For 706 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Social Network
Lowest review score: 20 Grown Ups 2
Score distribution:
  1. Negative: 46 out of 706
706 movie reviews
    • 67 Metascore
    • 60 Mike Scott
    An enchantment, plain and simple. And while it won't make many forget Disney's iconic animated version, it certainly joins it as one of the more enjoyable re-tellings of this classic tale.
    • 59 Metascore
    • 60 Mike Scott
    That's a lot of storytelling going on, and it costs Battle of the Five Armies a certain cohesion.
    • 57 Metascore
    • 60 Mike Scott
    It's a good, old-fashioned sit-around-the-campfire ghost story, one that delivers on its sole reason for existence: to raise the hairs on the back of your arms.
    • 67 Metascore
    • 60 Mike Scott
    An enjoyable diversion, a lightweight bit of philosophizing that blends humor with the bittersweet. It won't likely stick in your memory for too terribly long.
    • 51 Metascore
    • 60 Mike Scott
    There are plenty of entertaining moments to latch onto beneath the sci-fi tropes -- and maybe even a few that will inspire a new generation of storytellers.
    • 64 Metascore
    • 60 Mike Scott
    His (Andrew Dominik) film delivers when it matters, especially with its crystallizing final lines. Not only do they wrap a bow on what ends up being a treatise on the uglier side of capitalism, but they stand among the most memorable closing lines in recent Hollywood history.
    • 58 Metascore
    • 60 Mike Scott
    Suffers through the occasional lull, but those would be much easier to forgive if they didn't also generate frequent false moments that threaten to take viewers out of the movie.
    • 59 Metascore
    • 60 Mike Scott
    It aims to entertain, to offer a few tame chuckles for parents and children to enjoy in a purely Saturday-morning way. And it accomplishes that.
    • 46 Metascore
    • 60 Mike Scott
    Aja's film ends up being an fairly satisfying Halloween diversion, using those magical horns to overcome its flaws and transform itself into a decidedly dark, but weirdly sweet, ride.
    • 75 Metascore
    • 60 Mike Scott
    Yes, that makes Frank weird, but it's the kind of weird I can't get enough of.
    • 76 Metascore
    • 60 Mike Scott
    An entertaining and interesting film, and one that speaks with a reasonable degree of credibility. And while that might not make it high art, it's good enough for me.
    • 44 Metascore
    • 60 Mike Scott
    This is a movie that -- in addition to being exceedingly well-cast and surprisingly well-shot -- is gleefully inappropriate and indulgently crass at every turn.
    • 56 Metascore
    • 60 Mike Scott
    Enchanting enough to cast a spell over fans, of Jolie, of Disney, of "Sleeping Beauty" -- and of pure, cinematic escapism.
    • 73 Metascore
    • 60 Mike Scott
    Rust and Bone is somber and gritty if nothing else, a movie that takes itself very, very seriously, even as it struggles at times to find its focus.
    • 57 Metascore
    • 60 Mike Scott
    There's something haunting going on in The Notebook -- in the story, in the performances, in the overall atmosphere -- that makes it hard to look away from, and equally hard to forget.
    • 54 Metascore
    • 60 Mike Scott
    Amusing as it often is, it's all also fairly predictable stuff. If there's one thing Arteta's script is missing, it's imagination.
    • 76 Metascore
    • 60 Mike Scott
    Baumbach, however -- while not entirely past that particular cocktail of curmudgeonly emotions -- demonstrates an ability to laugh at his own apparent age hang-ups.
    • 63 Metascore
    • 60 Mike Scott
    That storytelling, however, is uneven, ranging from something approaching tedium to moments that are downright wonderful (such as the sweetest of scenes, involving two young lovers -- played by and Alicia Vikander and Domhnall Gleeson -- and a stack of children's blocks).
    • 30 Metascore
    • 60 Mike Scott
    And so the real question isn't whether director Todd Phillips' third -- and, he insists, the final -- installment in the unabashedly crude, very R-rated comedy trilogy is funny. Of course, it is.
    • 63 Metascore
    • 60 Mike Scott
    While you're watching it, it is cozy and enjoyable, the same way a sleeping cat in your lap is cozy and enjoyable.
    • 74 Metascore
    • 60 Mike Scott
    The real highlight, though, is the music by Robert Lopez and Kristen Anderson-Lopez.
    • 67 Metascore
    • 60 Mike Scott
    The sort of movie you should go see with someone you love. You should also hold their hand during the movie. And be thankful that that hand is there.
    • 56 Metascore
    • 60 Mike Scott
    The pieces click together nicely in what ends up being an overall enjoyable package.
    • 67 Metascore
    • 60 Mike Scott
    Furious 7, formulaic or not, knows exactly what kind of movie it is. It is a superhero movie without the tights. It is a comic-book franchise without the radioactive spider bite. It is, plain and simple, an automotive "Avengers."
    • 58 Metascore
    • 60 Mike Scott
    An Unexpected Journey also proves that it is, indeed, possible to get too much of a good thing.
    • 64 Metascore
    • 60 Mike Scott
    The film's message -- about how the Internet is sabotaging our real-life relationships -- doesn't resonate with absolute clarity, but Disconnect does a much more effective job than anyone could hope to do in 140 characters or less.
    • 81 Metascore
    • 60 Mike Scott
    Also helping to sell it all is the fact that these films, goofy though they may be, feature a consistently high level of acting. In addition to Pegg, we get Martin Freeman ("The Hobbit"), Paddy Considine ("Red Riding"), Eddie Marsan ("Sherlock Holmes") and Bill Nighy ("Love Actually"), all of whom have appeared previously in the trilogy.
    • 63 Metascore
    • 60 Mike Scott
    Niccol's film won't likely achieve the high-flying box-office success of "Top Gun," but it is similar to that 1986 film in that it will likely get people talking after the closing credits roll.
    • 66 Metascore
    • 60 Mike Scott
    Watching it, one gets the feeling that Coppola knows these vampiric types all too well. What unfolds feels like a cross between "Lifestyles of the Rich and Famous" and "Natural Born Killers," and a film that is far more disapproving than glamorizing of the go-go-go Los Angeles lifestyle -- but fascinating nonetheless.
    • 62 Metascore
    • 60 Mike Scott
    Roenning and Sandberg never dig deeply into the real, underlying motivating force behind Heyerdahl's voyage aboard the Kon-Tiki -- the name of his visually unimpressive but ultimately seaworthy raft -- other than relying on the fact that he wanted to prove his theory correct.

Top Trailers