For 2,534 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Jimmy Carter Man from Plains
Lowest review score: 0 The Lone Ranger
Score distribution:
2534 movie reviews
    • 32 Metascore
    • 25 Mick LaSalle
    The Ex isn't painful, horrible or despicable, but it is an amazing mess.
    • 64 Metascore
    • 25 Mick LaSalle
    Consists of long stretches of boredom, banal dialogue and contorted metaphors, interrupted by flashes of ugliness. See it if you want to be put off of sex for a month - longer if you're older, and perhaps for years if you're very young.
    • 54 Metascore
    • 25 Mick LaSalle
    Neither funny nor outrageous nor horrifying nor conventionally affecting.
    • 58 Metascore
    • 25 Mick LaSalle
    A disappointment, a precious and grotesque exercise reminiscent of Jean-Pierre Jeunet's "Delicatessen," only less amusing.
    • 67 Metascore
    • 25 Mick LaSalle
    Showcasing three individuals whose spiritual and physical journeys are both repellent and mundane, the film is just a long and pointless slog.
    • 54 Metascore
    • 25 Mick LaSalle
    A cute movie, a little too cute and a little too aware of its own cuteness.
    • 46 Metascore
    • 25 Mick LaSalle
    It's great to see cherished, longtime stars in big roles to which they can bring so much spontaneity and finesse; you wish only that this movie were sturdier and had aimed higher. Judging from the bloopers that unreel during Grumpier Old Men's end credits, the cast had lots of fun making this movie--more fun, it would seem, than it is to watch.
    • 39 Metascore
    • 25 Mick LaSalle
    Stone tries to make us like Alexander because he's good, when he should have made us want to watch Alexander because he's amazing.
    • 37 Metascore
    • 25 Mick LaSalle
    The first and most honest thing to say about Miracle at St. Anna is that it's an awful mess.
    • 64 Metascore
    • 25 Mick LaSalle
    Che
    If Soderbergh's ambition was to make us feel just how dull it would be to a woods-dwelling communist guerrilla, he succeeded.
    • 22 Metascore
    • 25 Mick LaSalle
    Innocuous and dull.
    • 70 Metascore
    • 25 Mick LaSalle
    This is an embarrassing film. It's a sex comedy that sets itself up as a satire of middle-class mores, except there's no truth behind any of its observations. LaBute tries to be shocking and manages only to be shockingly puerile -- tasteless in a high-school-boyish sort of way.
    • 55 Metascore
    • 25 Mick LaSalle
    Yes
    Mostly unbearable.
    • 79 Metascore
    • 25 Mick LaSalle
    Still, when you’re making a Christian epic and the best thing about it is the guy playing the inquisitor, you have a serious problem.
    • 53 Metascore
    • 25 Mick LaSalle
    Franco Zeffirelli's Hamlet, a senselessly adapted, ill-conceived, poorly acted mess of a film that's guaranteed to frustrate anyone who loves the play and to put everybody else to sleep. [18 Jan 1991]
    • San Francisco Chronicle
    • 29 Metascore
    • 25 Mick LaSalle
    Attempts to convey emotional dislocation and passion at the same time. All we get is distance.
    • 52 Metascore
    • 25 Mick LaSalle
    Saint Laurent’s designs and working life take a backseat to scenes of him stuffing his face with pills, accidentally poisoning his dog and sleepwalking through sex with a variety of lovers. Two and a half hours of this. Bonello might as well have shown him sleeping eight hours or using the toilet for all that says about the man and his work.
    • 45 Metascore
    • 25 Mick LaSalle
    The Chamber has nowhere to go and it goes there slowly, flirting in all directions.
    • 56 Metascore
    • 25 Mick LaSalle
    The emotional core of the movie, the relationship between Nicky and Jess, lacks impact, mostly because you can’t believe a word that they say, but also because Smith is not a strong leading man.
    • 59 Metascore
    • 25 Mick LaSalle
    Promised to be the season's thoughtful action picture, turns out to have few thoughts and no thrills.
    • 46 Metascore
    • 25 Mick LaSalle
    Jaw-droppingly awful.
    • 46 Metascore
    • 25 Mick LaSalle
    The film is obvious, weak and scattered and seems more like a practical joke than a work of genuine passion. It is without exaggeration one of the most blindingly boring films I've seen in years.
    • 31 Metascore
    • 25 Mick LaSalle
    The Lazarus Effect is not the usual mindless thriller, but it’s as flat as an open soda from last week, with dull characters and virtually every scene taking place in a single location. It looks as if it cost about 12 bucks to make — and somebody got robbed.
    • 48 Metascore
    • 25 Mick LaSalle
    "300" was an innovative and imaginative action film, but the follow-up, 300: Rise of an Empire, is nothing but a disappointment.
    • 12 Metascore
    • 25 Mick LaSalle
    A discordant comedy that gives bad taste a bad name.
    • 40 Metascore
    • 25 Mick LaSalle
    Butter is a misfire. At 90 minutes it feels inflated, and though clearly intended as funny, it's difficult to locate, except in the most general terms, the focus of the movie's satire, and there's not a laugh to be had.
    • 63 Metascore
    • 25 Mick LaSalle
    Scorsese stuffs the film with heavy-handed art direction and piles on a ludicrously ominous soundtrack. The soundtrack is a constant reminder of the movie's importance and only highlights its unimportance.
    • 29 Metascore
    • 25 Mick LaSalle
    We all know how actors overact when they play Italians, and we all know how actors overact when they play brain-damaged characters, so just imagine Knight's performance as a brain-damaged Italian American.
    • 59 Metascore
    • 25 Mick LaSalle
    It’s a preening piece of work, aiming to flatter and please, while masquerading as something hard-hitting and daring. And because of all that, it’s a bore.
    • 52 Metascore
    • 25 Mick LaSalle
    An utter debacle.

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