For 824 reviews, this critic has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 War Witch
Lowest review score: 20 Emperor
Score distribution:
  1. Negative: 51 out of 824
824 movie reviews
    • 72 Metascore
    • 60 Mike Scott
    It's not a film for everyone. Those who see it, however, will have trouble forgetting it.
    • 55 Metascore
    • 60 Mike Scott
    The ultimate goal of a film like this, of course, is to change minds. As compelling a case as it builds, Promised Land isn't quite persuasive enough to be able to promise to do that.
    • 53 Metascore
    • 60 Mike Scott
    The joy of Hysteria, like the joy of certain other things, isn't necessarily rooted in the element of surprise. Rather, it's in the pleasure of the path taken to get to that crescendo.
    • 40 Metascore
    • 60 Mike Scott
    So does the film succeed, overall? On some levels. But if all you want is a guilt-free, sci-fi summer pleasure, save your money and wait another week. The crew of the Enterprise is on its way.
    • 41 Metascore
    • 60 Mike Scott
    Some summer movies are big, woofing mastiffs. (Think "Battleship.") Others are naughty, nipping lapdogs. ("The Dictator.") Here, what we get is a calm, quiet basset hound. And, for the most part, it's a good dog.
    • 83 Metascore
    • 60 Mike Scott
    While Pina will undoubtedly be well-received by modern-dance devotees, it does little to take advantage of the enormous opportunity to open the door for newcomers.
    • 67 Metascore
    • 60 Mike Scott
    An enchantment, plain and simple. And while it won't make many forget Disney's iconic animated version, it certainly joins it as one of the more enjoyable re-tellings of this classic tale.
    • 59 Metascore
    • 60 Mike Scott
    That's a lot of storytelling going on, and it costs Battle of the Five Armies a certain cohesion.
    • 57 Metascore
    • 60 Mike Scott
    It's a good, old-fashioned sit-around-the-campfire ghost story, one that delivers on its sole reason for existence: to raise the hairs on the back of your arms.
    • 67 Metascore
    • 60 Mike Scott
    An enjoyable diversion, a lightweight bit of philosophizing that blends humor with the bittersweet. It won't likely stick in your memory for too terribly long.
    • 51 Metascore
    • 60 Mike Scott
    There are plenty of entertaining moments to latch onto beneath the sci-fi tropes -- and maybe even a few that will inspire a new generation of storytellers.
    • 60 Metascore
    • 60 Mike Scott
    Granted, there's comfort to be found in the familiarity of Mendes' film, which makes an effort to look back while also advancing the series. But there's a fine line between paying homage to the past and merely repeating it.... Spectre often crosses that line.
    • 64 Metascore
    • 60 Mike Scott
    His (Andrew Dominik) film delivers when it matters, especially with its crystallizing final lines. Not only do they wrap a bow on what ends up being a treatise on the uglier side of capitalism, but they stand among the most memorable closing lines in recent Hollywood history.
    • 58 Metascore
    • 60 Mike Scott
    Suffers through the occasional lull, but those would be much easier to forgive if they didn't also generate frequent false moments that threaten to take viewers out of the movie.
    • 59 Metascore
    • 60 Mike Scott
    It aims to entertain, to offer a few tame chuckles for parents and children to enjoy in a purely Saturday-morning way. And it accomplishes that.
    • 46 Metascore
    • 60 Mike Scott
    Aja's film ends up being an fairly satisfying Halloween diversion, using those magical horns to overcome its flaws and transform itself into a decidedly dark, but weirdly sweet, ride.
    • 75 Metascore
    • 60 Mike Scott
    Yes, that makes Frank weird, but it's the kind of weird I can't get enough of.
    • 76 Metascore
    • 60 Mike Scott
    An entertaining and interesting film, and one that speaks with a reasonable degree of credibility. And while that might not make it high art, it's good enough for me.
    • 44 Metascore
    • 60 Mike Scott
    This is a movie that -- in addition to being exceedingly well-cast and surprisingly well-shot -- is gleefully inappropriate and indulgently crass at every turn.
    • 56 Metascore
    • 60 Mike Scott
    Enchanting enough to cast a spell over fans, of Jolie, of Disney, of "Sleeping Beauty" -- and of pure, cinematic escapism.
    • 77 Metascore
    • 60 Mike Scott
    Ryan Reynolds and Ben Mendelsohn, and their casting in the lead roles pays off in spades. In fact, they're the primary reasons Mississippi Grind works as well as it does.
    • 73 Metascore
    • 60 Mike Scott
    Rust and Bone is somber and gritty if nothing else, a movie that takes itself very, very seriously, even as it struggles at times to find its focus.
    • 57 Metascore
    • 60 Mike Scott
    There's something haunting going on in The Notebook -- in the story, in the performances, in the overall atmosphere -- that makes it hard to look away from, and equally hard to forget.
    • 54 Metascore
    • 60 Mike Scott
    Amusing as it often is, it's all also fairly predictable stuff. If there's one thing Arteta's script is missing, it's imagination.
    • 62 Metascore
    • 60 Mike Scott
    If Split does one thing, it's to show that "The Visit" wasn't a fluke. If it does another thing, it's to make me intrigued to see what he has in store for us next.
    • 77 Metascore
    • 60 Mike Scott
    Baumbach, however -- while not entirely past that particular cocktail of curmudgeonly emotions -- demonstrates an ability to laugh at his own apparent age hang-ups.
    • 63 Metascore
    • 60 Mike Scott
    That storytelling, however, is uneven, ranging from something approaching tedium to moments that are downright wonderful (such as the sweetest of scenes, involving two young lovers -- played by and Alicia Vikander and Domhnall Gleeson -- and a stack of children's blocks).
    • 30 Metascore
    • 60 Mike Scott
    And so the real question isn't whether director Todd Phillips' third -- and, he insists, the final -- installment in the unabashedly crude, very R-rated comedy trilogy is funny. Of course, it is.
    • 63 Metascore
    • 60 Mike Scott
    While you're watching it, it is cozy and enjoyable, the same way a sleeping cat in your lap is cozy and enjoyable.
    • 74 Metascore
    • 60 Mike Scott
    The real highlight, though, is the music by Robert Lopez and Kristen Anderson-Lopez.

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