Michael Wilmington
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For 1,277 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 13.1 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Shine
Lowest review score: 0 Chaos
Score distribution:
1,277 movie reviews
    • 84 Metascore
    • 100 Michael Wilmington
    A powerful film made with minimal means, it's a story of poor people on the fringes of society, done without sentimentality or condescension but with wicked humor.
    • 73 Metascore
    • 100 Michael Wilmington
    The third film, After the Life, much like "On the Run," mixes a hard-edged, relentless and stripped-down crime tale with a compassionate overview.
    • 84 Metascore
    • 100 Michael Wilmington
    even in the notable ranks of Leigh's movie, TV and theater work-an oeuvre embracing high comedy, biting comment and shivering pathos-Naked is extraordinary. In the hands of Leigh and his magnificently gifted, gutsy cast, these days and nights on London's streets burn themselves on our minds.
    • 74 Metascore
    • 100 Michael Wilmington
    Whether Kundun is a perfect movie or not, it's an important and beautiful one. Scorsese's movie takes us into a world we've rarely seen with this kind of sympathy or detail: a magical-looking society built on Buddhism and centuries of art and tradition.
    • 76 Metascore
    • 100 Michael Wilmington
    It's a magical film which manages to transport and rivet us in the same highly-imaginitive, breezily playful way "Amelie" did.
    • 65 Metascore
    • 100 Michael Wilmington
    Pure magic, a three-act movie fantasy that transports us -- as the best films do -- to a world of its own, a place of ambiguous joy and delirious terror.
    • Chicago Tribune
    • 69 Metascore
    • 100 Michael Wilmington
    It put a smile on my face that never left for 117 minutes.
    • 85 Metascore
    • 100 Michael Wilmington
    Jafar Panahi of Iran is one of his country's great filmmakers, and Offside is his best movie to date.
    • 65 Metascore
    • 100 Michael Wilmington
    It's a movie that's so personal, naked and vulnerable that you can understand why some of its humor seems rough, some of its visuals excessive. But Crooklyn has a quality not as obvious in any Lee film since "Do the Right Thing": the sense of a whole world opening, rich and real, before your eyes. [13 May 1994, p.A]
    • Chicago Tribune
    • 68 Metascore
    • 100 Michael Wilmington
    All the "Star Wars" movies will continue to entertain us for many years to come. They were grand fun, and this last one's a corker.
    • 98 Metascore
    • 100 Michael Wilmington
    A timeless romantic thriller that steeps us in one of those great artificial movie worlds that become more overpowering than reality itself.
    • 74 Metascore
    • 100 Michael Wilmington
    Perhaps the most original movie fantasy creation of the year: an icon of tenderness and artistic alienation that clings, stickum-like, to your mind's eye and the softest, most woundable parts of your mass-culture heart. [7 Dec 1990, Calendar, p.F-1]
    • Los Angeles Times
    • 67 Metascore
    • 100 Michael Wilmington
    25th Hour struck me as one of the best movies of 2002, but it's also a film that will strike some of its audience as ethically dubious or threatening.
    • 85 Metascore
    • 100 Michael Wilmington
    A hard-core movie with a soft, light-hearted center and an edge like a knife.
    • Chicago Tribune
    • 90 Metascore
    • 100 Michael Wilmington
    I loved this movie madly, and so will many of you.
    • Chicago Tribune
    • 81 Metascore
    • 100 Michael Wilmington
    Georgia, written with rare honesty and economy by Leigh's mother, Barbara Turner, and very sensitively directed by Ulu Grosbard, is a tough-minded look at show business and families. [10 Jan 1996]
    • Chicago Tribune
    • 62 Metascore
    • 100 Michael Wilmington
    Like most Godard, it can be watched repeatedly, always yielding new secrets and beauties. Most profound of all, perhaps, are those incredible black-and-white images of Paris.
    • 88 Metascore
    • 100 Michael Wilmington
    Moviegoers should be almost as entranced by the teeming, glorious landscapes and dark, bloody battlegrounds of Two Towers: astonishing midpoint of an epic movie fantasy journey for the ages.
    • 89 Metascore
    • 100 Michael Wilmington
    It's as thrilling and lushly beautiful a movie as has been released all year, matched only by Zhang's epic "Hero." And I think this film is the more powerful.
    • 90 Metascore
    • 100 Michael Wilmington
    An improbable masterpiece -- a bizarre mixture of grandly operatic visuals, grim brutality and sordid violence that keeps wrenching you from one extreme to the other.
    • 76 Metascore
    • 100 Michael Wilmington
    A movie about the passions of simple people, and it's done with such extraordinary empathy and commitment that it all but pulls you under. [29 November 1996, Friday, p.A]
    • Chicago Tribune
    • 100 Metascore
    • 100 Michael Wilmington
    1966 French masterpiece -- the finest, most deeply personal work of a filmmaker who has been compared, justifiably, to both Dostoyevsky and Bach.
    • 98 Metascore
    • 100 Michael Wilmington
    A brilliant work of the imagination capable of truly seizing and igniting our fantasies.
    • 72 Metascore
    • 100 Michael Wilmington
    A rare example of a literary film that preserves the best of its source while creatively filling up on it.
    • Chicago Tribune
    • 82 Metascore
    • 100 Michael Wilmington
    This French documentary gives us unprecedented intimacy and sweep.
    • 67 Metascore
    • 100 Michael Wilmington
    Stylish, ingenious and gleaming with charm, wit and malice, it's another expert blend of domestic drama and crime thriller, a vivisection of the bourgeoisie.
    • 81 Metascore
    • 100 Michael Wilmington
    As magnificent as a high-masted 19th-century British warship, as explosive as a Napoleonic-era ocean battle seen above the cannon's mouth... probably the best movie of its kind ever made.
    • 96 Metascore
    • 100 Michael Wilmington
    One of the most excitingly contemporary musicals ever made.
    • Chicago Tribune
    • 69 Metascore
    • 100 Michael Wilmington
    A wildly original movie with astonishingly varied moods and influences.
    • 91 Metascore
    • 100 Michael Wilmington
    Leigh is an artist not at all blind to the world's darkness and pain. But the generosity and togetherness he and his company show in Secrets and Lies is something the movies -- and the world -- truly need. [25 October 1996, Friday, p.A]
    • Chicago Tribune

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