For 619 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
Average review score: 63
Highest review score: 100 The Girl with the Dragon Tattoo
Lowest review score: 20 Hotel Transylvania
Score distribution:
  1. Negative: 44 out of 619
619 movie reviews
    • 59 Metascore
    • 60 Mike Scott
    It aims to entertain, to offer a few tame chuckles for parents and children to enjoy in a purely Saturday-morning way. And it accomplishes that.
    • 49 Metascore
    • 60 Mike Scott
    Like the character at its center, Wein's film suffers from a certain sense of inertia, which is where Gerwig comes in.
    • 45 Metascore
    • 60 Mike Scott
    At worst, though, the film's faintly sleazy bait-and-switch tactic robs the film of its biggest asset -- its sense of fun.
    • 86 Metascore
    • 60 Mike Scott
    What Anderson's talky and willfully opaque film doesn't have, however, is an unfailingly compelling story to tell.
    • 30 Metascore
    • 60 Mike Scott
    And so the real question isn't whether director Todd Phillips' third -- and, he insists, the final -- installment in the unabashedly crude, very R-rated comedy trilogy is funny. Of course, it is.
    • 74 Metascore
    • 60 Mike Scott
    The real highlight, though, is the music by Robert Lopez and Kristen Anderson-Lopez.
    • 56 Metascore
    • 60 Mike Scott
    Enchanting enough to cast a spell over fans, of Jolie, of Disney, of "Sleeping Beauty" -- and of pure, cinematic escapism.
    • 70 Metascore
    • 60 Mike Scott
    So here's what moviegoers can trust from the Russo's Captain America: Winter Solider: They can trust it to be a brisk ride. They can trust it to be entertaining. They can expect it to be suspenseful.
    • 62 Metascore
    • 60 Mike Scott
    42
    Aesthetically, Helgeland's film -- while highly polished -- is straight-forward stuff, hewing so closely to the prescribed genre conventions as to border on unimaginative.
    • 67 Metascore
    • 60 Mike Scott
    The real point of This is The End, however, is to make people laugh -- and it accomplishes that. Often, in fact -- and satisfyingly.
    • 67 Metascore
    • 60 Mike Scott
    An enjoyable diversion, a lightweight bit of philosophizing that blends humor with the bittersweet. It won't likely stick in your memory for too terribly long.
    • 52 Metascore
    • 60 Mike Scott
    This is solidly a genre picture, and one that follows all the necessary conventions -- but it's also one that does it all very well. That means lots of big, dumb and loud action -- but it also means good, popcorny, summer fun.
    • 50 Metascore
    • 60 Mike Scott
    Hit and Run achieves its chief goal: to put the pedal to the metal for some good, goofy fun, squealing the tires as often as possible along the way.
    • 66 Metascore
    • 60 Mike Scott
    The music, of course, is the engine that makes the whole exercise go, tapping into a genre-spanning collection of tunes, but every bit as important to the film's success is its unexpected humor, which flirts with raunchy but stops juuuust short of crossing any lines that would have earned it an R rating.
    • 63 Metascore
    • 60 Mike Scott
    While you're watching it, it is cozy and enjoyable, the same way a sleeping cat in your lap is cozy and enjoyable.
    • 66 Metascore
    • 60 Mike Scott
    Seizing the role, and the screen, Gelber actually makes us care what happens to his surly, thoroughly unlikable character.
    • 77 Metascore
    • 60 Mike Scott
    There's a good reason why the true-crime film The Imposter is a documentary: If someone tried to pass off this bizarre Texas tale as fiction, nobody would believe it.
    • 81 Metascore
    • 60 Mike Scott
    Also helping to sell it all is the fact that these films, goofy though they may be, feature a consistently high level of acting. In addition to Pegg, we get Martin Freeman ("The Hobbit"), Paddy Considine ("Red Riding"), Eddie Marsan ("Sherlock Holmes") and Bill Nighy ("Love Actually"), all of whom have appeared previously in the trilogy.
    • 57 Metascore
    • 60 Mike Scott
    It's a good, old-fashioned sit-around-the-campfire ghost story, one that delivers on its sole reason for existence: to raise the hairs on the back of your arms.
    • 73 Metascore
    • 60 Mike Scott
    Rust and Bone is somber and gritty if nothing else, a movie that takes itself very, very seriously, even as it struggles at times to find its focus.
    • 80 Metascore
    • 60 Mike Scott
    As it is, it's little more than an artful rehash -- which means that anyone who wants closure to the story, or to see justice truly served, will have to wait a little longer.
    • 67 Metascore
    • 60 Mike Scott
    The sort of movie you should go see with someone you love. You should also hold their hand during the movie. And be thankful that that hand is there.
    • 55 Metascore
    • 60 Mike Scott
    The ultimate goal of a film like this, of course, is to change minds. As compelling a case as it builds, Promised Land isn't quite persuasive enough to be able to promise to do that.
    • 71 Metascore
    • 60 Mike Scott
    The result is an artist profile that doesn't feel like the standard, stuffy artist profile. Instead, Beauty is Embarrassing is an entertaining whimsy that, like White, never takes itself too seriously, doesn't overstay its welcome and never, ever underestimates the value of a chuckle.
    • 41 Metascore
    • 60 Mike Scott
    Stand Up Guys becomes something not only enjoyable but memorable and emotionally layered at the same time.
    • 55 Metascore
    • 60 Mike Scott
    Hitchcock purists will certainly take issue with some details, but Gervasi's film shouldn't be taken as an ironclad factual film docudrama. Rather, it is fact-inspired fiction -- a film based on real events but one that isn't shy about taking creative liberties. As long as viewers keep that in mind, Gervasi's stands to be a nice bit of murderous fun.
    • 49 Metascore
    • 60 Mike Scott
    Most normal people will not see this as a "pleasant" film -- I hope that's the case, anyway -- but it certain makes you feel something.
    • 44 Metascore
    • 60 Mike Scott
    As a modest bit of feel-good entertainment, Vaughn and Delivery Man mostly deliver the goods.
    • 44 Metascore
    • 60 Mike Scott
    He was a charismatic leader and the greatest salesman the industry ever saw. He also was a very vocal spokesman for the graying counterculture -- crediting his high-tech success to Zen Buddhism, Dylan songs and acid trips.
    • 66 Metascore
    • 60 Mike Scott
    Making it even more intriguing is the fact that the whole thing is, extraordinarily, inspired by a true story.