascore
    • 100 Michael Wilmington
    A boisterous, brilliant, heart-warming comedy--strikes me as just about perfect.
    • 88 Metascore
    • 100 Michael Wilmington
    Nobody Knows, by the often excellent Japanese filmmaker Hirokazu Kore-eda, is one of those special movies that can give us a new way of seeing.
    • 89 Metascore
    • 100 Michael Wilmington
    A major cinema event of the year, a masterpiece of Italian film traditions in social/political realism and historical family epic.
    • 59 Metascore
    • 100 Michael Wilmington
    A deeply moving blend of cold terror and rapturous hilarity. Lovingly crafted by Italy's top comedian and most popular filmmaker, it's that rare comedy that takes on a daring and ambitious subject and proves worthy of it.
    • 86 Metascore
    • 100 Michael Wilmington
    Achieves a mellowness and melancholy that recalls the jazzy dissonance of director (and here, composer) Eastwood's best work: "The Outlaw Josey Wales," "Bird," "Unforgiven" and "Mystic River."
    • 74 Metascore
    • 100 Michael Wilmington
    It's a movie of such jaw-dropping violence, wild improbability and dazzling style it overpowers all resistance.
    • 94 Metascore
    • 100 Michael Wilmington
    Like all great fantasies and epics, this one leaves you with the sense that its wonders are real, its dreams are palpable.
    • 89 Metascore
    • 100 Michael Wilmington
    It's as thrilling and lushly beautiful a movie as has been released all year, matched only by Zhang's epic "Hero." And I think this film is the more powerful.
    • 88 Metascore
    • 100 Michael Wilmington
    One of the most remarkable and moving love stories the movies have recently given us.
    • 92 Metascore
    • 100 Michael Wilmington
    One of the quintessential '60s foreign art films, a bizarre melange of pop music, revolution, sex, movie allusions and poetry. It's a masterpiece of sorts by one of the most important European filmmakers of that era. But it's also a movie that can drive you crazy.
    • 82 Metascore
    • 100 Michael Wilmington
    Downfall, whatever its shortcomings, bears strong witness to great evil. That is its triumph as a film.
    • 68 Metascore
    • 100 Michael Wilmington
    All the "Star Wars" movies will continue to entertain us for many years to come. They were grand fun, and this last one's a corker.
    • 80 Metascore
    • 100 Michael Wilmington
    Perfect for anyone with a youthful heart and a rich imagination.
    • 71 Metascore
    • 100 Michael Wilmington
    Romero's newest is a horror movie for hard-core fans of the gory and the gruesome and a classic genre film for genre aficionados.
    • 81 Metascore
    • 100 Michael Wilmington
    With rich irony, The World juxtaposes the teasing, grand images of the outside world's wonders with the insular community and the mundane lives of the park employees.
    • 80 Metascore
    • 100 Michael Wilmington
    If it's not an actual masterpiece, it's at least the next best thing, a fully characteristic, fully alive work by a master of his art.
    • 72 Metascore
    • 100 Michael Wilmington
    A peach of a story delightfully imagined by Dahl and lushly realized by Burton. It's full of witty or awesome scenes, flights of fancy and characters either totally, lovably sweet or outrageously, humorously rotten.
    • 90 Metascore
    • 100 Michael Wilmington
    Still packs a wallop. It's also a movie with no easy passage to its dark heart.
    • 83 Metascore
    • 100 Michael Wilmington
    In this movie, Auteuil ("Jean de Florette") and Binoche ("Chocolat") are such marvelous actors, they can shift us in almost any emotional direction with a speech or a glance.
    • 88 Metascore
    • 100 Michael Wilmington
    Of all the movies that try to take us into the mind and viewpoint of a child, Carol Reed's 1948 The Fallen Idol, adapted by Graham Greene from his short story, is one of the most ingenious.
    • 93 Metascore
    • 100 Michael Wilmington
    Days of Heaven is the grand climax of the whole "Bonnie and Clyde"-"Badlands" tradition of outlaw-lovers-on-the-run movies. Shot by Nestor Almendros and the uncredited Haskell Wexler, it's a cinematographic masterpiece. [20 March 1998]
    • Chicago Tribune
    • 80 Metascore
    • 100 Michael Wilmington
    Three Times is great cinema, pop romance that carries a special charge.
    • 99 Metascore
    • 100 Michael Wilmington
    A film masterpiece, restored more than three decades after its French release, "Army" remains a superb, coolly accurate portrait of a living hell recalled by two men who knew it well and record it truly, Melville and novelist Joseph Kessel.
    • 79 Metascore
    • 100 Michael Wilmington
    If all this potent drama recalls Bergman, the beautifully articulated staging and setting suggest that master of operatic social-sexual drama, Luchino Visconti ("The Leopard").
    • 73 Metascore
    • 100 Michael Wilmington
    This is a movie for all cultures and all people, for families and especially for those who have lost them.
    • 84 Metascore
    • 100 Michael Wilmington
    If you haven't gotten hooked already on Michael Apted's series--collectively, one of the great documentaries in the history of the cinema--you should prepare yourself for the latest installment, 49 Up.
    • 70 Metascore
    • 100 Michael Wilmington
    It's a work by cinematic geniuses that reveals beauty and terror in a long-ago time with a virtuoso intensity. You won't soon forget its mad, lovely sights and sounds.
    • 82 Metascore
    • 100 Michael Wilmington
    Brims with intelligence, compassion and sensuous delight in the textures, sights and sounds of life--all the way from the Taj Mahal to Pearl Jam.
    • 82 Metascore
    • 100 Michael Wilmington
    A beautiful film, harrowing, tough and rife with grief.

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