For 477 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 5.1 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
Average review score: 64
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 20
Score distribution:
  1. Negative: 36 out of 477
477 movie reviews
    • Metascore: 60
    • Mike Scott 63
    9
    9, though animated, isn't really a movie for kids. The problem is that, despite its strikingly original set-up and its cool steampunk visual vibe, it's not much of a movie for grown-ups, either.
    • Metascore: 54
    • Mike Scott 63
    Between its ridiculous setup and its hard-to-care-about ending, McDonald still manages to craft an engaging suspense film that -- when you're not scratching your head in puzzlement -- will have you on the edge of your seat.
    • Metascore: 54
    • Mike Scott 63
    Twenty-five years ago, it would have been impossible to imagine that Imagine That would see Eddie Murphy and The Beatles coming together to create family entertainment, but I'll be darned if it doesn't work.
    • Metascore: 48
    • Mike Scott 63
    If it weren't for the casting of Sandra Bullock and Ryan Reynolds in the lead roles, the film probably would have gone straight to DVD.
    • Metascore: 63
    • Mike Scott 63
    Michelle Pfeiffer's performance brings life to a sometimes sagging script. Also, Kathy Bates is a hoot as the mother of Pfeiffer's love interest.
    • Metascore: 57
    • Mike Scott 63
    Ritchie and company spend too much time being cute and not enough time being clever, resulting in a one-dimensional comic-book version of Doyle's detectives.
    • Metascore: 80
    • Mike Scott 63
    It boasts strong acting and a nice dose of suspense.
    • Metascore: 62
    • Mike Scott 63
    If there's a prevailing problem with director Richard Loncraine's bit of period fluff, it's that many of the characters encountered along the way are a touch too cartoonish to resonate meaningfully with audiences.
    • Metascore: 61
    • Mike Scott 63
    With its immensely likable cast elevating the material, Judge extracts just enough ironic chuckles to rescue the movie from being written off as an assembly-line comedy.
    • Metascore: 68
    • Mike Scott 63
    The result is a film that is equal parts fluff and tough.
    • Metascore: 79
    • Mike Scott 63
    The only thing missing from the film -- which is frequently amusing but too bleak to be consistently laugh-out-loud funny -- is a genuine connection with its audiences, or at least those audiences not raised in 1960s Jewish suburbia.
    • Metascore: 43
    • Mike Scott 63
    Trades breathless romance for a fun "Ripley's Believe it or Not"-flavored weirdness.
    • Metascore: 58
    • Mike Scott 63
    There's an overly episodic feel to it all, as Curtis and company seem happy merely to float along from gag to gag.
    • Metascore: 55
    • Mike Scott 63
    Director Martin Campbell does a nice job of creating suspense, and Ray Winstone stands out for his performance as a conflicted hitman.
    • Metascore: 73
    • Mike Scott 63
    The result is an often-screwball jaunt that isn't without its fun moments.
    • Metascore: 33
    • Mike Scott 63
    Fortunately, there's enough charisma in those doe eyes -- to narrowly rescue the featherweight Leap Year from becoming a full-blown case of Erin-go-blah.
    • Metascore: 45
    • Mike Scott 63
    It's a nice, feel-good story with an appealing cast and strong production values.
    • Metascore: 43
    • Mike Scott 63
    This isn't the kind of film that will leave audiences in awe of clever writing. Rather, it will leave them thinking how much Fuqua wanted to make a movie version of "The Wire."
    • Metascore: 81
    • Mike Scott 63
    Don't expect there to be a run on Secret of Kells action figures any time soon.
    • Metascore: 76
    • Mike Scott 63
    There's humor there, but this is a "smart" comedy, which is to say it's not intended to make you guffaw.
    • Metascore: 65
    • Mike Scott 63
    For her part, Stewart has Jett down pat: her strut, her slouch, her sexiness. This is a performance that goes far beyond Jett's shag haircut.
    • Metascore: 85
    • Mike Scott 63
    If you appreciate historical melodrama, you could do worse than Vincere.
    • Metascore: 50
    • Mike Scott 63
    A surprisingly entertaining movie on its own, a strap-yourself-in, suspend-your-disbelief summer popcorn adventure.
    • Metascore: 27
    • Mike Scott 63
    Although they've left the city behind, the girls haven't forgotten the sex. They're still as frank as ever, as outrageous as ever, as liberated as ever.
    • Metascore: 58
    • Mike Scott 63
    Worse, Shrek Forever After feels like just another animated movie -- which is exactly what the series was fighting against when it started, and a big reason why it caught on with audiences.
    • Metascore: 65
    • Mike Scott 63
    What it does have going for it are its lead actors -- Brand and Hill both know exactly how to deliver a punch line -- and a lead character who represents one of the best bits of rock 'n' roll satire since "This Is Spinal Tap."
    • Metascore: 46
    • Mike Scott 63
    As fun as it is at times -- particularly early on -- the longer The Sorcerer's Apprentice goes on, the more the magic wears off.
    • Metascore: 65
    • Mike Scott 63
    What Noyce and company don't seem to realize is that there's a huge difference between a superspy and a superhuman.
    • Metascore: 56
    • Mike Scott 63
    It's probably best not to think very hard about any of it -- just dummy up and laugh along.
    • Metascore: 64
    • Mike Scott 63
    As with most Ferrell projects, there's nothing profound going on in The Other Guys. It's just a bit of good, stupid fun, had at the expense of an uber-formulaic genre that has long been ripe for the spoofing. But it also works.