For 2,545 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before the Devil Knows You're Dead
Lowest review score: 0 Shanghai Knights
Score distribution:
2545 movie reviews
    • 59 Metascore
    • 25 Mick LaSalle
    "Spider-Man 2" was a textbook example of how to make a sequel: Deepen it, make it funnier, give it more heart and come up with a strong villain and a good story. Spider Man 3, by contrast, shows how not to make a sequel.
    • 75 Metascore
    • 25 Mick LaSalle
    No, this is not good. This is just not good.
    • 26 Metascore
    • 25 Mick LaSalle
    It's a dreadful exercise, tin-eared and sincere, bereft of any truth or inspiration.
    • 31 Metascore
    • 25 Mick LaSalle
    It's hard to tell if Cage's performance is a grand stab at all-out, no-holds-barred comic acting or one of the worst dramatic performances in a film this year. [2 June 1989, Daily Datebook, p.E8]
    • San Francisco Chronicle
    • 31 Metascore
    • 25 Mick LaSalle
    With its flat story, numbed-out protagonist, and faux artistic lighting and set design - everything is dark or moody or darkishly moody or moodily dark - Max Payne seems a good half hour longer than its running time.
    • 65 Metascore
    • 25 Mick LaSalle
    By the end A.I. exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.
    • 50 Metascore
    • 25 Mick LaSalle
    The movie's bereftness of invention can be measured by how no story element builds on another. Instead, Happy Feet Two is plotted so that a bunch of disparate things happen, until it's time to end the movie.
    • 68 Metascore
    • 25 Mick LaSalle
    It is a very good performance in a very bad movie.
    • 31 Metascore
    • 25 Mick LaSalle
    A third-rate effort, with a weak script, cheap-looking effects and no genuine frights.
    • 75 Metascore
    • 25 Mick LaSalle
    Film anybody's trip to Italy, and it would be more interesting than this, or at least equally boring.
    • 52 Metascore
    • 25 Mick LaSalle
    Song to Song is Terrence Malick’s first truly awful film. In it, he does all the things that Malick does, except for all the great things that Malick does.
    • 69 Metascore
    • 25 Mick LaSalle
    More than confusing. It's opaque.
    • 43 Metascore
    • 25 Mick LaSalle
    Approximately the last hour of Dante's Peak is made up of action scenes, and how well one likes computer-generated destruction will determine how well one likes the movie.
    • 42 Metascore
    • 25 Mick LaSalle
    This latest from director Wayne Wang, about the friendship of two young women, travels from 2011 to 1997 to 1829 to 1838, in search of a reason for the audience to keep watching and start caring. That reason is never found.
    • 53 Metascore
    • 25 Mick LaSalle
    In an attempt to be complex and fair-minded, a simple story becomes a jumble of confused motivations.
    • 19 Metascore
    • 25 Mick LaSalle
    To call this effort misguided would be kind. The job this "prequel" does on the original Dumb and Dumber is the movie equivalent of surgery that removes all the vital organs and then gives the patient a prosthetic third arm. What's needed isn't there, and what's here we don't need.
    • 37 Metascore
    • 25 Mick LaSalle
    It's just horsing around that comes to nothing. No, it's worse. It's horsing around designed to disguise nothing as something.
    • 54 Metascore
    • 25 Mick LaSalle
    If, while watching The Secret Life of Walter Mitty, you start wondering why Ben Stiller is acting strange, the answer comes during the closing credits: "Directed by Ben Stiller."
    • 66 Metascore
    • 25 Mick LaSalle
    The Dutch thriller Borgman gets credit for being original, but not for being original in a compelling way.
    • 31 Metascore
    • 25 Mick LaSalle
    As for Fraser, his clumsy humanity is endearing, but by now, assuming he has invested wisely, he should have enough money saved so as to not have to waste his talent anymore.
    • 37 Metascore
    • 25 Mick LaSalle
    There's no point complaining that Honey is a tired reworking of an old formula, because it's intended for a young audience that doesn't know the formula.
    • 57 Metascore
    • 25 Mick LaSalle
    Witless banter might have won Ginger Rogers for Fred Astaire, but Thompson is too smart for that.
    • 54 Metascore
    • 25 Mick LaSalle
    The bad outweighs the good and the cringes outnumber the laughs in Brüno, a disappointment from Sacha Baron Cohen, whose "Borat" was one of the funniest movies of the decade.
    • 43 Metascore
    • 25 Mick LaSalle
    No longer fresh -- though that's to be expected in a sequel -- it contains none of the virtues that made the first one anarchic and original.
    • 49 Metascore
    • 25 Mick LaSalle
    Cmera work can't do anything about the barrenness of the screenplay, nor the sense of fundamental insincerity at the core of the film. [03 Sep 1993]
    • San Francisco Chronicle
    • 55 Metascore
    • 25 Mick LaSalle
    Hellion is so sincere and so dull that some might mistake it for a true work of art.
    • 40 Metascore
    • 25 Mick LaSalle
    The movie is a mess.
    • 46 Metascore
    • 25 Mick LaSalle
    In King Arthur, everything goes wrong. The film combines the plodding sincerity of a Ph.D. dissertation with the brains of a high-concept Jerry Bruckheimer- produced blockbuster (which it is), and no one benefits.
    • 64 Metascore
    • 25 Mick LaSalle
    Surprisingly, the results are embarrassing. As puppetry, Team America is stilted. As satire, it's gutless and lazy. And as comedy, it barely delivers laughs.
    • 36 Metascore
    • 25 Mick LaSalle
    Morgan Freeman's voice is heard as the narrator, which is in itself the stuff of parody. Then we listen and get lost within two sentences, because the narration is so poorly written that Freeman himself probably didn't know what he was talking about.

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