For 2,535 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Bride Flight
Lowest review score: 0 The Three Stooges
Score distribution:
2535 movie reviews
    • 32 Metascore
    • 25 Mick LaSalle
    It's a romantic comedy with insights into sex and relationships that are old and obvious.
    • 31 Metascore
    • 25 Mick LaSalle
    Jack is a warm, heartfelt disaster that shows that life is fleeting but movies can be very long indeed.
    • 45 Metascore
    • 25 Mick LaSalle
    Hesher is about as awful as independent films get, a mix of ugliness and unearned sentiment, with a flat story, repellent and pathetic characters and dialogue that consists of lots of stammering and cursing.
    • 35 Metascore
    • 25 Mick LaSalle
    110 minutes of Euro silliness mitigated only by the presence of Huppert and the striking ability of the actors to keep a straight face throughout this mess.
    • 56 Metascore
    • 25 Mick LaSalle
    The picture, for all its slickness and style, is empty, empty-headed and emotionally false… [It] has no more depth than "Pretty Woman" and occupies the same moral landscape. [5 Apr 1991, Daily Datebook, p.E11]
    • San Francisco Chronicle
    • 37 Metascore
    • 25 Mick LaSalle
    Ugly, gore-strewn and, ultimately, ridiculous.
    • 44 Metascore
    • 25 Mick LaSalle
    A repellent, stupid film.
    • 34 Metascore
    • 25 Mick LaSalle
    It's a gorefest, a borefest and a snorefest.
    • 46 Metascore
    • 25 Mick LaSalle
    Has that title going for it, which might annoy or provoke you. It makes me suspicious. It's the kind of flashy, meaningless title that's usually given to drab, pointless films.
    • 67 Metascore
    • 25 Mick LaSalle
    There's a lot of bad hair and incoherent, drug-addled remarks, but inside a minute we get the joke, and it isn't much.
    • 48 Metascore
    • 25 Mick LaSalle
    Unfortunately, Sucka falls apart after the first half-hour. The action sequences are confusing and senseless. The setups for the action scenes are long and pointless. You know where the movie is heading, and there are no surprises along the way. It's one joke, over and over. [17 Feb 1989, p.E7]
    • San Francisco Chronicle
    • 41 Metascore
    • 25 Mick LaSalle
    Another dreadful, not-funny Owen Wilson movie, in which Wilson is the best thing.
    • 44 Metascore
    • 25 Mick LaSalle
    The Losers is boring. It's predictable. It's so, so active, and yet so, so dead.
    • 39 Metascore
    • 25 Mick LaSalle
    As a first-time director, Falcone has trouble maintaining a specific tone - the movie wobbles back and forth between sentimentality and silliness, sometimes even within the same scene.
    • 36 Metascore
    • 25 Mick LaSalle
    A bleak, tedious enterprise, shot in earth tones and Gothic gray and blue.
    • 52 Metascore
    • 25 Mick LaSalle
    Inside 10 minutes, at most 15, Be Kind Rewind reveals itself as an awful mess, and it only gets worse.
    • 26 Metascore
    • 25 Mick LaSalle
    Not surprisingly, only Samuel L. Jackson seems fully to understand that he's in a bad movie, and he makes a virtue of it, using it as an excuse to hang loose, overact and ride the scenes for wherever they might go.
    • 55 Metascore
    • 25 Mick LaSalle
    To take such a subject and render it without focus, interest, or joy—to make a long, dull movie from it — qualified as some perverse sort of achievement.
    • 32 Metascore
    • 25 Mick LaSalle
    A disgrace to the talents of Robert De Niro and Eddie Murphy, but it's not enough just to say that. It's also a disgrace to the talents of Rene Russo and whoever drove the coffee truck to the set every day.
    • 35 Metascore
    • 25 Mick LaSalle
    A resoundingly unlovable movie that almost resists being watched.
    • 35 Metascore
    • 25 Mick LaSalle
    A thriller without thrills. It's also a thriller that cheats. The story is stretched to feature length only by having the film's incidents arranged in such a way as to reveal as little as possible.
    • 41 Metascore
    • 25 Mick LaSalle
    An adventure in mediocrity that brings together some of the worst current techniques and trends.
    • 50 Metascore
    • 25 Mick LaSalle
    Hoodlum is an overlong gangster movie, a bloated and often laughable attempt at an epic.
    • 53 Metascore
    • 25 Mick LaSalle
    It's as if there's a barrier between the viewer and the story that never comes down.
    • 19 Metascore
    • 25 Mick LaSalle
    Everything about it is manufactured -- the emotions are false, the sentiments are phony, and the story is a construction of mirthless silliness. It's a product, not a creative expression.
    • 28 Metascore
    • 25 Mick LaSalle
    That was probably writer-director Roman Coppola's main responsibility in "Charles Swan," to give the audience a character worth watching. Get that right, and everything else falls into place. Get that wrong, and the audience finds out just how long 84 minutes can be. The answer: really long.
    • 54 Metascore
    • 25 Mick LaSalle
    A complete bust, but the ways in which it fails are interesting.
    • 54 Metascore
    • 25 Mick LaSalle
    The effect of the 2 1/2-hour film is deadening.
    • 37 Metascore
    • 25 Mick LaSalle
    This is a story that should have been, at the absolute most, 20 minutes long.
    • 25 Metascore
    • 25 Mick LaSalle
    What we have is the case of a movie with a straight man (Jason Lee) who really is funny, but with a comic (Tom Green) who sadly isn't.

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