For 255 reviews, this critic has graded:
  • 20% higher than the average critic
  • 5% same as the average critic
  • 75% lower than the average critic
On average, this critic grades 9.7 points lower than other critics. (0-100 point scale)

Mike Hale's Scores

Average review score: 55
Highest review score: 90 Louis C.K.: Oh My God
Lowest review score: 10 Amish Mafia: Season 1
Score distribution:
  1. Positive: 88 out of 255
  2. Negative: 22 out of 255
255 tv reviews
    • tbd Metascore
    • 60 Mike Hale
    It's hard to say for sure after watching only one episode, but a more confrontational and high-adrenaline Top Chef Masters may bump up ratings at the cost of making the show less distinctive. Part of its appeal has been that it focused attention on the chefs' virtuosity, and not merely on the weekly competition.
    • 69 Metascore
    • 60 Mike Hale
    The storytelling in The Fades can be convoluted and creaky, but there's some wit to the writing, and the horror and battle scenes are legitimately frightening, by TV standards.
    • 66 Metascore
    • 60 Mike Hale
    Watching the pilot again, though, it became harder to ignore the soap opera underpinnings and the twee sentimentality.
    • 72 Metascore
    • 60 Mike Hale
    Friday Night Dinner, which had its first season on the British Channel 4 this spring, is a rowdier, sweatier, more profane show that will probably seem more typically British to American fans of "Fawlty Towers" or "The Royle Family."
    • 75 Metascore
    • 60 Mike Hale
    The film’s inevitable compressions, made worse by the amount of empty, self-congratulatory celebrity blathering, mean that every Pryor fan will have omissions to complain about. But the best strategy is probably to sit back and enjoy what’s there.
    • 62 Metascore
    • 60 Mike Hale
    [A] glossy, silly, intermittently entertaining new series.
    • 60 Metascore
    • 60 Mike Hale
    The strained '40s-speak starts to recede in the third episode (four were sent to critics), and, not coincidentally, the performances begin to improve--what looked like community theater acting in the pilot suddenly seems more natural.
    • 75 Metascore
    • 60 Mike Hale
    Unfortunately, the three hours of the show, while they include chases, sexual entrapment, grisly murders and lots of spycraft, never exceed the tension in those quiet opening scenes.
    • 70 Metascore
    • 60 Mike Hale
    Mild, affable and familiar, Brooklyn Nine-Nine is a show the whole family can snicker at.
    • 78 Metascore
    • 60 Mike Hale
    It’s treacle, but it’s distinguished by several things, beginning with its relatively dry style and careful modulation of tone and volume--even the shouting and the car chases are discreetly tasteful.
    • 64 Metascore
    • 60 Mike Hale
    The question is what they'll be given to do going forward, beyond generic relationship material, domestic comedy and the occasional action set piece.
    • 70 Metascore
    • 60 Mike Hale
    Grantchester will be breezy fun for fans of the form, though the more discerning will be put off by how rudimentary the actual murder mysteries are after being squeezed into 50 minutes (half the norm for this type of show). Others are liable to find it faintly ridiculous, more of a haiku than an actual drama.
    • 67 Metascore
    • 60 Mike Hale
    The Pillars of the Earth will go down painlessly for the fan of this sort of epic; while it's predictable and never exactly sweeping, it's certainly eventful, and the production values are above average.
    • 54 Metascore
    • 60 Mike Hale
    Some viewers won't find much of anything in Bob's Burgers funny, but in fairness it's at least partly a question of style--of whether you respond to the show's minimalist, conversational, antijoke aesthetic.
    • 94 Metascore
    • 60 Mike Hale
    This narrative pokiness is redeemed, as usual, by the machine-tooled professionalism of the production, the lavish attention to the mock-medieval costumes and setting, and the mostly crisp, understated acting by the international cast.... More than ever, though, you may find yourself impatient for the plot to wind around to the more engaging story lines.
