Michael Wilmington
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For 1,275 reviews, this critic has graded:
  • 77% higher than the average critic
  • 2% same as the average critic
  • 21% lower than the average critic
On average, this critic grades 13.2 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Safe Conduct
Lowest review score: 0 Chaos
Score distribution:
1,275 movie reviews
    • 89 Metascore
    • 100 Michael Wilmington
    A major cinema event of the year, a masterpiece of Italian film traditions in social/political realism and historical family epic.
    • 91 Metascore
    • 100 Michael Wilmington
    The movie holds up far better than its detractors guessed - splendidly, in fact - not only thanks to Scott's spellbinding acting, but to the epic imagery, Coppola's (and Edmund North's) highly intelligent script and Schaffner's lucid, perfectly controlled direction.
    • 74 Metascore
    • 100 Michael Wilmington
    It's a movie of such jaw-dropping violence, wild improbability and dazzling style it overpowers all resistance.
    • 68 Metascore
    • 100 Michael Wilmington
    All the "Star Wars" movies will continue to entertain us for many years to come. They were grand fun, and this last one's a corker.
    • 80 Metascore
    • 100 Michael Wilmington
    Perfect for anyone with a youthful heart and a rich imagination.
    • 71 Metascore
    • 100 Michael Wilmington
    Romero's newest is a horror movie for hard-core fans of the gory and the gruesome and a classic genre film for genre aficionados.
    • 81 Metascore
    • 100 Michael Wilmington
    With rich irony, The World juxtaposes the teasing, grand images of the outside world's wonders with the insular community and the mundane lives of the park employees.
    • 80 Metascore
    • 100 Michael Wilmington
    If it's not an actual masterpiece, it's at least the next best thing, a fully characteristic, fully alive work by a master of his art.
    • 72 Metascore
    • 100 Michael Wilmington
    A peach of a story delightfully imagined by Dahl and lushly realized by Burton. It's full of witty or awesome scenes, flights of fancy and characters either totally, lovably sweet or outrageously, humorously rotten.
    • 90 Metascore
    • 100 Michael Wilmington
    Still packs a wallop. It's also a movie with no easy passage to its dark heart.
    • 83 Metascore
    • 100 Michael Wilmington
    In this movie, Auteuil ("Jean de Florette") and Binoche ("Chocolat") are such marvelous actors, they can shift us in almost any emotional direction with a speech or a glance.
    • 88 Metascore
    • 100 Michael Wilmington
    Of all the movies that try to take us into the mind and viewpoint of a child, Carol Reed's 1948 The Fallen Idol, adapted by Graham Greene from his short story, is one of the most ingenious.
    • 93 Metascore
    • 100 Michael Wilmington
    Days of Heaven is the grand climax of the whole "Bonnie and Clyde"-"Badlands" tradition of outlaw-lovers-on-the-run movies. Shot by Nestor Almendros and the uncredited Haskell Wexler, it's a cinematographic masterpiece. [20 March 1998]
    • Chicago Tribune
    • 80 Metascore
    • 100 Michael Wilmington
    Three Times is great cinema, pop romance that carries a special charge.
    • 99 Metascore
    • 100 Michael Wilmington
    A film masterpiece, restored more than three decades after its French release, "Army" remains a superb, coolly accurate portrait of a living hell recalled by two men who knew it well and record it truly, Melville and novelist Joseph Kessel.
    • 79 Metascore
    • 100 Michael Wilmington
    If all this potent drama recalls Bergman, the beautifully articulated staging and setting suggest that master of operatic social-sexual drama, Luchino Visconti ("The Leopard").
    • 73 Metascore
    • 100 Michael Wilmington
    This is a movie for all cultures and all people, for families and especially for those who have lost them.
    • 84 Metascore
    • 100 Michael Wilmington
    If you haven't gotten hooked already on Michael Apted's series--collectively, one of the great documentaries in the history of the cinema--you should prepare yourself for the latest installment, 49 Up.
    • 70 Metascore
    • 100 Michael Wilmington
    It's a work by cinematic geniuses that reveals beauty and terror in a long-ago time with a virtuoso intensity. You won't soon forget its mad, lovely sights and sounds.
    • 98 Metascore
    • 100 Michael Wilmington
    A brilliant work of the imagination capable of truly seizing and igniting our fantasies.
    • 82 Metascore
    • 100 Michael Wilmington
    Brims with intelligence, compassion and sensuous delight in the textures, sights and sounds of life--all the way from the Taj Mahal to Pearl Jam.
    • 82 Metascore
    • 100 Michael Wilmington
    A beautiful film, harrowing, tough and rife with grief.
    • 85 Metascore
    • 100 Michael Wilmington
    Jafar Panahi of Iran is one of his country's great filmmakers, and Offside is his best movie to date.
    • 83 Metascore
    • 100 Michael Wilmington
    This is a picture that may sound sappy but probably will enrapture audiences lucky enough to catch it. [19 May 1995, p.L]
    • Chicago Tribune
    • 77 Metascore
    • 100 Michael Wilmington
    The cast is tremendous; these actors work with Resnais like a well-oiled stock company that knows every trick and can communicate almost telepathically.
    • 88 Metascore
    • 100 Michael Wilmington
    One of the most remarkable and moving love stories the movies have recently given us.
    • 65 Metascore
    • 100 Michael Wilmington
    It's a movie that's so personal, naked and vulnerable that you can understand why some of its humor seems rough, some of its visuals excessive. But Crooklyn has a quality not as obvious in any Lee film since "Do the Right Thing": the sense of a whole world opening, rich and real, before your eyes. [13 May 1994, p.A]
    • Chicago Tribune
    • 73 Metascore
    • 100 Michael Wilmington
    This remarkable movie is really one-of-a-kind. [15 Dec 1995]
    • Chicago Tribune
    • 81 Metascore
    • 100 Michael Wilmington
    Georgia, written with rare honesty and economy by Leigh's mother, Barbara Turner, and very sensitively directed by Ulu Grosbard, is a tough-minded look at show business and families. [10 Jan 1996]
    • Chicago Tribune
    • 74 Metascore
    • 100 Michael Wilmington
    Whether Kundun is a perfect movie or not, it's an important and beautiful one. Scorsese's movie takes us into a world we've rarely seen with this kind of sympathy or detail: a magical-looking society built on Buddhism and centuries of art and tradition.