For 669 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Broken Circle Breakdown
Lowest review score: 20 Endless Love
Score distribution:
  1. Negative: 45 out of 669
669 movie reviews
    • 79 Metascore
    • 88 Mike Scott
    Without subtitles this time, it also stands a very real chance of migrating out of America's art houses and into its multiplexes, where it can sink its teeth into a whole new audience.
    • 65 Metascore
    • 88 Mike Scott
    Boasting a rich look and an engrossing storyline, it's the rare "to-be-continued" film that doesn't leave its audience feeling cheated.
    • 57 Metascore
    • 88 Mike Scott
    Almost feels as if it is two different films. One is the opening 20 minutes or so, in which most of the screwball comedy takes place. The other comes when Yimou gets on with the real story. That's where the payoff comes in.
    • 56 Metascore
    • 88 Mike Scott
    As a result, Hereafter isn't so deep that it will change the way many people think about the afterlife. But it is heartfelt and thoughtful and, in a way, comforting.
    • 88 Metascore
    • 88 Mike Scott
    One of the chief reasons that director Tom Hooper's richly produced film works so well is because it operates on so many different levels. The King's Speech is all about layers, and Hooper keeps it humming on several at once.
    • 67 Metascore
    • 88 Mike Scott
    That character flaw makes for some great shock-fueled laughs in Lewis' film -- Giamatti does full-on comic rage as well as anyone.
    • 83 Metascore
    • 88 Mike Scott
    A documentary that is equal parts sweet science, brutal art and masterful filmmaking.
    • 78 Metascore
    • 88 Mike Scott
    The only waste would be if people didn't go see it.
    • 57 Metascore
    • 88 Mike Scott
    The film -- lame of title but big on fun.
    • 63 Metascore
    • 88 Mike Scott
    The result isn't just the best new romantic comedy released so far this year, but one of the best comedies, period.
    • 84 Metascore
    • 88 Mike Scott
    At times humorous, at times poignant, but always absorbing.
    • 67 Metascore
    • 88 Mike Scott
    Both taut and satisfyingly relevant, it presents a portrait of a compromised elections system -- one that should give the left wing, the right wing and the fringe-dwelling nutjobs something they can all agree on. Namely: We're in deep doo-doo.
    • 81 Metascore
    • 88 Mike Scott
    A lovely jaunt that ends up becoming one of Allen's most enjoyable films, start-to-finish, in years.
    • 82 Metascore
    • 88 Mike Scott
    A story of hope amid the ruins -- one that everybody can appreciate, no matter their politics.
    • 65 Metascore
    • 88 Mike Scott
    Built as it is around horrifying moments of intimate violence, the stark British drama Tyrannosaur can be a hard movie to watch. At the same time, though, it's hard to stop watching once it gets going.
    • 76 Metascore
    • 88 Mike Scott
    Seeing Brannaman work in the warm, sun-dappled documentary Buck makes it clear why he was such a perfect fit for Redford's film: Few people can handle horses the way Brannaman does.
    • 65 Metascore
    • 88 Mike Scott
    With Knuckle, Palmer offers a thorough -- and extraordinarily compelling -- portrait of the Travellers.
    • 64 Metascore
    • 80 Mike Scott
    Songs such as "We Shall Overcome," "Wade in the Water" and "This Little Light of Mine" are powerful to begin with. Listening to them, music-video-style, over footage shot during the era, however, elevates them.
    • 67 Metascore
    • 80 Mike Scott
    Katniss is gritty, she's flinty, she's intimidating -- and she doesn't have to compromise one iota of her femininity for it. And Ross' movie tells her story wonderfully.
    • 60 Metascore
    • 80 Mike Scott
    It is small, it is smart, it is quirky.
    • 68 Metascore
    • 80 Mike Scott
    That's not to say the sobering Take This Waltz is nearly as emotionally agonizing as "Blue Valentine." Still, it's every bit as truthful in its examination of the evolution, and subsequent devolution, of love.
    • 79 Metascore
    • 80 Mike Scott
    The result is a movie built upon big ideas -- and timely ones, too, delivering a message of understanding in this frustrating age of great intolerance -- but also a great story and, thanks to Lee, a wonderfully satisfying cinematic journey.
    • 57 Metascore
    • 80 Mike Scott
    It's a grand, colorful adventure, an escapist romp draped in tinsel. And, who knows -- if you're all good little boys and girls this year, perhaps it will also be the first installment in a new DreamWorks holiday tradition.
    • 69 Metascore
    • 80 Mike Scott
    Without a doubt, stupid, but it's willfully stupid, built in the comic style of "The Hangover" and "Due Date." Better yet, it also is genuinely funny, which is the point.
    • 69 Metascore
    • 80 Mike Scott
    The magic is back at Pixar.
    • 57 Metascore
    • 80 Mike Scott
    Chimpanzee is so skillfully crafted, and the big-hearted outcome so endearing and entertaining, that any narrative liberties taken to aid in the telling of this prehensile tale are not only forgivable but welcome.
    • 62 Metascore
    • 80 Mike Scott
    Perhaps the best thing about The Five-Year Engagement is that it signals a touch of maturity creeping into the House of Apatow.
    • 72 Metascore
    • 80 Mike Scott
    In ParaNorman, Butler, Fell and company have crafted a refreshingly enjoyable bit of family entertainment. In the process, they've also made the best animated film to hit theaters so far this year.
    • 81 Metascore
    • 80 Mike Scott
    It's that zippy dialog more than anything that moves "Django" along and that coaxes such fantastic performances from its actors.
    • 59 Metascore
    • 80 Mike Scott
    Stone is generally given to deep thinking -- eternal fates are on the line. Not only does that lend the riveting and intense Savages a certain gravity, but it's also what separates his film from, say, your favorite Guy Ritchie movie. Here, we find an appealing depth amid the appalling violence.

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