For 646 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Messenger
Lowest review score: 20 R.I.P.D.
Score distribution:
  1. Negative: 45 out of 646
646 movie reviews
    • 45 Metascore
    • 63 Mike Scott
    As it turns out, though, the most troubling part of the film for me wasn't the rape scene, or the siege scene or the Southern stereotypes. Rather, it was the audience's reaction to Marsden's chilling spasms of bloody violence as he defends his home. Rather than breaking out in hives, many in the audience broke out in laughter.
    • 70 Metascore
    • 63 Mike Scott
    There's plenty of melodrama, plenty of whispered intensity, plenty of dramatic pauses in his story. There also are a few bizarro -- and, in some cases, unnecessary -- detours. But when it's all said and done, there's no real call for any emotional investment on the part of his audience.
    • 85 Metascore
    • 63 Mike Scott
    All of the pieces fall into place by the third act -- or most of them, anyway. But Tinker, Tailor, Soldier, Spy is such a cold, unemotional film that getting there is a chore, muting the payoff.
    • 68 Metascore
    • 63 Mike Scott
    Potiche never becomes funny enough or interesting enough.
    • 50 Metascore
    • 63 Mike Scott
    Despite the derivative nature and low production values of Super, there are laughs in the at-times ragged script.
    • 64 Metascore
    • 63 Mike Scott
    It's not a perfect film, mind you. It's too long by a quarter, and actor-turned-director Charles Martin Smith ("The Untouchables") lets any sense of real structure slip away in the film's crowded third act.
    • 61 Metascore
    • 63 Mike Scott
    What Kwapis does do, however, is nicely handle the film's whale of an emotional payoff.
    • 48 Metascore
    • 63 Mike Scott
    A movie that wants to be a crowd-pleasing romantic comedy at times and a weighty drama at others. It ends up being an imperfect blend of both.
    • 51 Metascore
    • 63 Mike Scott
    What we're left with is a movie that is about as nourishing as the Junior Mints and nachos available at the theater snack bar. But, then, many a Friday night dinner has been made of far less.
    • 76 Metascore
    • 63 Mike Scott
    It continuously feels less like straight-up reportage and more like a fan film, one built on equal parts idol worship and wishful thinking.
    • 72 Metascore
    • 63 Mike Scott
    Leisurely paced and plot-challenged, it's too unique and kindhearted to be outright disliked, but it's not the kind of film you can get too close to, either.
    • 76 Metascore
    • 63 Mike Scott
    The quietly moving drama Martha Marcy May Marlene must be thought of as an "arrival" film. That is, for all that it has going for it (and, it must be said, against it), if it is remembered for anything it will be for introducing a 22-year-old newcomer named Elizabeth Olsen.
    • 70 Metascore
    • 63 Mike Scott
    These women deserve to have their voices heard, and this film finally lets them have their say.
    • 59 Metascore
    • 63 Mike Scott
    So while J. Edgar ends up feeling like a mostly complete portrait of the man, and as fascinating a story as it is, it still falls just short of being something entirely memorable.
    • 46 Metascore
    • 63 Mike Scott
    All along, though, I was struck by an even stronger feeling, that I was sitting in on somebody else's therapy session. That's not a comfortable feeling -- and that makes Extremely Loud & Incredibly Close considerably less rewarding than it should be.
    • 64 Metascore
    • 63 Mike Scott
    What most saw as entirely charming behavior others saw as a nuisance. After all, a playful whale has a way of unwittingly damaging rudders and outriggers and outboard motors and such. Worse, wildlife officials saw Luna's behavior as potentially dangerous, for the people he encountered -- and for the whale himself.
    • 72 Metascore
    • 63 Mike Scott
    It's easy to be interested in the characters' lives -- as tragic as they are -- but it's not nearly as easy to become emotionally invested in them.
    • 57 Metascore
    • 63 Mike Scott
    Along the way, Shut Up, Little Man boasts nice technical elements. And it is, admittedly, amusing to a degree. Peter and Raymond certainly know how to turn a phrase. But things begin to wear thin about halfway through.
    • 67 Metascore
    • 63 Mike Scott
    There isn't a whole lot of nuance in writer-director Rachid Bouchareb's unapologetically political movie. As such, it doesn't take much brainpower for a viewer to stay a step or two ahead of his plot the entire way.
    • 46 Metascore
    • 63 Mike Scott
    That's not to say it's a bad film, necessarily. It's just not as good as it could have -- and should have -- been.
    • 40 Metascore
    • 60 Mike Scott
    So does the film succeed, overall? On some levels. But if all you want is a guilt-free, sci-fi summer pleasure, save your money and wait another week. The crew of the Enterprise is on its way.
    • 63 Metascore
    • 60 Mike Scott
    A solidly entertaining and largely engaging film that, even with its faults, functions as a singular -- albeit melancholy -- tribute to a tragic American icon.
    • 66 Metascore
    • 60 Mike Scott
    The problem is that the film must re-establish a great deal of mythology, much of which is already familiar to most moviegoers. Unfortunately, Webb's film never quite makes usshake the feeling that we've done all this before.
    • 62 Metascore
    • 60 Mike Scott
    An uplifting and colorful crowd-pleaser, it's built on a wealth of cinematic contrivances -- all designed to make sure things, indeed, turn out all right in the end -- but the result is just too good-natured to begrudge.
    • 62 Metascore
    • 60 Mike Scott
    In other words, Iron Man 3 -- once more delivering a satisfying combination of humor, action and dazzling set pieces -- provides everything fans of the franchise expect.
    • 66 Metascore
    • 60 Mike Scott
    Is Premium Rush a two-wheeled "French Connection"? No, not by a long shot. (Although it does include a racing-beneath-the-el-train homage.) But when it comes to lightweight, synapse-free action fare, Premium Rush delivers.
    • 41 Metascore
    • 60 Mike Scott
    It's no "Das Boot," but Battleship is a boatload of popcorny fun.
    • 61 Metascore
    • 60 Mike Scott
    Gilroy -- who earned writing credits on all four "Bourne" films -- doesn't miss when it comes to the most important task at hand: He takes a well-worn concept and makes it feel new, and without sacrificing its sense of familiarity.
    • 81 Metascore
    • 60 Mike Scott
    The sky is far from falling on the Bond franchise. In fact, it is as good as it has ever been. What's more, Craig is reportedly on board for at least two more outings, so Q had better get to work on those bifocals because 007 is no where near ready for retirement.
    • 80 Metascore
    • 60 Mike Scott
    That's some admirably mature stuff for a kid's flick in this day of rampant pandering, but it also helps rob the film of a certain breathless, edge-of-your-seat appeal. In other words, there are lulls here.