    • 74 Metascore
    • 60 Mike Hale
    Episodes end with a sit-down interview labeled "Amy Goes Deep"--everything on this show is a double-entendre--in which Ms. Schumer might talk to a sex columnist, a phone-sex operator or a pornography cameraman. That’s a lot of extra business for a half-hour sketch show, and as charming and quick on her feet as Ms. Schumer is in these segments, they can feel like filler.
    • 64 Metascore
    • 60 Mike Hale
    It's decent popcorn TV, if you've got nothing better to do.
    • 68 Metascore
    • 60 Mike Hale
    It's all just window dressing on a standard crime drama, however, and while the pilot sets up running story lines involving the gangster and the officials he controls, they feel squeezed and a little perfunctory.
    • tbd Metascore
    • 60 Mike Hale
    Death Valley's scattershot satire has so many targets--scary-monster series, cop shows, mockumentaries, Hollywood posers, the suburban weltschmerz of the Valley--that despite the lackluster production and hit-and-miss writing some of the jokes are likely to connect.
    • 59 Metascore
    • 60 Mike Hale
    Ringer is nearly all melodramatics, but the pilot has a throwback, B-movie vibe that's entertaining--empty calories, but with a little kick.
    • 69 Metascore
    • 60 Mike Hale
    It still has plenty of clever touches in word and picture.... But it’s not particularly scary, and doesn’t even feel that creepy or freakish, despite the sideshow setting and the obvious attempt to emulate one of the eeriest of American movies, Tod Browning’s “Freaks,” from 1932.
    • 74 Metascore
    • 60 Mike Hale
    Mr. Gregg hits the same appealing note of wry authority that he struck in “The Avengers” (it’s not yet clear whether he has any others), and the newcomer Brett Dalton shows some charm as a Bond-style operative. Joss Whedon, meanwhile, has fun with the show’s obligatory jabs of self-awareness.... The first week’s adventure feels perfunctory, though, even given the constraint of introducing characters and back story, and most of the team members are still strictly two-dimensional.
    • 48 Metascore
    • 60 Mike Hale
    Kirstie, with Ms. Alley mugging through her role as a kindhearted narcissist, is more like the Ford Focus. If it’s late and it’s all the rental company has left, you might as well take it.... Rhea Perlman is funny as Thelma, but the real revelation of Kirstie is Michael Richards as the shady chauffeur, Frank.
    • tbd Metascore
    • 60 Mike Hale
    Some of these segments are quite amusing, but they're rarely more amusing than they would have been if published in The Onion (the newspaper or the Web site).
    • 71 Metascore
    • 60 Mike Hale
    The story ends with a final, not quite believable, flourish on John's part, but Mr. Mackintosh carries it off, riding comfortably above his middling material.
    • 65 Metascore
    • 60 Mike Hale
    The series is in the "NYPD Blue" and "Southland" vein, trying for realism. It isn't in those shows' league, but it's a welcome change from the glossy triviality of other summer filler like "Rookie Blue" or "The Good Guys."
    • 68 Metascore
    • 60 Mike Hale
    Hatfields & McCoys is a perfectly respectable piece of work, and probably better than we could have expected for a History mini-series....The mini-series's main problem is that six-hour running time.
    • 37 Metascore
    • 60 Mike Hale
    Do No Harm is a resolutely lightweight entertainment whose silliness isn't necessarily a deal breaker--if you turn off the right parts of your brain, you might enjoy it.
    • 73 Metascore
    • 60 Mike Hale
    The result--for the person with a casual interest in cars, anyway--is a show that at this point lacks the character of the British original but is, particularly in its second and third episodes, reasonably entertaining by American reality-TV standards.
    • 62 Metascore
    • 60 Mike Hale
    Matador is definitely B-level--serviceable dialogue, not-quite-cartoonish characters, gimmicky editing--but it’s not grindhouse.

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