For 633 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Help
Lowest review score: 20 Third Person
Score distribution:
  1. Negative: 45 out of 633
633 movie reviews
    • 69 Metascore
    • 60 Mike Scott
    They're fascinating characters, to be sure, with back stories ripe for development. But Whedon doesn't commit here, and the results are shrug-worthy.
    • 78 Metascore
    • 60 Mike Scott
    Doesn't rise as much as it flounders and frustrates, in what would appear to be a case of a filmmaker prioritizing ego over efficiency, and engaging in generally muddled storytelling.
    • 62 Metascore
    • 60 Mike Scott
    Ted
    Unapologetically raw -- and very funny.
    • 72 Metascore
    • 60 Mike Scott
    John C. Reilly provides the voice of Ralph, and he's every bit as good as you'd expect in the role. It's Sarah Silverman, however, as his unlikely sidekick, and rescue subject, whose considerable charm threatens to steal the show.
    • 50 Metascore
    • 60 Mike Scott
    No, it's not a perfect movie, given how dangerously close it comes to running out of quality third-act punchlines before you're liable to have run out of Sno-caps and Raisinettes. Also, some of the biggest names in the supporting cast -- John Lithgow and Dan Aykroyd, specifically -- are all but wasted.
    • 61 Metascore
    • 60 Mike Scott
    Granted, Elysium could be more clever as it goes about its business. This is smart sci-fi, but it's not as smart as it could have been -- or as many "District 9" fans were probably hoping it would be.
    • 44 Metascore
    • 60 Mike Scott
    Is all of that to say that Oz the Great and Powerful comes even close to matching the timeless, iconic stature of 1939's "The Wizard of Oz"? No, of course not. That's not just a once-in-a-lifetime cultural phenomenon, but a once-in-many-liftimes one.
    • 58 Metascore
    • 60 Mike Scott
    An Unexpected Journey also proves that it is, indeed, possible to get too much of a good thing.
    • 66 Metascore
    • 60 Mike Scott
    Visually stunning.
    • 37 Metascore
    • 60 Mike Scott
    It tickles both funnybones and eyeballs.
    • 84 Metascore
    • 60 Mike Scott
    The resulting slowdown, as well as a significant narrative shift, gives Looper a slightly sprawling and ungrounded feel at times, almost as if the first and second halves are two separate movies.
    • 62 Metascore
    • 60 Mike Scott
    Easily the most enjoyable animated film of 2013 so far.
    • 54 Metascore
    • 60 Mike Scott
    Granted, "intelligent" might be too generous a word to describe Oblivion, which flirts with big questions, but never answers them. What's left is a story that doesn't quite go where no man has gone before.
    • 59 Metascore
    • 60 Mike Scott
    Yes, Apatow's film has its peaks and valleys -- just the way life does -- but it stands alone nicely on its own, a satisfying comedic riff on life and all of its absurdities.
    • 52 Metascore
    • 60 Mike Scott
    Although Epic isn't quite an animated masterpiece -- or as enchanting as the vastly underrated "Guardians" -- it's still a fun, sweet-hearted kid-pleaser that boasts some downright lovely animation.
    • 42 Metascore
    • 60 Mike Scott
    It's an uneven but fairly enjoyable ride, one that benefits from Statham's cool, capable presence.
    • 54 Metascore
    • 60 Mike Scott
    Director David Bowers' story is straightforwardly -- almost unimaginatively -- approached. But, armed with a talented cast and Kinney's chuckle-generating source material, it functions nicely as a sort of big-screen "Wonder Years" for Millennials.
    • 53 Metascore
    • 60 Mike Scott
    The joy of Hysteria, like the joy of certain other things, isn't necessarily rooted in the element of surprise. Rather, it's in the pleasure of the path taken to get to that crescendo.
    • 65 Metascore
    • 60 Mike Scott
    Billed as a dramatic comedy, and it lives up to that billing, even if it tends more toward chuckles than guffaws. In other words, one thing it's not is "It's Complicated," Streep's previous -- and often riotous -- relationship dramedy.
    • 63 Metascore
    • 60 Mike Scott
    That storytelling, however, is uneven, ranging from something approaching tedium to moments that are downright wonderful (such as the sweetest of scenes, involving two young lovers -- played by and Alicia Vikander and Domhnall Gleeson -- and a stack of children's blocks).
    • 73 Metascore
    • 60 Mike Scott
    This is a movie to be experienced on a more visceral level. As long as you don't expect anything more, you won't be disappointed.
    • 58 Metascore
    • 60 Mike Scott
    It's an uplifting, even enchanting, smile-inducer.
    • 58 Metascore
    • 60 Mike Scott
    Ends up being the kind of movie we don't see a whole lot anymore: an emotionally grounded and quietly meaningful crowd-pleaser that functions as a lovely antidote to the recently ended summer blockbuster season.
    • 83 Metascore
    • 60 Mike Scott
    While Pina will undoubtedly be well-received by modern-dance devotees, it does little to take advantage of the enormous opportunity to open the door for newcomers.
    • 50 Metascore
    • 60 Mike Scott
    A sleight-of-hand heist film that feels like a cross between David Blaine and "Ocean's Eleven," with a little Robin Hood thrown in, it's a ripping bit of fun. If, that is, you let it be.
    • 51 Metascore
    • 60 Mike Scott
    In the final analysis, that's the real endgame here: to get people into theaters and build a film franchise. For all of their film's flaws, Hood and company do that well, as Ender's Game shapes up as a decent franchise starter -- and a film that makes it hard not to be intrigued by what will come next.
    • 58 Metascore
    • 60 Mike Scott
    Suffers through the occasional lull, but those would be much easier to forgive if they didn't also generate frequent false moments that threaten to take viewers out of the movie.
    • 40 Metascore
    • 60 Mike Scott
    The surrealist and decidedly bizarre humor of Tim Heidecker and Eric Wareheim is, to put it mildly, an acquired taste -- and there's no guarantee you'll ever actually acquire it.
    • 68 Metascore
    • 60 Mike Scott
    Unlike most enforcers in the movies, Jacky isn't just a brainless slab of meat.
    • 64 Metascore
    • 60 Mike Scott
    His (Andrew Dominik) film delivers when it matters, especially with its crystallizing final lines. Not only do they wrap a bow on what ends up being a treatise on the uglier side of capitalism, but they stand among the most memorable closing lines in recent Hollywood history.