For 586 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 3.8 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
Average review score: 63
Highest review score: 100 Beasts of the Southern Wild
Lowest review score: 20 Funeral Kings
Score distribution:
  1. Negative: 41 out of 586
586 movie reviews
    • 85 Metascore
    • 63 Mike Scott
    All of the pieces fall into place by the third act -- or most of them, anyway. But Tinker, Tailor, Soldier, Spy is such a cold, unemotional film that getting there is a chore, muting the payoff.
    • 51 Metascore
    • 63 Mike Scott
    What we're left with is a movie that is about as nourishing as the Junior Mints and nachos available at the theater snack bar. But, then, many a Friday night dinner has been made of far less.
    • 46 Metascore
    • 63 Mike Scott
    All along, though, I was struck by an even stronger feeling, that I was sitting in on somebody else's therapy session. That's not a comfortable feeling -- and that makes Extremely Loud & Incredibly Close considerably less rewarding than it should be.
    • 67 Metascore
    • 63 Mike Scott
    There isn't a whole lot of nuance in writer-director Rachid Bouchareb's unapologetically political movie. As such, it doesn't take much brainpower for a viewer to stay a step or two ahead of his plot the entire way.
    • 61 Metascore
    • 63 Mike Scott
    What Kwapis does do, however, is nicely handle the film's whale of an emotional payoff.
    • 72 Metascore
    • 63 Mike Scott
    It's easy to be interested in the characters' lives -- as tragic as they are -- but it's not nearly as easy to become emotionally invested in them.
    • 46 Metascore
    • 63 Mike Scott
    That's not to say it's a bad film, necessarily. It's just not as good as it could have -- and should have -- been.
    • 80 Metascore
    • 60 Mike Scott
    That's some admirably mature stuff for a kid's flick in this day of rampant pandering, but it also helps rob the film of a certain breathless, edge-of-your-seat appeal. In other words, there are lulls here.
    • 83 Metascore
    • 60 Mike Scott
    While Pina will undoubtedly be well-received by modern-dance devotees, it does little to take advantage of the enormous opportunity to open the door for newcomers.
    • 51 Metascore
    • 60 Mike Scott
    There are plenty of entertaining moments to latch onto beneath the sci-fi tropes -- and maybe even a few that will inspire a new generation of storytellers.
    • 68 Metascore
    • 60 Mike Scott
    Unlike most enforcers in the movies, Jacky isn't just a brainless slab of meat.
    • 58 Metascore
    • 60 Mike Scott
    It's an uplifting, even enchanting, smile-inducer.
    • 45 Metascore
    • 60 Mike Scott
    At worst, though, the film's faintly sleazy bait-and-switch tactic robs the film of its biggest asset -- its sense of fun.
    • 40 Metascore
    • 60 Mike Scott
    The surrealist and decidedly bizarre humor of Tim Heidecker and Eric Wareheim is, to put it mildly, an acquired taste -- and there's no guarantee you'll ever actually acquire it.
    • 73 Metascore
    • 60 Mike Scott
    This is a movie to be experienced on a more visceral level. As long as you don't expect anything more, you won't be disappointed.
    • 69 Metascore
    • 60 Mike Scott
    They're fascinating characters, to be sure, with back stories ripe for development. But Whedon doesn't commit here, and the results are shrug-worthy.
    • 41 Metascore
    • 60 Mike Scott
    It's no "Das Boot," but Battleship is a boatload of popcorny fun.
    • 62 Metascore
    • 60 Mike Scott
    An uplifting and colorful crowd-pleaser, it's built on a wealth of cinematic contrivances -- all designed to make sure things, indeed, turn out all right in the end -- but the result is just too good-natured to begrudge.
    • 56 Metascore
    • 60 Mike Scott
    The good news: This is Goldthwait the writer-director, not Goldthwait the actor -- so there's no schticky voice to endure. But his exceedingly black comedy does speak loudly -- and it turns out he's actually got something worthwhile to say.
    • 41 Metascore
    • 60 Mike Scott
    Some summer movies are big, woofing mastiffs. (Think "Battleship.") Others are naughty, nipping lapdogs. ("The Dictator.") Here, what we get is a calm, quiet basset hound. And, for the most part, it's a good dog.
    • 53 Metascore
    • 60 Mike Scott
    The joy of Hysteria, like the joy of certain other things, isn't necessarily rooted in the element of surprise. Rather, it's in the pleasure of the path taken to get to that crescendo.
    • 49 Metascore
    • 60 Mike Scott
    Like the character at its center, Wein's film suffers from a certain sense of inertia, which is where Gerwig comes in.
    • 62 Metascore
    • 60 Mike Scott
    Ted
    Unapologetically raw -- and very funny.
    • 66 Metascore
    • 60 Mike Scott
    The problem is that the film must re-establish a great deal of mythology, much of which is already familiar to most moviegoers. Unfortunately, Webb's film never quite makes usshake the feeling that we've done all this before.
    • 63 Metascore
    • 60 Mike Scott
    While you're watching it, it is cozy and enjoyable, the same way a sleeping cat in your lap is cozy and enjoyable.
    • 78 Metascore
    • 60 Mike Scott
    Doesn't rise as much as it flounders and frustrates, in what would appear to be a case of a filmmaker prioritizing ego over efficiency, and engaging in generally muddled storytelling.
    • 66 Metascore
    • 60 Mike Scott
    Seizing the role, and the screen, Gelber actually makes us care what happens to his surly, thoroughly unlikable character.
    • 54 Metascore
    • 60 Mike Scott
    Director David Bowers' story is straightforwardly -- almost unimaginatively -- approached. But, armed with a talented cast and Kinney's chuckle-generating source material, it functions nicely as a sort of big-screen "Wonder Years" for Millennials.
    • 65 Metascore
    • 60 Mike Scott
    Billed as a dramatic comedy, and it lives up to that billing, even if it tends more toward chuckles than guffaws. In other words, one thing it's not is "It's Complicated," Streep's previous -- and often riotous -- relationship dramedy.
    • 61 Metascore
    • 60 Mike Scott
    Gilroy -- who earned writing credits on all four "Bourne" films -- doesn't miss when it comes to the most important task at hand: He takes a well-worn concept and makes it feel new, and without sacrificing its sense of familiarity.