For 2,638 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1 point lower than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 School Ties
Lowest review score: 0 Maudie
Score distribution:
2638 movie reviews
    • 65 Metascore
    • 25 Mick LaSalle
    The film ends up landing in a confused middle category. It's neither a coherent, discrete work nor a zany tribute to the late actor.
    • 65 Metascore
    • 25 Mick LaSalle
    Coppola has no trouble convincing viewers that Marie Antoinette is an interesting historical subject, but there's a big distance between that and creating a fascinating personality or fashioning a compelling narrative.
    • 65 Metascore
    • 25 Mick LaSalle
    This is bad, borderline garbage, but disturbing, too, in that it’s just the kind of fake-clever awfulness that might be cinema’s future.
    • 65 Metascore
    • 0 Mick LaSalle
    Frankly, we are left with nothing, except with a movie that insists that we love it — or worse, assumes we will — because its subject is so worthy. Even on that score, that of convincing us of the worthiness of its subject, Maudie falls down.
    • 65 Metascore
    • 25 Mick LaSalle
    The worst kind of avant-garde film, one that hides its lack of commitment to the story, the characters and the genre under cover of being experimental. It mocks form and plays with form but offers nothing in its place, just boredom, emptiness and the oldest metaphor in captivity, about grass coming up through concrete.
    • 65 Metascore
    • 25 Mick LaSalle
    Goes nowhere.
    • 65 Metascore
    • 25 Mick LaSalle
    A film with no theatrical core and no integrity in the writing, acting or storytelling.
    • 65 Metascore
    • 25 Mick LaSalle
    Suffers from some of the deficiencies common to first features. It is sincere and earnest but the product of an assumption that the milieu itself is compelling enough to command an audience's attention.
    • 64 Metascore
    • 25 Mick LaSalle
    With The Way, writer-director Emilio Estevez has made a respectable failure. What's respectable - and undeniable - is that this is a sincere effort to make a film of sensitivity and spiritual richness.
    • 64 Metascore
    • 0 Mick LaSalle
    Directed by Danny Boyle, it lacks even a single moment of charm or interest.
    • 64 Metascore
    • 25 Mick LaSalle
    If this is the best we can do in terms of movies - if something like this can speak to the soul of audiences - maybe we should just turn over the cameras and the equipment to the alien dinosaurs and see what they come up with.
    • 64 Metascore
    • 25 Mick LaSalle
    Numbing and inert.
    • 64 Metascore
    • 25 Mick LaSalle
    Midway, Mondays in the Sun becomes as dull as a day with nothing to do.
    • 64 Metascore
    • 25 Mick LaSalle
    Che
    If Soderbergh's ambition was to make us feel just how dull it would be to a woods-dwelling communist guerrilla, he succeeded.
    • 64 Metascore
    • 25 Mick LaSalle
    Surprisingly, the results are embarrassing. As puppetry, Team America is stilted. As satire, it's gutless and lazy. And as comedy, it barely delivers laughs.
    • 64 Metascore
    • 25 Mick LaSalle
    What could have been a brilliant short becomes deadly, stretched to feature length. The last hour of Nadja takes on the pace of a stranger's vacation video. In a sure sign of desperation, the careful tone of the opening is abandoned in scattershot attempts at cheap laughs. The film's world is undermined, and Nadja gets as precious, smirky and as boring as a Hal Hartley picture.
    • 64 Metascore
    • 25 Mick LaSalle
    Only in the movie business could someone sell such shoddy merchandise and expect people to buy it. If The Hunger Games: Mockingjay — Part 1 were an appliance, it would be a broken toaster that people would toss in the garbage. Except that analogy is too kind, in that “Mockingjay” would be half a toaster.
    • 64 Metascore
    • 25 Mick LaSalle
    Here Balasko, best known as a comedian, is particularly satisfying. But the reward is too small on the investment, and the film's resolution is downright irritating - not just a waste of time, but a waste of time with attitude.
    • 64 Metascore
    • 25 Mick LaSalle
    Consists of long stretches of boredom, banal dialogue and contorted metaphors, interrupted by flashes of ugliness. See it if you want to be put off of sex for a month - longer if you're older, and perhaps for years if you're very young.
    • 64 Metascore
    • 25 Mick LaSalle
    Director Edward Zwick tried to make a great movie, but somewhere in the process he forgot to make a good one.
    • 64 Metascore
    • 25 Mick LaSalle
    Ideally It Could Happen to You should be fun all the way, with the audience confident things will turn out right. Instead it's mostly annoying, with an ending that feels tagged on.
    • 63 Metascore
    • 25 Mick LaSalle
    It provokes nothing but yawns, and the sex it explores is stuff everybody knows about and says, "So what?"
    • 63 Metascore
    • 25 Mick LaSalle
    It shambles and ambles, seemingly without focus or pattern, from one thing to the next. Yet at the same time, it's predictable, not from moment to moment, but in its outlines.
    • 63 Metascore
    • 25 Mick LaSalle
    You know there is something seriously wrong with Anna Karenina when you start rooting for the train.
    • 62 Metascore
    • 25 Mick LaSalle
    Exactly one minute longer than its predecessor, but it's a dragged-out exercise, with no epic scale and no spirit worth talking about.
    • 62 Metascore
    • 25 Mick LaSalle
    It tries to get by on charm. It doesn't.
    • 62 Metascore
    • 25 Mick LaSalle
    Highly visual but cold. It's undeniably inventive, but also relentlessly fey and self-consciously zany and, in terms of story, it moves with audacious slowness.
    • 61 Metascore
    • 25 Mick LaSalle
    As good as The Motel Life is for the actors, that's how bad it is for the viewer.
    • 61 Metascore
    • 25 Mick LaSalle
    The To Do List is a romantic comedy with no romance and little comedy, but with an ugliness of spirit that's surprising and unrelenting.
    • 61 Metascore
    • 25 Mick LaSalle
    The movie's promise -- to provide a balanced argument -- goes unrealized, and all we're left with is the spectacle of an idiot bullying a genius.

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