Michael Wilmington

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For 1,278 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 12.6 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Beyond the Clouds
Lowest review score: 0 Chaos
Score distribution:
1,278 movie reviews
    • 51 Metascore
    • 50 Michael Wilmington
    Irwin Winkler's The Net, which should have worked a lot better than it does, is a glossy, intricately plotted, mostly implausible suspense movie about a woman on the run.
    • 60 Metascore
    • 50 Michael Wilmington
    Beyond some well-observed sibling interaction, the mutual effort of four writers is mutually uninspired. Whoever wrote the episodes between hot-to-trot Jojo (Taylor) and her balky boyfriend Bill (D'Onofrio) should be ashamed. [21 Oct 1988]
    • Los Angeles Times
    • 46 Metascore
    • 50 Michael Wilmington
    Newsies becomes a string of set-pieces, some of which work, some of which don't, all barreling full-speed ahead toward its Teddy Roosevelt deus ex machina. [10 Apr 1992]
    • Los Angeles Times
    • 67 Metascore
    • 50 Michael Wilmington
    At bottom, Lethal Weapon isn't much. It's a big, shallow, flashy, buddy-buddy cop thriller; it attacks you like a stereophonic steamroller, flattening everything behind it. Snatches of "Hustle" "Magnum Force" and "48 HRS." float above this plot like scum on a polluted lake, and the holes in logic and mindless climax are (or should be) embarrassing. [6 Mar 1987, p.4]
    • Los Angeles Times
    • 49 Metascore
    • 50 Michael Wilmington
    In the end, it all can't help feeling a little slight, more a pleasant wade into a writer's neurotic playground than a satisfyingly deep dip.
    • 41 Metascore
    • 50 Michael Wilmington
    It's overwhelming and, in a curious way, it's charming, but at the center, even though you see it in the right place, you detect not a heart, or a mind, but something like a hot, roasted marshmallow beating and burbling within a thickened, ursine breast.
    • 63 Metascore
    • 50 Michael Wilmington
    In a weird way, what happens to the kids is what happens to the movie. The humans shrivel to crawling piffles or get deformed into caterwauling robots; the super-tall grass and the giant cookies and insects take over.
    • 59 Metascore
    • 50 Michael Wilmington
    Although Alien 3 is stylish--and ambitious--the movie doesn't have the soul or guts to sustain that ambition. It gets swallowed up in its own technology and genre expectations. And Fincher gets stalled in the drama, trapped in too many scenes of talking heads looming out of the gloom.
    • 41 Metascore
    • 40 Michael Wilmington
    Trumbo's aim was a kind of proletarian poetry, but McKenzie's broad emoting has the deadly earnestness of a school play.
    • 44 Metascore
    • 40 Michael Wilmington
    It's hard to remember when actors have stepped into such a no-win situation and mustered up such panache: Turturro may be on a sinking ship, but he manages to drown brilliantly.
    • 58 Metascore
    • 40 Michael Wilmington
    It's a movie that's almost all style, all technique. It doesn't seem to be inhabited by people, thoughts or feelings, but by great coruscating patterns of light crashing over and over us, repeatedly--almost, but not quite, drowning out a constant buzz of cliches.

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