Michael Wilmington
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For 1,278 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 12.9 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 The Age of Innocence
Lowest review score: 0 Chaos
Score distribution:
1,278 movie reviews
    • 97 Metascore
    • 100 Michael Wilmington
    No matter how many heists you've seen, how many gangs you've watched fall apart or how many aging crooks you've seen walk up a mean street to a violent destiny, Rififi never loses its ruthless grace and force.
    • 84 Metascore
    • 100 Michael Wilmington
    A powerful film made with minimal means, it's a story of poor people on the fringes of society, done without sentimentality or condescension but with wicked humor.
    • 73 Metascore
    • 100 Michael Wilmington
    The third film, After the Life, much like "On the Run," mixes a hard-edged, relentless and stripped-down crime tale with a compassionate overview.
    • 84 Metascore
    • 100 Michael Wilmington
    even in the notable ranks of Leigh's movie, TV and theater work-an oeuvre embracing high comedy, biting comment and shivering pathos-Naked is extraordinary. In the hands of Leigh and his magnificently gifted, gutsy cast, these days and nights on London's streets burn themselves on our minds.
    • 74 Metascore
    • 100 Michael Wilmington
    Whether Kundun is a perfect movie or not, it's an important and beautiful one. Scorsese's movie takes us into a world we've rarely seen with this kind of sympathy or detail: a magical-looking society built on Buddhism and centuries of art and tradition.
    • 76 Metascore
    • 100 Michael Wilmington
    It's a magical film which manages to transport and rivet us in the same highly-imaginitive, breezily playful way "Amelie" did.
    • 65 Metascore
    • 100 Michael Wilmington
    Pure magic, a three-act movie fantasy that transports us -- as the best films do -- to a world of its own, a place of ambiguous joy and delirious terror.
    • Chicago Tribune
    • 69 Metascore
    • 100 Michael Wilmington
    It put a smile on my face that never left for 117 minutes.
    • 85 Metascore
    • 100 Michael Wilmington
    Jafar Panahi of Iran is one of his country's great filmmakers, and Offside is his best movie to date.
    • 65 Metascore
    • 100 Michael Wilmington
    It's a movie that's so personal, naked and vulnerable that you can understand why some of its humor seems rough, some of its visuals excessive. But Crooklyn has a quality not as obvious in any Lee film since "Do the Right Thing": the sense of a whole world opening, rich and real, before your eyes. [13 May 1994, p.A]
    • Chicago Tribune
    • 68 Metascore
    • 100 Michael Wilmington
    All the "Star Wars" movies will continue to entertain us for many years to come. They were grand fun, and this last one's a corker.
    • 98 Metascore
    • 100 Michael Wilmington
    A timeless romantic thriller that steeps us in one of those great artificial movie worlds that become more overpowering than reality itself.
    • 74 Metascore
    • 100 Michael Wilmington
    Perhaps the most original movie fantasy creation of the year: an icon of tenderness and artistic alienation that clings, stickum-like, to your mind's eye and the softest, most woundable parts of your mass-culture heart. [7 Dec 1990, Calendar, p.F-1]
    • Los Angeles Times
    • 67 Metascore
    • 100 Michael Wilmington
    25th Hour struck me as one of the best movies of 2002, but it's also a film that will strike some of its audience as ethically dubious or threatening.
    • 85 Metascore
    • 100 Michael Wilmington
    A hard-core movie with a soft, light-hearted center and an edge like a knife.
    • Chicago Tribune
    • 90 Metascore
    • 100 Michael Wilmington
    I loved this movie madly, and so will many of you.
    • Chicago Tribune
    • 81 Metascore
    • 100 Michael Wilmington
    Georgia, written with rare honesty and economy by Leigh's mother, Barbara Turner, and very sensitively directed by Ulu Grosbard, is a tough-minded look at show business and families. [10 Jan 1996]
    • Chicago Tribune
    • 62 Metascore
    • 100 Michael Wilmington
    Like most Godard, it can be watched repeatedly, always yielding new secrets and beauties. Most profound of all, perhaps, are those incredible black-and-white images of Paris.
    • 88 Metascore
    • 100 Michael Wilmington
    Moviegoers should be almost as entranced by the teeming, glorious landscapes and dark, bloody battlegrounds of Two Towers: astonishing midpoint of an epic movie fantasy journey for the ages.
    • 89 Metascore
    • 100 Michael Wilmington
    It's as thrilling and lushly beautiful a movie as has been released all year, matched only by Zhang's epic "Hero." And I think this film is the more powerful.
    • 90 Metascore
    • 100 Michael Wilmington
    An improbable masterpiece -- a bizarre mixture of grandly operatic visuals, grim brutality and sordid violence that keeps wrenching you from one extreme to the other.
    • 76 Metascore
    • 100 Michael Wilmington
    A movie about the passions of simple people, and it's done with such extraordinary empathy and commitment that it all but pulls you under. [29 November 1996, Friday, p.A]
    • Chicago Tribune
    • 100 Metascore
    • 100 Michael Wilmington
    1966 French masterpiece -- the finest, most deeply personal work of a filmmaker who has been compared, justifiably, to both Dostoyevsky and Bach.
    • 98 Metascore
    • 100 Michael Wilmington
    A brilliant work of the imagination capable of truly seizing and igniting our fantasies.
    • 72 Metascore
    • 100 Michael Wilmington
    A rare example of a literary film that preserves the best of its source while creatively filling up on it.
    • Chicago Tribune
    • 82 Metascore
    • 100 Michael Wilmington
    This French documentary gives us unprecedented intimacy and sweep.
    • 67 Metascore
    • 100 Michael Wilmington
    Stylish, ingenious and gleaming with charm, wit and malice, it's another expert blend of domestic drama and crime thriller, a vivisection of the bourgeoisie.
    • 81 Metascore
    • 100 Michael Wilmington
    As magnificent as a high-masted 19th-century British warship, as explosive as a Napoleonic-era ocean battle seen above the cannon's mouth... probably the best movie of its kind ever made.
    • 96 Metascore
    • 100 Michael Wilmington
    One of the most excitingly contemporary musicals ever made.
    • Chicago Tribune
    • 69 Metascore
    • 100 Michael Wilmington
    A wildly original movie with astonishingly varied moods and influences.

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