For 646 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Searching for Sugar Man
Lowest review score: 20 American Reunion
Score distribution:
  1. Negative: 45 out of 646
646 movie reviews
    • 83 Metascore
    • 88 Mike Scott
    A documentary that is equal parts sweet science, brutal art and masterful filmmaking.
    • 57 Metascore
    • 88 Mike Scott
    Almost feels as if it is two different films. One is the opening 20 minutes or so, in which most of the screwball comedy takes place. The other comes when Yimou gets on with the real story. That's where the payoff comes in.
    • 88 Metascore
    • 88 Mike Scott
    One of the chief reasons that director Tom Hooper's richly produced film works so well is because it operates on so many different levels. The King's Speech is all about layers, and Hooper keeps it humming on several at once.
    • 78 Metascore
    • 88 Mike Scott
    The only waste would be if people didn't go see it.
    • 67 Metascore
    • 88 Mike Scott
    That character flaw makes for some great shock-fueled laughs in Lewis' film -- Giamatti does full-on comic rage as well as anyone.
    • 57 Metascore
    • 88 Mike Scott
    The film -- lame of title but big on fun.
    • 81 Metascore
    • 88 Mike Scott
    A lovely jaunt that ends up becoming one of Allen's most enjoyable films, start-to-finish, in years.
    • 76 Metascore
    • 88 Mike Scott
    Seeing Brannaman work in the warm, sun-dappled documentary Buck makes it clear why he was such a perfect fit for Redford's film: Few people can handle horses the way Brannaman does.
    • 82 Metascore
    • 88 Mike Scott
    A story of hope amid the ruins -- one that everybody can appreciate, no matter their politics.
    • 63 Metascore
    • 88 Mike Scott
    The result isn't just the best new romantic comedy released so far this year, but one of the best comedies, period.
    • 67 Metascore
    • 88 Mike Scott
    Both taut and satisfyingly relevant, it presents a portrait of a compromised elections system -- one that should give the left wing, the right wing and the fringe-dwelling nutjobs something they can all agree on. Namely: We're in deep doo-doo.
    • 84 Metascore
    • 88 Mike Scott
    At times humorous, at times poignant, but always absorbing.
    • 65 Metascore
    • 88 Mike Scott
    Built as it is around horrifying moments of intimate violence, the stark British drama Tyrannosaur can be a hard movie to watch. At the same time, though, it's hard to stop watching once it gets going.
    • 65 Metascore
    • 88 Mike Scott
    With Knuckle, Palmer offers a thorough -- and extraordinarily compelling -- portrait of the Travellers.
    • 95 Metascore
    • 80 Mike Scott
    It's the little moments in Farhadi's film that are its most important, speaking every bit as loudly as its big, narrative-driving moments.
    • 79 Metascore
    • 80 Mike Scott
    While Pariah starts out as a film with moments of predictability, it evolves into a smart, compelling -- and optimistic -- portrait of heartbreak and hope.
    • 64 Metascore
    • 80 Mike Scott
    Writer-director Markus Schleinzer's exceedingly dark drama -- guaranteed to make audiences squirm in their seats -- is emotionally unsettling.
    • 69 Metascore
    • 80 Mike Scott
    Without a doubt, stupid, but it's willfully stupid, built in the comic style of "The Hangover" and "Due Date." Better yet, it also is genuinely funny, which is the point.
    • 60 Metascore
    • 80 Mike Scott
    It is small, it is smart, it is quirky.
    • 67 Metascore
    • 80 Mike Scott
    Katniss is gritty, she's flinty, she's intimidating -- and she doesn't have to compromise one iota of her femininity for it. And Ross' movie tells her story wonderfully.
    • 90 Metascore
    • 80 Mike Scott
    Merely from a film-study standpoint, it's an interesting exercise.
    • 74 Metascore
    • 80 Mike Scott
    This is nothing if not an important film. It is important for the bullied to see, if for no other reason than to realize they aren't alone, and it is important for the bullies to see as well as for the parents of both groups so everyone can understand just how devastating the problem is.
    • 76 Metascore
    • 80 Mike Scott
    It's called Chico & Rita, but their film could just as easily have been titled "Chico & Cuba." In both cases, it's a film are about a long-lost love, and in both cases it is steeped in such a pitch-perfect sense of place -- and affection -- that you can almost smell the cigar smoke as it unfolds.
    • 57 Metascore
    • 80 Mike Scott
    Chimpanzee is so skillfully crafted, and the big-hearted outcome so endearing and entertaining, that any narrative liberties taken to aid in the telling of this prehensile tale are not only forgivable but welcome.
    • 62 Metascore
    • 80 Mike Scott
    Perhaps the best thing about The Five-Year Engagement is that it signals a touch of maturity creeping into the House of Apatow.
    • 59 Metascore
    • 80 Mike Scott
    With beautiful, artful images serving to break up the monotony of the film's wealth of talking heads, Surviving Progress is at times as visually striking as it is persuasive.
    • 69 Metascore
    • 80 Mike Scott
    The magic is back at Pixar.
    • 59 Metascore
    • 80 Mike Scott
    Perhaps the best thing about Seeking a Friend is that it never ceases to surprise, as Scafaria's script consistently defies Hollywood convention in the most congenial ways.
    • 72 Metascore
    • 80 Mike Scott
    Even if something feels crazy -- whether it's falling in with a self-taught time-traveler, or buying into a charming but faintly flawed movie premise -- if you listen to your gut, wonderful things can happen.
    • 59 Metascore
    • 80 Mike Scott
    Stone is generally given to deep thinking -- eternal fates are on the line. Not only does that lend the riveting and intense Savages a certain gravity, but it's also what separates his film from, say, your favorite Guy Ritchie movie. Here, we find an appealing depth amid the appalling violence.