For 234 reviews, this critic has graded:
  • 19% higher than the average critic
  • 5% same as the average critic
  • 76% lower than the average critic
On average, this critic grades 9.7 points lower than other critics. (0-100 point scale)

Mike Hale's Scores

Average review score: 55
Highest review score: 90 Louis C.K.: Oh My God: Season 1
Lowest review score: 10 Amish Mafia: Season 1
Score distribution:
  1. Positive: 77 out of 234
  2. Negative: 20 out of 234
234 tv reviews
    • 55 Metascore
    • 70 Mike Hale
    Some of the jokes work, and some of the frights are actually scary, and on a repeat viewing the craftsmanship and attention to detail made more of an impression.
    • 78 Metascore
    • 70 Mike Hale
    Over all, the most interesting scenes are not those that depict Americans but the less frequent, more unusual ones that show us Vietnamese villagers and Vietcong and North Vietnamese troops.
    • 63 Metascore
    • 70 Mike Hale
    What's different about Life's Too Short, and what makes it watchable, is that Mr. Davis--who portrayed Filius Flitwick in the "Harry Potter" films, as well as multiple "Star Wars" Ewoks--is so good at playing Mr. Gervais's stock character.
    • 61 Metascore
    • 70 Mike Hale
    Clerk Terryn Buxton is the seemingly unsuspecting source of most of the show's laughs....He's also the avenue for the note of moral reproof that inevitably seeps into what is a mostly straightforward show.
    • 90 Metascore
    • 70 Mike Hale
    These images will stick with you. But so will an overall sense that Frozen Planet is more--a lot more--of the same: an aestheticized, sentimentalized, anthropomorphic abstraction of the natural world, in which gentle soundtrack music, winsome narration (by Alec Baldwin, replacing Mr. Attenborough for most of the American version) and the judicious use of slow motion combine to put us in a pleasant stupor on the couch.
    • 77 Metascore
    • 70 Mike Hale
    Ultimately it's a fairly standard TV movie, if an overly long one, ending on a note of sentimental affirmation and, luckily, offering one outstanding central performance.
    • 80 Metascore
    • 70 Mike Hale
    The ending mars what is otherwise a handsome and well-written effort, with good supporting performances.
    • 78 Metascore
    • 70 Mike Hale
    It's fascinating, frightening and more than a little exploitative, just like boxing itself.
    • 70 Metascore
    • 70 Mike Hale
    Over all it's as essentially disposable as most CW shows, but in between the rockin' pool parties and show-business clichés there are moments that are better written and less formulaic than the norm for this network.
    • 84 Metascore
    • 70 Mike Hale
    The depiction of the modern country music business in Nashville feels reasonably authentic, and when the story stays within that realm, it has the mix of hardheadedness, sentimentality and honky-tonk come-on you can get from a good country song.
    • 84 Metascore
    • 70 Mike Hale
    [Dr. Oz's presence is not] fatal to the enjoyment provided by the eight hours of NY Med, and we can also forgive the familiar situations and stock characters.
    • 75 Metascore
    • 70 Mike Hale
    This Steel Magnolias is mostly restrained and relentlessly tasteful, qualities the original could not have been accused of.
    • 79 Metascore
    • 70 Mike Hale
    The half-hour Juarez, on Monday night, is a bracing, at times mesmerizing introduction to the Witness series.... The subsequent films are each an hour long, and while all have powerful material, particularly the South Sudan chapter, they're also more diffuse and more prone to sentimentality about the violence and social disorder the photojournalists bear witness to.
    • 65 Metascore
    • 70 Mike Hale
    While its story lines appear to be as staged as those of "Start-Ups," it has a depressed, workaday vibe that makes it by far the superior show.
    • 79 Metascore
    • 70 Mike Hale
    At least in the early going, the current season avoids the sentimental speechifying about truth and justice that became increasingly prevalent in Season 1. And the let's-put-on-a-broadcast scenes are still reliably entertaining.
    • 72 Metascore
    • 70 Mike Hale
    Ripper Street is reasonably clever and sometimes even witty in its depictions of forward-thinking detectives pioneering the forensic methods and investigative procedures that will eventually become the grist for a thousand television shows.
    • 54 Metascore
    • 70 Mike Hale
    The Taste takes the "Voice" format--blind auditions producing "teams" of contestants chosen by four judges who double as mentors--and turns it into something better than the original, if your definition of a better reality contest includes more rational and less insulting to the intelligence.
    • 71 Metascore
    • 70 Mike Hale
    Out There has a bookish feel to it, as if an indie graphic novel had been transferred directly to the screen.
    • 78 Metascore
    • 70 Mike Hale
    This grayer, chillier Foyle’s War may not suit everyone, but it’s admirable, and a bit remarkable, that Mr. Horowitz has moved the show forward in a way that makes historical and dramatic sense.
    • 76 Metascore
    • 70 Mike Hale
    The result is a film that’s dense with information, some of which will be familiar if you’ve paid attention to the news over the last two decades, and occasionally a bit repetitive.
    • 74 Metascore
    • 70 Mike Hale
    A prickly alliance founded on mutual respect and constantly threatened by both history and present, unpleasant circumstance, it’s more subtle and moving than your average TV bromance and brings out the best in Common and Mr. Mount.
    • 74 Metascore
    • 70 Mike Hale
    Family Tree can feel a little loose and inconsequential.... But that also means that we get to spend more time with Mr. Guest’s crack cast of improvisers and there are moments in each half-hour that pay off.
    • 76 Metascore
    • 70 Mike Hale
    The first two episodes are relatively restrained by Luther standards, with an emphasis on plodding police work, while the case against Luther percolates in the background. Neil Cross still delivers the dread, though, as killers pop out of attics, closets and even closer places. The action picks up in the season’s second half.
    • 79 Metascore
    • 70 Mike Hale
    That ensemble may be enough reason to spend 12 hours or so at the fictional Litchfield prison, even if the drama occasionally lags. It’s a surprisingly congenial place.
    • 70 Metascore
    • 70 Mike Hale
    On the basis of the pilot, the show does a slightly better than average job of turning off-the-shelf ingredients into something diverting and occasionally moving.
    • 76 Metascore
    • 70 Mike Hale
    The two episodes that begin its stretch run on Wednesday reflect a slight flattening out that’s been evident in recent seasons: both depend to some extent on movie parodies, and in both the gags are a little less pointed than in the early seasons. But they’re still pretty good.
    • 73 Metascore
    • 70 Mike Hale
    It’s a nonsensical but inventive and purely entertaining takeoff on superhero tales.
    • 82 Metascore
    • 70 Mike Hale
    What really sets Key & Peele apart are the stars’ performances.
    • 75 Metascore
    • 70 Mike Hale
    The challenge with any extended zombie narrative is striking the right balance between gut-munching action and undergraduate philosophy seminar, and the first two episodes this season are pretty talky.
    • 69 Metascore
    • 70 Mike Hale
    Things could go either way. If Mr. Endicott, Mr. Stoddard and their colleagues can exercise more consistent quality control, there might be another round of financing in their future.