For 2,301 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.9 points higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Django Unchained
Lowest review score: 0 FeardotCom
Score distribution:
2,301 movie reviews
    • 69 Metascore
    • 25 Mick LaSalle
    It boggles the mind that after six years of silence, all Tarantino has to offer is this garbage.
    • 64 Metascore
    • 25 Mick LaSalle
    Numbing and inert.
    • 35 Metascore
    • 25 Mick LaSalle
    A dull film with unsympathetic characters brought together by a gimmicky premise that's handled with no imagination and a pristine fraudulence of emotion. Aside from that, it's great.
    • 62 Metascore
    • 25 Mick LaSalle
    Highly visual but cold. It's undeniably inventive, but also relentlessly fey and self-consciously zany and, in terms of story, it moves with audacious slowness.
    • 32 Metascore
    • 25 Mick LaSalle
    An overblown action monstrosity with no surprises, no exhilaration and no thrills.
    • 59 Metascore
    • 25 Mick LaSalle
    A whimsical but flat-footed attempt to account for several lost months in the life of Jean-Baptiste Poquelin, known to the world as Molière.
    • 34 Metascore
    • 25 Mick LaSalle
    Almost every moment has flashes and explosions and a pulsing, relentless soundtrack. It's like being trapped inside a video game.
    • 62 Metascore
    • 25 Mick LaSalle
    Exactly one minute longer than its predecessor, but it's a dragged-out exercise, with no epic scale and no spirit worth talking about.
    • 39 Metascore
    • 25 Mick LaSalle
    If you think of Pompeii as a ride, a conveyance for special effects, and not anything resembling an emotional experience, indifference can almost be a good thing.
    • 33 Metascore
    • 25 Mick LaSalle
    There's no satisfaction and no pleasure to be gained by sitting through it. The characters are ludicrous and, worse than that, boring. And this is despite all the lead actors doing the best they can.
    • 67 Metascore
    • 25 Mick LaSalle
    It's two hours of your life wasted, time once spent that can never be regained. Don't go. Don't do it. [30 Mar 1988]
    • San Francisco Chronicle
    • 54 Metascore
    • 25 Mick LaSalle
    Remaking Get Smart for the big screen might have sounded like a bad idea, but the movie shows it to have been something else: a REALLY bad idea.
    • 61 Metascore
    • 25 Mick LaSalle
    The movie's promise -- to provide a balanced argument -- goes unrealized, and all we're left with is the spectacle of an idiot bullying a genius.
    • 59 Metascore
    • 25 Mick LaSalle
    The real problem with This Is 40 is its lack of truth, that Apatow wanted to express something about married life, and it eluded him. After all, no less than Kierkegaard once said that the actual dynamics of marriage are beyond the scope of art, and he was the best movie critic of the 19th century.
    • 40 Metascore
    • 25 Mick LaSalle
    Vantage Point has nothing going on. There's no artistic, philosophical or even jolly entertainment reason for adopting this strategy. It's just arbitrary, a gimmick.
    • 51 Metascore
    • 25 Mick LaSalle
    The opening to John Carter is a dud, a battle between airships made of woven bamboo, bursting into computer-generated flame over a sandy terrain. There's nothing to see, nothing to think about, nothing to care about, and nothing to feel, just emptiness. The emptiness is never filled over the course of 132 long, barren minutes.
    • 37 Metascore
    • 25 Mick LaSalle
    It's a big disappointment.
    • 59 Metascore
    • 25 Mick LaSalle
    Convoluted.
    • 35 Metascore
    • 25 Mick LaSalle
    Williamson's script, which he also directed, is spiteful and shallow.
    • 28 Metascore
    • 25 Mick LaSalle
    Setting out to make a cult movie is almost as strange as setting out to make a camp movie. Or setting out to make a movie that's so bad it's good. If you know you're doing it, you're not really doing it.
    • 53 Metascore
    • 25 Mick LaSalle
    A handful of acting moments aside, Being Flynn is a drama without much in the way of rewards.
    • 35 Metascore
    • 25 Mick LaSalle
    Take the worst things about independent movies - the wallowing in an unpleasantness, the narrative unsteadiness, the next-to-no story. Then combine those with a hefty dose of light comedy. The result: the big, fat tonal mess that is Happy Tears, a charmless film about two sisters who come together to care for their demented father.
    • 28 Metascore
    • 25 Mick LaSalle
    It has a weak story that provides no tension, feeling or interest. Its opening action sequence is just a long, drawn-out dud, filmed by director John Moore in the worst modern style of quick cuts and smeary, jittery photography.
    • 54 Metascore
    • 25 Mick LaSalle
    Higher Learning says nothing new or challenging and is too naive to inspire controversy.
    • 29 Metascore
    • 25 Mick LaSalle
    The picture gives us two protagonists and sets up a situation in which only one of them can have a decent life. Then, having devised this sour souffle, the screenwriters find no adjustment to make it palatable. The resolution is flip, at best.
    • 27 Metascore
    • 25 Mick LaSalle
    A childish, empty effort.
    • 31 Metascore
    • 25 Mick LaSalle
    Badly made and poorly written, Blended is a rehash of Adam Sandler's 2011 comedy "Just Go With It," only without Jennifer Aniston and without laughs. It not only gets the big things wrong. It gets the small, easy things wrong.
    • 38 Metascore
    • 25 Mick LaSalle
    Nora Ephron directed it and had a hand in the screenplay, but without Travolta this film would have no reason for being.
    • 35 Metascore
    • 25 Mick LaSalle
    Really, The Expendables 3 has only one thing going for it, beyond the unremarkable novelty of seeing lots of celebrities in a lousy movie. It has Mel Gibson, who is at his grim, tormented and quirky best here, playing someone who has crossed a moral line and has no regrets.
    • 66 Metascore
    • 25 Mick LaSalle
    If it happens to hit you right - that is, if you happen to catch its wavelength of tear-and-a-smile whimsicality - the movie will speak to you.

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