For 2,052 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1 point higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
Average review score: 60
Highest review score:
Lowest review score:
Score distribution:
2,052 movie reviews
    • 94 Metascore
    • 100 Mick LaSalle
    This one enters the pantheon of great American war films.
    • 82 Metascore
    • 100 Mick LaSalle
    What makes The White Ribbon a big movie, an important movie, is that Haneke's point extends beyond pre-Nazi Germany.
    • 79 Metascore
    • 100 Mick LaSalle
    The movie is funny, definitely funny. But underlying the humor is a vision so bleak, so despairing and so utterly hopeless as to make "No Country for Old Men" almost look cheerful.
    • 69 Metascore
    • 100 Mick LaSalle
    It's not enough to say that Inglourious Basterds is Quentin Tarantino's best movie. It's the first movie of his artistic maturity, the film his talent has been promising for more than 15 years.
    • 49 Metascore
    • 100 Mick LaSalle
    There's something to be said for a formula picture done almost to perfection. In 2012, Emmerich gives you everything you expect, but gives it to you bigger.
    • 97 Metascore
    • 100 Mick LaSalle
    First, this movie should be enjoyed. Later, marveled at. And then, once the excitement has faded, 4 Months, 3 Weeks and 2 Days really should be studied, because director Cristian Mungiu creates scenes unlike any ever filmed.
    • 83 Metascore
    • 100 Mick LaSalle
    The language is brilliant, and the laugh lines come so quickly that you'd probably have to watch the movie twice to get them all.
    • 73 Metascore
    • 100 Mick LaSalle
    Christian McKay who, as Orson Welles in Me and Orson Welles"gives what I believe is the most exact and uncanny screen portrayal of an historical figure, ever.
    • 91 Metascore
    • 100 Mick LaSalle
    Feels positively Greek in its magnitude, a lament about fate, age, time and life.
    • 60 Metascore
    • 100 Mick LaSalle
    Funny People is a true brass ring effort, a reach for excellence that takes big risks. It's 146 minutes, with a story that's more European in feeling than American.
    • 89 Metascore
    • 100 Mick LaSalle
    The most coolheaded of the Iraq war documentaries, the most methodical and the least polemical. Yet it's the one that will leave audiences the most shattered, angry and astounded.
    • 56 Metascore
    • 100 Mick LaSalle
    Part conscious and part unconscious, Watchmen tells us of a world without hope and then makes us wonder if we're already living in it.
    • 80 Metascore
    • 100 Mick LaSalle
    What a shrewd achievement for writer-director Henry Selick ("The Nightmare Before Christmas"), to have made a movie that everyone will acclaim as beautiful, when perhaps the most beautiful thing about it is the sheer ugliness of it all.
    • 89 Metascore
    • 100 Mick LaSalle
    So in-depth, so appealing, so easy to sit through and so anomalously grand scale that few who see it will ever forget it.
    • 89 Metascore
    • 100 Mick LaSalle
    A great film, the best I've seen since Terrence Malick's "The New World," and far and away the richest and most brilliantly acted picture to be released this Oscar season.
    • 87 Metascore
    • 100 Mick LaSalle
    Carries a lot of emotional power.
    • 69 Metascore
    • 100 Mick LaSalle
    The best American film of 2008.
    • 86 Metascore
    • 100 Mick LaSalle
    Ages well in memory because it gradually seems to mean more. Its meaning can't be summed up in a sentence, but it has to do with a view of life as inexpressibly sad and yet always right.
    • 91 Metascore
    • 100 Mick LaSalle
    An absolute delight, combining the cheap thrills of a biopic with the gentler, but more lasting, pleasures of a brilliant character study.
    • 76 Metascore
    • 100 Mick LaSalle
    For pure laughs, for the experience of just sitting in a chair and breaking up every minute or so, Superbad is 2007's most successful comedy.
    • 85 Metascore
    • 100 Mick LaSalle
    The experience of seeing this film is cumulative, sober and profound.
    • 81 Metascore
    • 100 Mick LaSalle
    The movie has the simplicity and confidence of a Johnny Cash song.
    • 84 Metascore
    • 100 Mick LaSalle
    An extraordinary film, mythic in feeling.
    • 85 Metascore
    • 100 Mick LaSalle
    An unforgettable examination of a host of dark impulses.
    • 74 Metascore
    • 100 Mick LaSalle
    As in a good European film, shots are allowed to breathe. The focus is on character and human emotion. At the same time, the movie shows an American concern for pace and story development. The result is the best of both worlds.
    • 81 Metascore
    • 100 Mick LaSalle
    Casino Royale is fresh, actually fresh.
    • 66 Metascore
    • 100 Mick LaSalle
    The smartest thing director Steven Soderbergh did in the making of The Girlfriend Experience was to cast Sasha Grey.
    • 88 Metascore
    • 100 Mick LaSalle
    A triumph that goes well beyond Hoffman's tour de force performance.
    • 93 Metascore
    • 100 Mick LaSalle
    Its deeply anarchic sensibility has kept Taxi Driver fresh all these years. (Review twenty years after release).
    • 82 Metascore
    • 100 Mick LaSalle
    The first great Hitler movie.