For 646 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Being Elmo: A Puppeteer's Journey
Lowest review score: 20 Peeples
Score distribution:
  1. Negative: 45 out of 646
646 movie reviews
    • 100 Metascore
    • 100 Mike Scott
    The greatest movies, the ones that stick with us, are those that hold up a mirror to the human condition and reflect something back at us that we too often manage to overlook. Boyhood is one of those movies, and with it Linklater proves he is among the best practitioners of that art.
    • 97 Metascore
    • 100 Mike Scott
    There's something Shakespearean about it. From the case of mistaken identity (though willfully mistaken) to the formal, old-fashioned language to the tragic tone in which it is all swaddled, this is Shakespeare by way of the Deep South.
    • 96 Metascore
    • 100 Mike Scott
    Gravity, it turns out, is a great film, a technical and storytelling masterpiece that is buoyed by stunning visuals and which functions both as a ripping, tension-filled yarn and as a profound and life-affirming work of art.
    • 95 Metascore
    • 100 Mike Scott
    The result is a ripped-from-the-Zeitgeist film that is razor-sharp, an astute and funny portrait of the early 2000s, with all its LOL's, its IMO's and its WTF's. Mostly its WTF's.
    • 95 Metascore
    • 100 Mike Scott
    The U.S. government did torture prisoners of war in the name of its so-called war on terror and, by extension, in the name of all Americans. What Bigelow and Boal seem to be arguing is that such actions take a deep cosmic toll on the people responsible -- whether directly, in the case of Chastain's character, or indirectly, in the case of you and me.
    • 95 Metascore
    • 80 Mike Scott
    It's the little moments in Farhadi's film that are its most important, speaking every bit as loudly as its big, narrative-driving moments.
    • 94 Metascore
    • 80 Mike Scott
    Not only is the result edifying, but it's also rewarding. And it's a heck of a lot cheaper than a therapy session.
    • 94 Metascore
    • 80 Mike Scott
    Amour is a far cry from the warm-and-fuzzy version of love that most people are probably looking for on Valentine's Day. This movie is more of a slap than a hug. But reality hurts sometimes - just like love does.
    • 92 Metascore
    • 80 Mike Scott
    Inside Llewyn Davis isn't as goofy as 2008's "Burn After Reading," nor as solemn as 2009's "A Serious Man," but it's an embraceable film just the same.
    • 92 Metascore
    • 100 Mike Scott
    Positively soars.
    • 91 Metascore
    • 80 Mike Scott
    A great storyteller, however, is one who can entertain an audience in the moment -- but who also gives them something to think about, something for them to take home with them when the story ends, which is exactly what Polley does in Stories We Tell.
    • 90 Metascore
    • 100 Mike Scott
    More than anything else, however, director Jacques Audiard's gritty, grab-you-by-the-shirtfront film is a mob movie -- a really, really good mob movie. Think "GoodFellas," but with Gauloises and accent aigu instead of plates of spaghetti and accent Pesci.
    • 90 Metascore
    • 100 Mike Scott
    Like "The Hurt Locker," Winter's Bone is a spare but riveting drama with a female director. It is built around a raw, revelatory performance by a young, little-known lead actor.
    • 90 Metascore
    • 60 Mike Scott
    Her
    Even a flawed Spike Jonze film is a thing of beauty in its own way, and even the uneven but admirable Her is a journey well worth taking.
    • 90 Metascore
    • 80 Mike Scott
    Merely from a film-study standpoint, it's an interesting exercise.
    • 90 Metascore
    • 80 Mike Scott
    Like everyone else in Russell's cast, Lawrence appears to be having a blast in the role. It's downright contagious.
    • 89 Metascore
    • 60 Mike Scott
    It's also a touch tedious at times, as it's not always clear where Oppenheimer is going.
    • 89 Metascore
    • 80 Mike Scott
    Ida
    Agata Kulesza is pitch-perfect as the tortured aunt, weighed down by years of shame and sorrow. In a quieter but equally impactful role is newcomer Agata Trzebuchowska as Ida, a character defined by a quiet, rigid stoicism but who, with her cherubic face, engenders great empathy.
    • 89 Metascore
    • 100 Mike Scott
    If nothing else, this is a cinematic high-wire act.
    • 88 Metascore
    • 88 Mike Scott
    One of the chief reasons that director Tom Hooper's richly produced film works so well is because it operates on so many different levels. The King's Speech is all about layers, and Hooper keeps it humming on several at once.
    • 88 Metascore
    • 100 Mike Scott
    Up
    A thoroughly uplifting bit of cinema.
    • 88 Metascore
    • 100 Mike Scott
    There are moments of depth there as well, as Anderson touches on themes of friendship and loyalty. More than anything else, though, The Grand Budapest Hotel is just a fun ride -- a wild, wonderful ride seemingly plucked out of Anderson's dream journal.
    • 88 Metascore
    • 75 Mike Scott
    Imagine Norman Rockwell had he been more of a realist than a nostalgist.
    • 87 Metascore
    • 100 Mike Scott
    Chaz Ebert says that Roger would have loved Life Itself. I'll take her word for it. She knew him far better than I did. Clearly. But I'll add this: I love it, too.
    • 87 Metascore
    • 100 Mike Scott
    A dazzling, stirring capper to a once-in-a-generation movie franchise.
    • 87 Metascore
    • 75 Mike Scott
    Pitt and Hill are fantastic individually, and hilarious when together -- and on a surprisingly engaging script by Aaron Sorkin ("Social Network") and Steve Zaillian ("Schindler's List").
    • 86 Metascore
    • 100 Mike Scott
    What plays out is something like CSPAN 1865. That is, it's dense, talky stuff at times -- particularly at its start, as the film takes a good 15 minutes to gain traction -- but also highly rewarding and instructive.
    • 86 Metascore
    • 75 Mike Scott
    A thoroughly and unmistakably modern film so rooted in the now that it's bound to be remembered as a cinematic landmark.
    • 86 Metascore
    • 75 Mike Scott
    It is a thoughtful film, a serious one, and one that is sneakily affecting.
    • 86 Metascore
    • 80 Mike Scott
    Sharp, brisk and highly entertaining.