For 646 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 12 Years a Slave
Lowest review score: 20 The Paperboy
Score distribution:
  1. Negative: 45 out of 646
646 movie reviews
    • 95 Metascore
    • 80 Mike Scott
    It's the little moments in Farhadi's film that are its most important, speaking every bit as loudly as its big, narrative-driving moments.
    • 79 Metascore
    • 80 Mike Scott
    While Pariah starts out as a film with moments of predictability, it evolves into a smart, compelling -- and optimistic -- portrait of heartbreak and hope.
    • 63 Metascore
    • 80 Mike Scott
    What we're left with is a love-it-or-hate-it film. Those determined to resist its deep-seated romanticism - or its operatic approach - will probably emerge from the theater as miserable as the film's characters. But those who are willing to give into it, and who want to take a grand cinematic voyage, stand to be greatly rewarded.
    • 86 Metascore
    • 80 Mike Scott
    Sharp, brisk and highly entertaining.
    • 92 Metascore
    • 80 Mike Scott
    Inside Llewyn Davis isn't as goofy as 2008's "Burn After Reading," nor as solemn as 2009's "A Serious Man," but it's an embraceable film just the same.
    • 81 Metascore
    • 80 Mike Scott
    The result is an intelligent and well-crafted film that works to inspire audiences by finding the humor amid the prevailing bittersweetness of life, and that celebrates the strength of the human spirit with a dose of unbridled and entirely embraceable optimism.
    • 83 Metascore
    • 80 Mike Scott
    The surprise is that Captain Phillips is a surprise in the first place, pitching and rolling tirelessly like the sea on which it is set and, in the process, becoming one of the most enjoyable and well-made movies to hit theaters this year.
    • 59 Metascore
    • 80 Mike Scott
    Perhaps the best thing about Seeking a Friend is that it never ceases to surprise, as Scafaria's script consistently defies Hollywood convention in the most congenial ways.
    • 74 Metascore
    • 80 Mike Scott
    Filmmaking is a product of the heart and the head, at least when it's at its best.
    • 76 Metascore
    • 80 Mike Scott
    It's called Chico & Rita, but their film could just as easily have been titled "Chico & Cuba." In both cases, it's a film are about a long-lost love, and in both cases it is steeped in such a pitch-perfect sense of place -- and affection -- that you can almost smell the cigar smoke as it unfolds.
    • 67 Metascore
    • 80 Mike Scott
    Open-ended and decidedly un-Hollywood, it is faintly dissatisfying, especially coming on the heels of such as engaging and crisply presented story. But it offers movie-goers a wonderful opportunity to roll it all around in their heads and discuss it, even debate it, as they drive back to that cozy little cult compound they call home.
    • 64 Metascore
    • 80 Mike Scott
    Writer-director Markus Schleinzer's exceedingly dark drama -- guaranteed to make audiences squirm in their seats -- is emotionally unsettling.
    • 90 Metascore
    • 80 Mike Scott
    Merely from a film-study standpoint, it's an interesting exercise.
    • 72 Metascore
    • 80 Mike Scott
    Even if something feels crazy -- whether it's falling in with a self-taught time-traveler, or buying into a charming but faintly flawed movie premise -- if you listen to your gut, wonderful things can happen.
    • 59 Metascore
    • 80 Mike Scott
    With beautiful, artful images serving to break up the monotony of the film's wealth of talking heads, Surviving Progress is at times as visually striking as it is persuasive.
    • 79 Metascore
    • 80 Mike Scott
    Makes for riveting viewing. Dawn of the Planet of the Apes is among the more brisk 2 hours and 10 minutes I've spent in a theater in some time -- and it's easily the most rewarding of this year's summer tentpole films.
    • 76 Metascore
    • 80 Mike Scott
    It is fast, it is fun.
    • 62 Metascore
    • 80 Mike Scott
    An unflinchingly ugly -- but downright mesmerizing -- tale that plumbs the depths of human immorality and, along the way, offers a dash of subtle commentary on just how far we, as a 312 million-member nuclear family, might have lost our way.
    • 73 Metascore
    • 80 Mike Scott
    This is an affecting and emotional drama about the strength of the human spirit.
    • 75 Metascore
    • 80 Mike Scott
    Rush is just that -- a rush, and a film that is sure to get audiences' engines going.
    • 55 Metascore
    • 80 Mike Scott
    Maybe it's a touch twee, but Curtis' film is far too uplifting, too life-affirming and too good-natured to do anything but embrace.
    • 71 Metascore
    • 80 Mike Scott
    For appreciators of fine acting, it's a film well worth seeing, as well as one worth toasting - if only with ginger ale.
    • 94 Metascore
    • 80 Mike Scott
    Amour is a far cry from the warm-and-fuzzy version of love that most people are probably looking for on Valentine's Day. This movie is more of a slap than a hug. But reality hurts sometimes - just like love does.
    • 68 Metascore
    • 80 Mike Scott
    It's not a perfect film. There's still room for Cianfrance to grow as a storyteller. But it is entirely rewarding -- and I, for one, can't wait to see where he takes us next.
    • 65 Metascore
    • 80 Mike Scott
    Speaking of good storytelling, Hancock knows a thing or two about that. Not only does the "Blind Side" director deftly navigate the double narrative of Saving Mr. Banks, but his film is also a visual treat.
    • 94 Metascore
    • 80 Mike Scott
    Not only is the result edifying, but it's also rewarding. And it's a heck of a lot cheaper than a therapy session.
    • 76 Metascore
    • 80 Mike Scott
    World War II dramas might be common enough, but, amid them all, Lore stands as an uncommon entry in the genre.
    • 82 Metascore
    • 80 Mike Scott
    Berger's film is still far more magical than it is macabre. And so although a black-and-white, foreign-film adaptation of a very familiar tale might, indeed, be a hard sell, audiences who buy into it are in for an undeniably rewarding movie-going experience. In a word: ¬°Ole!
    • 68 Metascore
    • 80 Mike Scott
    The Way, Way Back is way, way good -- and a welcome breath of fresh air at the summertime box office.
    • 61 Metascore
    • 80 Mike Scott
    This is the kind of movie that is so embraceable that it floats smoothly over those imperfections almost unnoticed.