For 852 reviews, this critic has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 0.4 points lower than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Hugo
Lowest review score: 20 Third Person
Score distribution:
  1. Negative: 53 out of 852
852 movie reviews
    • 85 Metascore
    • 60 Mike Scott
    These characters are so compelling that their stories are easy to get caught up in. As with "A Separation," Farhadi's drama never strikes a resoundingly false note -- which is a precious thing in movies lately -- and as such is a film that promises moving rewards.
    • 85 Metascore
    • 100 Mike Scott
    This film is undoubtedly a piece of art, as much so as a Picasso painting, one that invites viewers to immerse themselves, scratch their heads and consider it.
    • 85 Metascore
    • 100 Mike Scott
    A film that is beautiful, harrowing, heartbreaking -- and necessary.
    • 85 Metascore
    • 100 Mike Scott
    Fruitvale Station is only the first in a string of civil-rights minded movies set to hit theaters this year -- contributing to what could be the most racially conscious award season in recent memory.
    • 84 Metascore
    • 100 Mike Scott
    A thoroughly endearing journey, and one of the most enjoyable and touching movies to land in theaters so far this year.
    • 84 Metascore
    • 100 Mike Scott
    Feels startlingly real and inherently relevant, a shining, sterling example of cinema at its most powerful and urgent.
    • 84 Metascore
    • 60 Mike Scott
    The resulting slowdown, as well as a significant narrative shift, gives Looper a slightly sprawling and ungrounded feel at times, almost as if the first and second halves are two separate movies.
    • 84 Metascore
    • 80 Mike Scott
    Like everything else associated with it, the drama of Graduation is decidedly low-key. While that occasionally costs it a sense of forward momentum, it doesn't hold the film back from its ultimate goals. In fact, it contributes to it in some ways.
    • 84 Metascore
    • 100 Mike Scott
    Not only is it a searing on-the-ground, in-the-fray portrait of the heart of Egypt's ongoing revolution, but it is also a stirring tribute to the indomitable spirit of those who are risking, and in many cases giving, their lives to keep it alive.
    • 84 Metascore
    • 88 Mike Scott
    At times humorous, at times poignant, but always absorbing.
    • 84 Metascore
    • 80 Mike Scott
    McConaughey and Leto's performances are also the saviors of Vallee's film, which has a way of belaboring certain points and, in the process, robbing his film of no small amount of momentum.
    • 84 Metascore
    • 100 Mike Scott
    Not only does it deliver a powerful message, but it is wrapped in an immensely entertaining package.
    • 83 Metascore
    • 88 Mike Scott
    A documentary that is equal parts sweet science, brutal art and masterful filmmaking.
    • 83 Metascore
    • 88 Mike Scott
    A simple story about a difficult man, and it's an impressive debut from writer-director Scott Cooper.
    • 83 Metascore
    • 75 Mike Scott
    Even though it's right there in the title, "fantastic" might be a touch hyperbolic in describing director Wes Anderson's stop-motion adaptation of Roald Dahl's The Fantastic Mr. Fox, but only by a whisker.
    • 83 Metascore
    • 75 Mike Scott
    It's also a British comedy, with that singularly British way of being clever and deliriously juvenile all at once, a combination that makes for scathing, laugh-out-loud, big-screen satire.
    • 83 Metascore
    • 100 Mike Scott
    Extraordinarily engaging but surprisingly sobering.
    • 83 Metascore
    • 60 Mike Scott
    Does The Wind Rises represent Miyazaki at the top of his game? No, not really. But it could be Miyazaki at the end of the game, and that alone is reason enough to appreciate the film for the things it offers rather than hammer it too hard for the things it lacks.
    • 83 Metascore
    • 80 Mike Scott
    A crowd-pleaser, through and through.
    • 83 Metascore
    • 60 Mike Scott
    While Pina will undoubtedly be well-received by modern-dance devotees, it does little to take advantage of the enormous opportunity to open the door for newcomers.
    • 83 Metascore
    • 100 Mike Scott
    This kind of cinematic delight is a rarity, a warm and masterfully crafted reminder of why we love to go to the movies in the first place.
    • 83 Metascore
    • 80 Mike Scott
    The surprise is that Captain Phillips is a surprise in the first place, pitching and rolling tirelessly like the sea on which it is set and, in the process, becoming one of the most enjoyable and well-made movies to hit theaters this year.
    • 83 Metascore
    • 63 Mike Scott
    Even if the obligatory third-act twist arrives with all the subtlety of the Four Horsemen of the Apocalypse, Drag Me to Hell otherwise steers mostly clear of predictability.
    • 83 Metascore
    • 38 Mike Scott
    Dumont's fans might find this latest exercise enjoyable, but his style of filmmaking is an acquired taste. I doubt those without that taste are going to acquire it here.
    • 83 Metascore
    • 60 Mike Scott
    A fast-moving, fascinating and at times even fun documentary residing squarely at the intersection of sports, geopolitics and history.
    • 83 Metascore
    • 80 Mike Scott
    This is a film that could -- and should -- catch on. Just be careful nobody follows you home from the theater.
    • 82 Metascore
    • 100 Mike Scott
    127 Hours -- just like "Slumdog Millionaire" -- is a masterful slice of four-star cinema, featuring an irresistible performance by James Franco, breathtaking cinematography, and the kind of deep, searching soul that is absent from so much of what comes out of Hollywood.
    • 82 Metascore
    • 63 Mike Scott
    A beautifully uncomplicated story, really -- about the love between daddies and their little girls.
    • 82 Metascore
    • 40 Mike Scott
    Even with that pedigree, Ponsoldt's film doesn't snap and sizzle as much as it just lays there, leaving moviegoers who haven't been converted to the Wallace cult to long for the end of this particular "Tour."
    • 82 Metascore
    • 80 Mike Scott
    This is the kind of movie that almost begs for a second viewing, which, admittedly, isn't always a good thing. In the case of The Lobster, however, it is. It's a very good thing -- good and weird and wonderful.

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