For 942 reviews, this critic has graded:
  • 56% higher than the average critic
  • 4% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 4.2 points higher than other critics. (0-100 point scale)

Mike Clark's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Ed Wood
Lowest review score: 12 Falling Down
Score distribution:
942 movie reviews
    • 98 Metascore
    • 100 Mike Clark
    One of the rare sports films that devotes extensive screen time to heartbreaking losses is full of other surprises as well. [13 Oct 1994, p.1D]
    • USA Today
    • 94 Metascore
    • 100 Mike Clark
    For a brutal black comedy about L.A. hitmen, Pulp Fiction bursts out of its binding with loopy delights. [14 Oct 1994]
    • USA Today
    • 94 Metascore
    • 100 Mike Clark
    This is a building-block movie: Its stand-out excellence becomes apparent only gradually.
    • 93 Metascore
    • 88 Mike Clark
    If Silver is superb, Irons is transcendent. As some forgotten comic once said of George Sanders: A grapefruit wouldn't dare squirt in his eye. [17 Oct 1990]
    • USA Today
    • 93 Metascore
    • 100 Mike Clark
    This is a great movie, but it needs a sales job because it's in Mandarin.
    • 93 Metascore
    • 100 Mike Clark
    With flawless precision, the movie flows seamlessly between a virtual newsreel approach (to chronicle senseless, arbitrary atrocities on the people) and a slightly more direct narrative technique that characterized the film's three dominant characters - each one cast to perfection. [15 Dec 1993]
    • USA Today
    • 93 Metascore
    • 100 Mike Clark
    If artist R. (Robert) Crumb can dispense immediately with his resume in Terry Zwigoff's superb Crumb, we can, too. [21 Apr 1995]
    • USA Today
    • 91 Metascore
    • 100 Mike Clark
    This is a fascinating movie experience. [30 June 1989, Life, p.1D]
    • USA Today
    • 91 Metascore
    • 100 Mike Clark
    Blethyn is so astonishing that you forget you're seeing a performance.
    • 91 Metascore
    • 100 Mike Clark
    Still mesmerizes on the strength of George C. Scott's chew-your-behind performance. [5 Nov. 1999, p.6E]
    • USA Today
    • 90 Metascore
    • 88 Mike Clark
    This grade-A sleeper sends you out with an unexpected smile. [25 Nov 1992]
    • USA Today
    • 90 Metascore
    • 100 Mike Clark
    The rawest, most sustained screen portrayal of 20th century combat.
    • 90 Metascore
    • 88 Mike Clark
    This sleek adaptation of James Ellroy's dauntingly complex novel has the black-and-white tabloid soul of an old "Confidential" magazine.
    • 90 Metascore
    • 100 Mike Clark
    The film now seems both mellowed and --thanks in part to the most vibrant-looking prints in its 22-year history -- revitalized.
    • 90 Metascore
    • 88 Mike Clark
    A little movie almost perfectly realized.
    • 90 Metascore
    • 100 Mike Clark
    One of the year's best movies and certainly its most delightful screen surprise.
    • 90 Metascore
    • 100 Mike Clark
    A movie this diminutive can be easily oversold, but we might see it on some year-end best lists. It eats at you, just like renewed love.
    • 90 Metascore
    • 88 Mike Clark
    A movie that is easily likable.
    • 90 Metascore
    • 100 Mike Clark
    Produced by HBO but too good not to play theaters, this soon-to-be minor classic is the best movie about society's untrendiest since "Ghost World" exactly two years ago.
    • 90 Metascore
    • 100 Mike Clark
    The movie is so fun that it wouldn't need the mystery to be top-notch entertainment.
    • USA Today
    • 90 Metascore
    • 88 Mike Clark
    Funny... and the payoff is the most provocative Hollywood concoction in a while.
    • 90 Metascore
    • 100 Mike Clark
    Not since "Memento" has a movie served up such a provocative mind-bender, and the Sundance winner by first-time filmmaker Andrew Jarecki has the advantage of being true.
    • 89 Metascore
    • 88 Mike Clark
    Romantic comedies with two low-key leads can be asking for trouble, but one senses that the actors must have clicked on some fundamental level.
    • 89 Metascore
    • 100 Mike Clark
    This subject demands consummate screen treatment and now has absolutely gotten it from director/producer Spike Lee. [10 Jul 1997, Pg.02.D]
    • USA Today
    • 89 Metascore
    • 100 Mike Clark
    Campion's script is very well received, but the film finally makes it on cinematics: bleakly beautiful photography, haunting score, and good acting. [12 Nov 1993]
    • USA Today
    • 89 Metascore
    • 100 Mike Clark
    Great cinema - and also a whopping good time. [19 September 1990, Life, p.1D]
    • USA Today
    • 88 Metascore
    • 88 Mike Clark
    Sweet (maybe) - but also painful (for sure). So painful that it's initially easy to resist this slice-of-Middlesex-life from Brit director Mike Leigh. Yet gradually, a mom, a dad and late-teen twins prove overwhelmingly winning through sheer willpower. Theirs, and the willpower of an idiosyncratic filmmaker who loves his characters no matter what. [24 Dec. 1991, p.4D]
    • USA Today
    • 87 Metascore
    • 88 Mike Clark
    Accessibly brainy screen charmer.
    • 87 Metascore
    • 100 Mike Clark
    Though the movie may not change many minds about McNamara, it richly humanizes him, a valuable feat atop all the fascinating reflection.
    • 87 Metascore
    • 100 Mike Clark
    It's a heart-wrenching portrayal of unfulfilled Wyoming love, but this time, we don't mean Alan Ladd and Jean Arthur in "Shane."

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