Michael Wilmington

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For 1,278 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 12.7 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Safe Conduct
Lowest review score: 0 Chaos
Score distribution:
1,278 movie reviews
    • 42 Metascore
    • 50 Michael Wilmington
    It's a movie that robs the story of its politics and point and never really matches the charm of the '60s film.
    • 53 Metascore
    • 50 Michael Wilmington
    Hobbled with pedestrian direction, a dull visual style and a last act awash in obvious bang-bang melodrama.
    • 61 Metascore
    • 50 Michael Wilmington
    This seems to be a movie made by people who love the old classic movie swashbucklers but don't have a clue how to make or modernize them.
    • 37 Metascore
    • 50 Michael Wilmington
    Unfortunately, the humans only have scripts to support them. So for every bear triumph, Country Bears also features cliched jokes, corny sentiment, ludicrous shtick and the most flabbergasting set of star cameos since Martha Stewart and Michael Jackson wandered into "Men in Black II."
    • 46 Metascore
    • 50 Michael Wilmington
    Like too many movies these days, takes a clever little idea and all but pounds it into the ground.
    • 33 Metascore
    • 50 Michael Wilmington
    An overblown, overspectacular, oversold movie without an original idea in its head.
    • Chicago Tribune
    • 44 Metascore
    • 50 Michael Wilmington
    Despite some impressive technical achievements, it too looks like a movie with little reason for being.
    • 63 Metascore
    • 50 Michael Wilmington
    It's a bizarre but engaging fling.
    • 42 Metascore
    • 50 Michael Wilmington
    Slick, expensive and filled with good-looking actors flexing muscles, but once it grabs our attention it doesn't really reward it...this movie doesn't have fear -- or sheer wonder and marvel -- enough.
    • 49 Metascore
    • 50 Michael Wilmington
    There's barely a scene in this movie that taps his (Murphy) special brilliance.
    • 47 Metascore
    • 50 Michael Wilmington
    It’s a big, frothy, high-tech, cutesy-poo musical comedy.
    • 48 Metascore
    • 50 Michael Wilmington
    One of those movies that promises much but doesn't deliver. Despite a lot of misplaced talent, this movie is as silly and forced as its title.
    • 25 Metascore
    • 50 Michael Wilmington
    Maybe Georgia Rule should be required viewing for Paris Hilton during her term in the slammer. But not for us.
    • 47 Metascore
    • 50 Michael Wilmington
    It's really a crock: a coming-of-age boys' prison film that has only a fanciful link with Behan's life. The film is a bastard grandchild of Tony Richardson's 1962 "The Loneliness of the Long Distance Runner."
    • 38 Metascore
    • 50 Michael Wilmington
    It's a middling film that wastes a lot of good opportunities, as well as two fine, charming co-stars.
    • 45 Metascore
    • 50 Michael Wilmington
    This isn't a particularly good movie, and it's offensive in the way mid-range low-budget slasher shows usually are. But it works better than some, largely because Etheredge-Ouzts has a more original slant and a deeper sense of character than horror movies usually allow.
    • 73 Metascore
    • 50 Michael Wilmington
    A light, breezy, often charming little film, with a good cast playing mostly shallow characters.
    • Chicago Tribune
    • 70 Metascore
    • 50 Michael Wilmington
    A bright and zippy, but alarmingly over-campy and lighter-than-fluff cartoon feature.
    • Chicago Tribune
    • 51 Metascore
    • 50 Michael Wilmington
    Like its title heroine, it's sparkly, pretty and flirty--but often all wet.
    • 39 Metascore
    • 50 Michael Wilmington
    Strikes me as a pure, unadulterated crock. [12 February 1999, Friday, p.A]
    • Chicago Tribune
    • 47 Metascore
    • 50 Michael Wilmington
    Wacky and heartless, bloody and silly -- and it ends in a flourish of grotesque sentimentality.
    • 26 Metascore
    • 50 Michael Wilmington
    A neo-noir movie nightmare gone sadly wrong.
    • 66 Metascore
    • 50 Michael Wilmington
    At its best, Transamerica made me laugh and feel for Bree. At its worst, it made me cringe at the potential creepiness of its central relationship.
    • 32 Metascore
    • 50 Michael Wilmington
    "Masked" is erratic and volatile, too, from scene to scene, moment to moment. The script is chaotic, but the top-flight actors play their hearts out.
    • 46 Metascore
    • 50 Michael Wilmington
    As silly movies go, this one is at least pretty exciting. But in the end, Typhoon leaves you feeling as exiled from the two Koreas as Sin is.
    • 46 Metascore
    • 50 Michael Wilmington
    There are no surprises in this movie -- not even in the Bollywood parodies, when the hero and heroine finally, subversively kiss. There is talent, though.
    • 52 Metascore
    • 50 Michael Wilmington
    As sports movies go, Gridiron Gang isn't bad, just not top-line material.
    • 32 Metascore
    • 50 Michael Wilmington
    Soft and predictable -- which might be OK if there were more laughs and insight.
    • Chicago Tribune
    • 30 Metascore
    • 50 Michael Wilmington
    The movie goes too far on too little motivation - and the middle section, with its maggoty villains, roiling skies and native revolts, seems almost barmy. Yet Exorcist: Beginning does score a small victory. It's not as bad as you'd think.
    • Chicago Tribune
    • 60 Metascore
    • 50 Michael Wilmington
    Slickly produced, well cast and very excitingly made, it's based on plot hooks so silly, most of them blow up in your face.

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