For 2,313 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 I'll See You in My Dreams
Lowest review score: 0 Bones
Score distribution:
2,313 movie reviews
    • 66 Metascore
    • 25 Mick LaSalle
    If it happens to hit you right - that is, if you happen to catch its wavelength of tear-and-a-smile whimsicality - the movie will speak to you.
    • 21 Metascore
    • 25 Mick LaSalle
    In the same genre as the Farrellys' "There's Something About Mary" and "Dumb and Dumber," only lousy.
    • 53 Metascore
    • 25 Mick LaSalle
    The Signal starts off as an alien version of "Blair Witch Project" and then drifts off into cold plotlessness. But for a while, a little while, it seems like it just might be interesting.
    • 55 Metascore
    • 25 Mick LaSalle
    It's a complete mess, the spectacle of filmmakers blowing up their movie and everything in it, because they can't think of anything else to do.
    • 70 Metascore
    • 25 Mick LaSalle
    The bottom line with Andrea Arnold's Wuthering Heights is that the writer-director has taken Emily Brontë's tale of undying passion and rendered it passionless.
    • 20 Metascore
    • 25 Mick LaSalle
    Why, if Chase is such a funny guy, does he make such unfunny movies?
    • 63 Metascore
    • 25 Mick LaSalle
    It provokes nothing but yawns, and the sex it explores is stuff everybody knows about and says, "So what?"
    • 54 Metascore
    • 25 Mick LaSalle
    It takes about 20 minutes to catch on that Friday is without narrative drive - and about as long to figure out that the film offers nothing better in place of it.
    • 46 Metascore
    • 25 Mick LaSalle
    The comedy, to the extent there is any, consists mainly of Carrey's verbal asides and strained reactions to people. The script gives him very little to work with.
    • 38 Metascore
    • 25 Mick LaSalle
    Just about everything in The Chronicles of Riddick is impenetrable, from the convoluted story to the dark and baroque art direction. It's an inane film rendered sometimes laughable by an atmosphere of dead-serious reverence.
    • 27 Metascore
    • 25 Mick LaSalle
    As vile, unredeeming and thoroughly unpleasant experiences go, I Spit on Your Grave at least has one thing interesting about it. It's a document of the most paranoid fantasies that urban, Northern people have about a rural Southern people.
    • 70 Metascore
    • 25 Mick LaSalle
    Liotta's acting can't redeem senseless violence.
    • 33 Metascore
    • 25 Mick LaSalle
    Father-daughter relationship lacks impact.
    • 63 Metascore
    • 25 Mick LaSalle
    It shambles and ambles, seemingly without focus or pattern, from one thing to the next. Yet at the same time, it's predictable, not from moment to moment, but in its outlines.
    • 49 Metascore
    • 25 Mick LaSalle
    Depictions of an aide talking about her hospital vigil and her words of comfort to a distraught Laura Bush are creepy and exploitative -- and borderline disgusting.
    • 46 Metascore
    • 25 Mick LaSalle
    There's something painful about watching Scarlett Johansson, who looks as if she never had an indecisive moment in her life, struggle to seem ineffectual.
    • 57 Metascore
    • 25 Mick LaSalle
    Owen is a magnetic, sensitive presence at the center of a movie that doesn't deserve him and that barely deserves to be seen.
    • 49 Metascore
    • 25 Mick LaSalle
    John Lennon once said, "There's a great woman behind every idiot." This time, I'm counting seven of them.
    • 47 Metascore
    • 25 Mick LaSalle
    Has no truth, wisdom or honesty, and it's barely entertaining.
    • 30 Metascore
    • 25 Mick LaSalle
    The big disappointment of The Babymakers is that it doesn't come close to being worthy of its two stars, Paul Schneider and Olivia Munn.
    • 61 Metascore
    • 25 Mick LaSalle
    As good as The Motel Life is for the actors, that's how bad it is for the viewer.
    • 52 Metascore
    • 25 Mick LaSalle
    When Christian Bale allowed himself to play Bruce Wayne in "Batman Begins," he was slumming - and to good effect. But with Terminator Salvation, this ostensibly serious actor takes up residence in the action ghetto, and it's not a good fit.
    • 60 Metascore
    • 25 Mick LaSalle
    There are phony movies made every week, but this is in a different category - a phony movie that seems a distortion of something real, a phony movie offered in place of the real movie von Trier could have made, but it would have cost him something. Some blood, some truth, some soul. What we're left with instead is an empty gesture.
    • 24 Metascore
    • 25 Mick LaSalle
    Original enough to come up with new ways to go wrong. For one, the film is a blatant showcase to promote O'Neal as a rap artist.
    • 35 Metascore
    • 25 Mick LaSalle
    A stink bomb of a movie.
    • 74 Metascore
    • 25 Mick LaSalle
    Great to look at but not much fun to watch… An emotionally uncommitted picture that's smirky and mawkish, by turns, and at heart, empty. [14 Dec 1990, Daily Datebook, p.E1]
    • San Francisco Chronicle
    • 16 Metascore
    • 25 Mick LaSalle
    What's completely baffling is that everyone in the film thinks Nomi is one heck of a dancer, even though her one move -- throwing her arms out stiffly -- is straight out of "Dr. Strangelove."
    • 47 Metascore
    • 25 Mick LaSalle
    Yet, it's watchable -- not remotely enjoyable, but watchable.
    • 33 Metascore
    • 25 Mick LaSalle
    RV
    RV is a horrible movie about horrible people, and just because they call it a comedy doesn't mean we have to play along.
    • 59 Metascore
    • 25 Mick LaSalle
    "Spider-Man 2" was a textbook example of how to make a sequel: Deepen it, make it funnier, give it more heart and come up with a strong villain and a good story. Spider Man 3, by contrast, shows how not to make a sequel.

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