For 761 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Moonrise Kingdom
Lowest review score: 20 Emperor
Score distribution:
  1. Negative: 47 out of 761
761 movie reviews
    • 42 Metascore
    • 63 Mike Scott
    Once the real story hits its stride, it's easy to get lost in Sanctum.
    • 45 Metascore
    • 63 Mike Scott
    Best of all, here there be fun.
    • 59 Metascore
    • 63 Mike Scott
    It's a fun one to talk about -- if only for the opportunity to shake your head in amused disbelief at what you just saw.
    • 50 Metascore
    • 63 Mike Scott
    A film that is neither great nor horrible. Favreau does enough things right in Cowboys & Aliens to churn out a mostly enjoyable bit of mindless summertime action, just not enough to come close to rivaling his 2008 crowd-pleaser "Iron Man."
    • 56 Metascore
    • 63 Mike Scott
    It's probably best not to think very hard about any of it -- just dummy up and laugh along.
    • 46 Metascore
    • 63 Mike Scott
    As fun as it is at times -- particularly early on -- the longer The Sorcerer's Apprentice goes on, the more the magic wears off.
    • 68 Metascore
    • 63 Mike Scott
    Potiche never becomes funny enough or interesting enough.
    • 68 Metascore
    • 63 Mike Scott
    The result is a film that is equal parts fluff and tough.
    • 76 Metascore
    • 63 Mike Scott
    There's humor there, but this is a "smart" comedy, which is to say it's not intended to make you guffaw.
    • 65 Metascore
    • 63 Mike Scott
    What it does have going for it are its lead actors -- Brand and Hill both know exactly how to deliver a punch line -- and a lead character who represents one of the best bits of rock 'n' roll satire since "This Is Spinal Tap."
    • 48 Metascore
    • 63 Mike Scott
    If it weren't for the casting of Sandra Bullock and Ryan Reynolds in the lead roles, the film probably would have gone straight to DVD.
    • 58 Metascore
    • 63 Mike Scott
    There's an overly episodic feel to it all, as Curtis and company seem happy merely to float along from gag to gag.
    • 50 Metascore
    • 63 Mike Scott
    A surprisingly entertaining movie on its own, a strap-yourself-in, suspend-your-disbelief summer popcorn adventure.
    • 54 Metascore
    • 63 Mike Scott
    Between its ridiculous setup and its hard-to-care-about ending, McDonald still manages to craft an engaging suspense film that -- when you're not scratching your head in puzzlement -- will have you on the edge of your seat.
    • 83 Metascore
    • 63 Mike Scott
    Even if the obligatory third-act twist arrives with all the subtlety of the Four Horsemen of the Apocalypse, Drag Me to Hell otherwise steers mostly clear of predictability.
    • 54 Metascore
    • 60 Mike Scott
    Director David Bowers' story is straightforwardly -- almost unimaginatively -- approached. But, armed with a talented cast and Kinney's chuckle-generating source material, it functions nicely as a sort of big-screen "Wonder Years" for Millennials.
    • 59 Metascore
    • 60 Mike Scott
    A bronto-sized slice of big-screen entertainment buoyed by dazzling visual effects and intense action, and a film that plays like part adventure movie, part monster movie and part thrill ride.
    • 57 Metascore
    • 60 Mike Scott
    There's a soothing catharsis in the idea that good guys are every bit as capable as bad guys of raining hellfire down on their enemies.
    • 57 Metascore
    • 60 Mike Scott
    Ends up being an enjoyable, if only marginally memorable, ride.
    • 50 Metascore
    • 60 Mike Scott
    Hit and Run achieves its chief goal: to put the pedal to the metal for some good, goofy fun, squealing the tires as often as possible along the way.
    • 61 Metascore
    • 60 Mike Scott
    Boxtrolls stands reasonably well on its own, as a cool steampunk fairy-tale that serves as yet another testament to the artistry of the folks at Laika.
    • 27 Metascore
    • 60 Mike Scott
    Pixels is a slice of pure, frivolous entertainment that doesn't try to overreach.
    • 74 Metascore
    • 60 Mike Scott
    Still, there's more here to like than to dislike in what ends up being a feel-good movie about a feel-bad topic, a la "Little Miss Sunshine."
    • 50 Metascore
    • 60 Mike Scott
    A sleight-of-hand heist film that feels like a cross between David Blaine and "Ocean's Eleven," with a little Robin Hood thrown in, it's a ripping bit of fun. If, that is, you let it be.
    • 68 Metascore
    • 60 Mike Scott
    The result is a hoot, as Nelson breathes comic life into the proceedings with an effortless, unselfconscious joie de vivre.
    • 81 Metascore
    • 60 Mike Scott
    Starred Up isn't just violence for violence's sake. Rather, it is a surprisingly layered, hard-hitting human drama, one that cuts to the bone -- albeit with a homemade prison knife.
    • 59 Metascore
    • 60 Mike Scott
    As glossy and well-produced as Unbroken is, it doesn't stray too terribly far from Hollywood convention. In fact, its very story structure is so traditional that it's mirrored by Clint Eastwood's "American Sniper."
    • 62 Metascore
    • 60 Mike Scott
    An uneven but consistently compelling film that, with its roots in the horrors of World War II, generated no small amount of controversy in its native Poland when it was released there in 2012.
    • 80 Metascore
    • 60 Mike Scott
    That's some admirably mature stuff for a kid's flick in this day of rampant pandering, but it also helps rob the film of a certain breathless, edge-of-your-seat appeal. In other words, there are lulls here.
    • 75 Metascore
    • 60 Mike Scott
    With all of its excess, Wolf of Wall Street might not rank up there with Scorsese's best, it sure has fun trying.

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