For 832 reviews, this critic has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Presenting Princess Shaw
Lowest review score: 20 Maniac
Score distribution:
  1. Negative: 52 out of 832
832 movie reviews
    • 57 Metascore
    • 63 Mike Scott
    Ritchie and company spend too much time being cute and not enough time being clever, resulting in a one-dimensional comic-book version of Doyle's detectives.
    • 59 Metascore
    • 63 Mike Scott
    So while J. Edgar ends up feeling like a mostly complete portrait of the man, and as fascinating a story as it is, it still falls just short of being something entirely memorable.
    • 58 Metascore
    • 63 Mike Scott
    Worse, Shrek Forever After feels like just another animated movie -- which is exactly what the series was fighting against when it started, and a big reason why it caught on with audiences.
    • 85 Metascore
    • 63 Mike Scott
    All of the pieces fall into place by the third act -- or most of them, anyway. But Tinker, Tailor, Soldier, Spy is such a cold, unemotional film that getting there is a chore, muting the payoff.
    • 85 Metascore
    • 63 Mike Scott
    If you appreciate historical melodrama, you could do worse than Vincere.
    • 76 Metascore
    • 63 Mike Scott
    The quietly moving drama Martha Marcy May Marlene must be thought of as an "arrival" film. That is, for all that it has going for it (and, it must be said, against it), if it is remembered for anything it will be for introducing a 22-year-old newcomer named Elizabeth Olsen.
    • 59 Metascore
    • 63 Mike Scott
    Burger's film would have been better had he ended it about three minutes earlier than he does -- a move that would have given his movie at least a dash of profundity.
    • 70 Metascore
    • 63 Mike Scott
    It's a decent comedy, mind you, one with its fair share of chuckles. But it's really more amusing than it is fall-out-of-your-seat funny.
    • 80 Metascore
    • 63 Mike Scott
    This is a film custom-made for dog lovers.
    • 43 Metascore
    • 63 Mike Scott
    Trades breathless romance for a fun "Ripley's Believe it or Not"-flavored weirdness.
    • 63 Metascore
    • 63 Mike Scott
    Michelle Pfeiffer's performance brings life to a sometimes sagging script. Also, Kathy Bates is a hoot as the mother of Pfeiffer's love interest.
    • 41 Metascore
    • 63 Mike Scott
    Breezy but forgettable.
    • 48 Metascore
    • 63 Mike Scott
    A movie that wants to be a crowd-pleasing romantic comedy at times and a weighty drama at others. It ends up being an imperfect blend of both.
    • 65 Metascore
    • 63 Mike Scott
    What Noyce and company don't seem to realize is that there's a huge difference between a superspy and a superhuman.
    • 45 Metascore
    • 63 Mike Scott
    It's a nice, feel-good story with an appealing cast and strong production values.
    • 41 Metascore
    • 63 Mike Scott
    Hop
    A slick and sweet film all on its own, a harmless bit of fun that fills the Easter-movie void.
    • 50 Metascore
    • 63 Mike Scott
    Despite the derivative nature and low production values of Super, there are laughs in the at-times ragged script.
    • 33 Metascore
    • 63 Mike Scott
    Fortunately, there's enough charisma in those doe eyes -- to narrowly rescue the featherweight Leap Year from becoming a full-blown case of Erin-go-blah.
    • 60 Metascore
    • 63 Mike Scott
    9
    9, though animated, isn't really a movie for kids. The problem is that, despite its strikingly original set-up and its cool steampunk visual vibe, it's not much of a movie for grown-ups, either.
    • 55 Metascore
    • 63 Mike Scott
    Director Martin Campbell does a nice job of creating suspense, and Ray Winstone stands out for his performance as a conflicted hitman.
    • 65 Metascore
    • 63 Mike Scott
    There are some nice surprises in store, as well, but the longer Madden's story goes on, the more manufactured things tend to feel.
    • 65 Metascore
    • 63 Mike Scott
    It represents the rare lead role for Mackie, and he seizes the opportunity, convincingly playing the part of a soft-spoken former Black Panther.
    • 82 Metascore
    • 63 Mike Scott
    A beautifully uncomplicated story, really -- about the love between daddies and their little girls.
    • 56 Metascore
    • 63 Mike Scott
    Intermittently interesting, but well-intentioned, it almost makes up for "The Tourist."
    • 75 Metascore
    • 63 Mike Scott
    So what is Bridesmaids? A boozy wedding comedy? A touching character story? A paean to friendship? At turns, it's each -- making it a wedding movie with a commitment problem and giving Feig's scattered film a rudderless quality between the laugh lines.
    • 61 Metascore
    • 63 Mike Scott
    With its immensely likable cast elevating the material, Judge extracts just enough ironic chuckles to rescue the movie from being written off as an assembly-line comedy.
    • 46 Metascore
    • 63 Mike Scott
    That's not to say it's a bad film, necessarily. It's just not as good as it could have -- and should have -- been.
    • 64 Metascore
    • 63 Mike Scott
    As with most Ferrell projects, there's nothing profound going on in The Other Guys. It's just a bit of good, stupid fun, had at the expense of an uber-formulaic genre that has long been ripe for the spoofing. But it also works.
    • 54 Metascore
    • 63 Mike Scott
    Twenty-five years ago, it would have been impossible to imagine that Imagine That would see Eddie Murphy and The Beatles coming together to create family entertainment, but I'll be darned if it doesn't work.
    • 50 Metascore
    • 63 Mike Scott
    A predictable but painless pastiche of high school drama clichés that will give its intended tween audience a lot to squeal about -- and leave their parents reminiscing quietly about how good films from '80s icon John Hughes were.

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