For 2,555 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Fences
Lowest review score: 0 Sunshine
Score distribution:
2555 movie reviews
    • 52 Metascore
    • 25 Mick LaSalle
    An utter debacle.
    • 32 Metascore
    • 25 Mick LaSalle
    It’s a formula movie, which wouldn’t necessarily be a problem, except that it’s a sort of bad version of itself.
    • 44 Metascore
    • 25 Mick LaSalle
    Just because it's a conscious commentary on other vile, useless, pointless cinematic exercises doesn't make it any less vile, useless and pointless.
    • 17 Metascore
    • 25 Mick LaSalle
    Just awful… There is probably not one interrupted 60-second stretch in which a line of dialogue doesn't clunk, an action doesn't ring false or an irritating plot turn doesn't present itself. [25 May 1991]
    • San Francisco Chronicle
    • 44 Metascore
    • 25 Mick LaSalle
    The Village seems poised to become as cheesy in its effects as a low-budget horror film. Shyamalan's gracefulness keeps his movie just out of that abyss.
    • 64 Metascore
    • 25 Mick LaSalle
    Director Edward Zwick tried to make a great movie, but somewhere in the process he forgot to make a good one.
    • 68 Metascore
    • 25 Mick LaSalle
    The movie is overplotted, a soulless maze of special effects and relentless action.
    • 45 Metascore
    • 25 Mick LaSalle
    This isn't absurdity. This is nonsense - and it's as boring as nonsense.
    • 57 Metascore
    • 25 Mick LaSalle
    Suffers from a problem in its rhythm. It's not that its pace is too slow, but that it's too regular, and this lack of syncopation makes it feel slow.
    • 44 Metascore
    • 25 Mick LaSalle
    One pities poor Molly Parker, a fine actress who was somehow persuaded to disrobe for this degrading and dispiriting Wayne Wang film.
    • 37 Metascore
    • 25 Mick LaSalle
    So desperate and silly that here and there, it's a lot of fun.
    • 50 Metascore
    • 25 Mick LaSalle
    The movie isn't hellish, because there's always hope of leaving it. It's more like purgatory, two whole hours of it.
    • 67 Metascore
    • 25 Mick LaSalle
    Moon is boring. Agonizingly, deadeningly, coma-inducingly, they-could-bury-you-alive-accidentally boring.
    • 41 Metascore
    • 25 Mick LaSalle
    What a waste of a great comedian. What demented casting.
    • 79 Metascore
    • 25 Mick LaSalle
    Only Lovers Left Alive is simply dead, an exercise in style, bland humor and vague gesture that yet seems to have been made in the naive expectation of a conventional response - that is, of an audience's actually caring.
    • 35 Metascore
    • 25 Mick LaSalle
    If For Greater Glory were a person, it would be wearing two different socks. It is a scattered mess, as earnest as a folk song, but like a folk song that goes on for two hours and 23 minutes. Not only does it never justify its epic length, it gets even the small things wrong.
    • 56 Metascore
    • 25 Mick LaSalle
    Bezucha made something perverse, a feel-bad holiday film about a repellent family, with a milquetoast dad and a smug, devious harpy of a mom.
    • 65 Metascore
    • 25 Mick LaSalle
    This is bad, borderline garbage, but disturbing, too, in that it’s just the kind of fake-clever awfulness that might be cinema’s future.
    • 70 Metascore
    • 25 Mick LaSalle
    An empty exercise.
    • 57 Metascore
    • 25 Mick LaSalle
    This remake of the 1981 horror classic starts well, but it soon degenerates into tiresome shock gore that overstays its welcome, despite the film's modest run time. Jane Levy as a heroin addict going through withdrawal is the one bright spot.
    • San Francisco Chronicle
    • 14 Metascore
    • 25 Mick LaSalle
    The audience has already checked out, long before the formulaic finish.
    • 37 Metascore
    • 25 Mick LaSalle
    Nia Vardalos has such a warm, alert energy that’s impossible to hate My Big Fat Greek Wedding 2, even as it’s impossible to like it, even a little.
    • 83 Metascore
    • 25 Mick LaSalle
    In the important things, in all the ways that really count, Caché is a handsome fraud.
    • 65 Metascore
    • 25 Mick LaSalle
    The worst kind of avant-garde film, one that hides its lack of commitment to the story, the characters and the genre under cover of being experimental. It mocks form and plays with form but offers nothing in its place, just boredom, emptiness and the oldest metaphor in captivity, about grass coming up through concrete.
    • 73 Metascore
    • 25 Mick LaSalle
    Anyone can make a bad movie, but it takes a good filmmaker to make one as bad as I'm Not There.
    • 23 Metascore
    • 25 Mick LaSalle
    About as weak a movie as can be made without actively trying.
    • 24 Metascore
    • 25 Mick LaSalle
    It plays like a string of cliches linked together to form a movie with not a single moment of surprise or originality.
    • 69 Metascore
    • 25 Mick LaSalle
    It boggles the mind that after six years of silence, all Tarantino has to offer is this garbage.
    • 64 Metascore
    • 25 Mick LaSalle
    Numbing and inert.
    • 35 Metascore
    • 25 Mick LaSalle
    A dull film with unsympathetic characters brought together by a gimmicky premise that's handled with no imagination and a pristine fraudulence of emotion. Aside from that, it's great.

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