For 629 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3.2 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 The Tree of Life
Lowest review score: 20 Endless Love
Score distribution:
  1. Negative: 44 out of 629
629 movie reviews
    • 58 Metascore
    • 60 Mike Scott
    An Unexpected Journey also proves that it is, indeed, possible to get too much of a good thing.
    • 67 Metascore
    • 60 Mike Scott
    The sort of movie you should go see with someone you love. You should also hold their hand during the movie. And be thankful that that hand is there.
    • 59 Metascore
    • 60 Mike Scott
    Yes, Apatow's film has its peaks and valleys -- just the way life does -- but it stands alone nicely on its own, a satisfying comedic riff on life and all of its absurdities.
    • 55 Metascore
    • 60 Mike Scott
    The ultimate goal of a film like this, of course, is to change minds. As compelling a case as it builds, Promised Land isn't quite persuasive enough to be able to promise to do that.
    • 57 Metascore
    • 60 Mike Scott
    It's a good, old-fashioned sit-around-the-campfire ghost story, one that delivers on its sole reason for existence: to raise the hairs on the back of your arms.
    • 73 Metascore
    • 60 Mike Scott
    Rust and Bone is somber and gritty if nothing else, a movie that takes itself very, very seriously, even as it struggles at times to find its focus.
    • 43 Metascore
    • 60 Mike Scott
    It's an uneven but fairly enjoyable ride, one that benefits from Statham's cool, capable presence.
    • 41 Metascore
    • 60 Mike Scott
    Stand Up Guys becomes something not only enjoyable but memorable and emotionally layered at the same time.
    • 71 Metascore
    • 60 Mike Scott
    Ends up being foreign but familiar, artful and honest, as well as beautiful and believable.
    • 44 Metascore
    • 60 Mike Scott
    Is all of that to say that Oz the Great and Powerful comes even close to matching the timeless, iconic stature of 1939's "The Wizard of Oz"? No, of course not. That's not just a once-in-a-lifetime cultural phenomenon, but a once-in-many-liftimes one.
    • 80 Metascore
    • 60 Mike Scott
    As it is, it's little more than an artful rehash -- which means that anyone who wants closure to the story, or to see justice truly served, will have to wait a little longer.
    • 61 Metascore
    • 60 Mike Scott
    One gets the feeling that Thompson left a lot on the table with The Jeffrey Dahmer Files, that it could have been something more, something bigger, something elaborate. And that may be true. But the film that Thompson did choose to make - one that is both simple but effective -- is fascinating in its own right.
    • 62 Metascore
    • 60 Mike Scott
    42
    Aesthetically, Helgeland's film -- while highly polished -- is straight-forward stuff, hewing so closely to the prescribed genre conventions as to border on unimaginative.
    • 61 Metascore
    • 60 Mike Scott
    Dawson, who to this point has largely built her career playing supporting characters, seizes the opportunity to stand center-stage, all but taking over the film.
    • 54 Metascore
    • 60 Mike Scott
    Granted, "intelligent" might be too generous a word to describe Oblivion, which flirts with big questions, but never answers them. What's left is a story that doesn't quite go where no man has gone before.
    • 57 Metascore
    • 60 Mike Scott
    Ends up being an enjoyable, if only marginally memorable, ride.
    • 62 Metascore
    • 60 Mike Scott
    In other words, Iron Man 3 -- once more delivering a satisfying combination of humor, action and dazzling set pieces -- provides everything fans of the franchise expect.
    • 64 Metascore
    • 60 Mike Scott
    The film's message -- about how the Internet is sabotaging our real-life relationships -- doesn't resonate with absolute clarity, but Disconnect does a much more effective job than anyone could hope to do in 140 characters or less.
    • 40 Metascore
    • 60 Mike Scott
    So does the film succeed, overall? On some levels. But if all you want is a guilt-free, sci-fi summer pleasure, save your money and wait another week. The crew of the Enterprise is on its way.
    • 30 Metascore
    • 60 Mike Scott
    And so the real question isn't whether director Todd Phillips' third -- and, he insists, the final -- installment in the unabashedly crude, very R-rated comedy trilogy is funny. Of course, it is.
    • 52 Metascore
    • 60 Mike Scott
    Although Epic isn't quite an animated masterpiece -- or as enchanting as the vastly underrated "Guardians" -- it's still a fun, sweet-hearted kid-pleaser that boasts some downright lovely animation.
    • 50 Metascore
    • 60 Mike Scott
    A sleight-of-hand heist film that feels like a cross between David Blaine and "Ocean's Eleven," with a little Robin Hood thrown in, it's a ripping bit of fun. If, that is, you let it be.
    • 60 Metascore
    • 60 Mike Scott
    This is a movie purely for grown-ups, with its enjoyment coming not from its explosions or attacking aliens but from spending time with these characters and savoring its optimistic, "never too late for happiness" message.
    • 67 Metascore
    • 60 Mike Scott
    The real point of This is The End, however, is to make people laugh -- and it accomplishes that. Often, in fact -- and satisfyingly.
    • 68 Metascore
    • 60 Mike Scott
    Even if it doesn't provide all the answers, "The East" asks some pretty darn good questions.
    • 66 Metascore
    • 60 Mike Scott
    Watching it, one gets the feeling that Coppola knows these vampiric types all too well. What unfolds feels like a cross between "Lifestyles of the Rich and Famous" and "Natural Born Killers," and a film that is far more disapproving than glamorizing of the go-go-go Los Angeles lifestyle -- but fascinating nonetheless.
    • 63 Metascore
    • 60 Mike Scott
    Roenning and Sandberg never dig deeply into the real, underlying motivating force behind Heyerdahl's voyage aboard the Kon-Tiki -- the name of his visually unimpressive but ultimately seaworthy raft -- other than relying on the fact that he wanted to prove his theory correct.
    • 52 Metascore
    • 60 Mike Scott
    This is solidly a genre picture, and one that follows all the necessary conventions -- but it's also one that does it all very well. That means lots of big, dumb and loud action -- but it also means good, popcorny, summer fun.
    • 63 Metascore
    • 60 Mike Scott
    What the Cairns brothers have created is something rare for a horror film: Not only does it get the job done without making you want to shower after it's all over, but they've created multi-dimensional characters who inhabit a believable and expansive environment. In so doing, they've also created a bloody good bit of twisted fun.
    • 37 Metascore
    • 60 Mike Scott
    It tickles both funnybones and eyeballs.