For 693 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 2.6 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 War Witch
Lowest review score: 20 Think Like a Man Too
Score distribution:
  1. Negative: 46 out of 693
693 movie reviews
    • 78 Metascore
    • 75 Mike Scott
    Director David Yates picks up where he left off with "Order of the Phoenix," assembling a nicely paced and artfully shot adventure.
    • 78 Metascore
    • 88 Mike Scott
    The only waste would be if people didn't go see it.
    • 78 Metascore
    • 75 Mike Scott
    The movie documents much more than a talent competition -- it documents a political movement.
    • 77 Metascore
    • 60 Mike Scott
    There's a good reason why the true-crime film The Imposter is a documentary: If someone tried to pass off this bizarre Texas tale as fiction, nobody would believe it.
    • 77 Metascore
    • 100 Mike Scott
    A singularly enjoyable and moving film.
    • 77 Metascore
    • 100 Mike Scott
    It's a tremendously moving drama, filled with heartbreak, humor and, more importantly, humanity.
    • 77 Metascore
    • 60 Mike Scott
    Calvary is most assuredly not a comedy. It is a weighty, powerful drama -- albeit one with comic moments -- that dabbles in weighty, powerful themes.
    • 77 Metascore
    • 100 Mike Scott
    The House I Live In is not a comfortable film to consider in any respect, but without discomfort it's hard to feel anger - and without anger, it's hard to imagine that anything will ever be done about it.
    • 77 Metascore
    • 88 Mike Scott
    A movie with a message, but the subtle kind; it's whispered wisdom, wrapped up in a story of mystery, of love, of regret, of repentance and redemption.
    • 76 Metascore
    • 38 Mike Scott
    Almodovar lets his movie become boring, and insufferably so.
    • 76 Metascore
    • 50 Mike Scott
    Doesn't boast enough universal meaning to make it truly sing.
    • 76 Metascore
    • 63 Mike Scott
    It continuously feels less like straight-up reportage and more like a fan film, one built on equal parts idol worship and wishful thinking.
    • 76 Metascore
    • 80 Mike Scott
    It's called Chico & Rita, but their film could just as easily have been titled "Chico & Cuba." In both cases, it's a film are about a long-lost love, and in both cases it is steeped in such a pitch-perfect sense of place -- and affection -- that you can almost smell the cigar smoke as it unfolds.
    • 76 Metascore
    • 80 Mike Scott
    World War II dramas might be common enough, but, amid them all, Lore stands as an uncommon entry in the genre.
    • 76 Metascore
    • 75 Mike Scott
    Complemented by striking, well-conceived visuals, in Fukunaga's hands Bronte's tale of love and woe becomes one well worth repeating.
    • 76 Metascore
    • 88 Mike Scott
    Seeing Brannaman work in the warm, sun-dappled documentary Buck makes it clear why he was such a perfect fit for Redford's film: Few people can handle horses the way Brannaman does.
    • 76 Metascore
    • 60 Mike Scott
    Imbued as it is with a sense of discomforting truth, it is a worthwhile examination of human nature -- and one with a message well worth heeding.
    • 76 Metascore
    • 63 Mike Scott
    The quietly moving drama Martha Marcy May Marlene must be thought of as an "arrival" film. That is, for all that it has going for it (and, it must be said, against it), if it is remembered for anything it will be for introducing a 22-year-old newcomer named Elizabeth Olsen.
    • 76 Metascore
    • 88 Mike Scott
    It is edifying, it is emotionally engaging, it is embraceable.
    • 76 Metascore
    • 60 Mike Scott
    Baumbach, however -- while not entirely past that particular cocktail of curmudgeonly emotions -- demonstrates an ability to laugh at his own apparent age hang-ups.
    • 76 Metascore
    • 88 Mike Scott
    You know how people say that they don't make romantic comedies like they used to? Turns out they do. At least, director Marc Webb does -- and has -- with his clever and sweet debut, 500 Days of Summer.
    • 76 Metascore
    • 80 Mike Scott
    Khan in particularly is wonderful in Batra's film, which takes the time to indulge in quiet moments that Khan expertly fills with his expressive face and sense ease in front of a camera.
    • 76 Metascore
    • 100 Mike Scott
    There are other movies out this year that are more technically ambitious than Wild (I'm thinking "Birdman.") There are others that are wider-reaching in scope and sheer audacity (the 12-years-in-the-making "Boyhood"). But there aren't any others that offer the power and profundity of Wild. This movie is a gift. It's also a journey.
    • 76 Metascore
    • 60 Mike Scott
    Not all of the stand-up scenes in Obvious Child are quite as funny. At least one is meant to be bad. Another is meant to be poignant but just ends up coming off as a touch weird and emotionally false.
    • 76 Metascore
    • 60 Mike Scott
    An entertaining and interesting film, and one that speaks with a reasonable degree of credibility. And while that might not make it high art, it's good enough for me.
    • 76 Metascore
    • 80 Mike Scott
    It is fast, it is fun.
    • 76 Metascore
    • 60 Mike Scott
    Even when it is at its most esoteric, The Dance of Reality is always brimming with passion and a daring originality. That helps smooth over the flaws, such as its general staginess and his self-indulgent tendencies.
    • 76 Metascore
    • 50 Mike Scott
    A Dangerous Method still feels as if it's based on a rather pedestrian narrative --and so, in the final analysis, Cronenberg's film bores.
    • 76 Metascore
    • 100 Mike Scott
    Mud
    Watching Mud unfold, one suspects that the Arkansas-reared Nichols remembers exactly what it was like to be a boy of the Southern wilds.
    • 76 Metascore
    • 63 Mike Scott
    There's humor there, but this is a "smart" comedy, which is to say it's not intended to make you guffaw.

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