For 663 reviews, this critic has graded:
  • 26% higher than the average critic
  • 4% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 15.2 points lower than other critics. (0-100 point scale)

Nick Schager's Scores

  • Movies
  • TV
Average review score: 45
Highest review score: 100 The Lords of Salem
Lowest review score: 0 Golf in the Kingdom
Score distribution:
663 movie reviews
    • 89 Metascore
    • 100 Nick Schager
    More terrifying than any horror film, and more intellectually adventurous than just about any 2013 release so far, The Act of Killing is a major achievement, a work about genocide that rightly earns its place alongside Shoah as a supreme testament to the cinema's capacity for inquiry, confrontation, and remembrance.
    • 85 Metascore
    • 100 Nick Schager
    Bolstered by performances that convey profound grief and remorse without look-at-me histrionics, The Past is steeped in the believable micro details of its scenario while also expanding to universals.
    • 87 Metascore
    • 100 Nick Schager
    The film serves as an authentic examination of the mid-twentieth-century immigrant experience — and an intimate exploration of one woman's attempt to understand who she is and where she wants to belong.
    • 93 Metascore
    • 100 Nick Schager
    To hell with equivocation or beating around the bush: Terrence Malick's 1978 Days of Heaven is the greatest film ever made. And let the word film be emphasized, since Malick's sophomore masterpiece earns this exalted designation from its position as a work of pure cinema. [22 Oct. 2007]
    • 57 Metascore
    • 100 Nick Schager
    Rob Zombie understands horror as an aural-visual experience that should gnaw at the nerves, seep into the subconscious, and beget unshakeable nightmares.
    • 75 Metascore
    • 91 Nick Schager
    The use of the actress’ own archival material in 'In Her Own Words' results in a tribute to both her titanic career, and to her belief in the movies’ capacity to safeguard the past, and to maintain it long after its makers are gone.
    • 78 Metascore
    • 91 Nick Schager
    Herzog’s latest proves a masterful inquiry into technological evolution.
    • 79 Metascore
    • 90 Nick Schager
    It remains a rousing portrait of creative renewal and, specifically, the way in which - by attempting something daring and new in the face of an opera culture deeply invested in tradition - Lepage proves that classic art can survive and flourish in a marriage with modern technology and imagination.
    • 54 Metascore
    • 90 Nick Schager
    As unhinged as it is hilarious.
    • 83 Metascore
    • 90 Nick Schager
    With an intimacy and empathy that's all the more powerful for its modesty, the film investigates the complicated feelings of resentment and affection between wife and husband.
    • 75 Metascore
    • 90 Nick Schager
    A film that's in perfect sync with its subject.
    • 75 Metascore
    • 90 Nick Schager
    The Invisible Woman finds Ralph Fiennes proving as adept behind the camera as he is in front of it.
    • 61 Metascore
    • 90 Nick Schager
    Replete with superb performances led by a paranoid Sackhoff and unhinged Cochrane, it's the rare horror film to know how to tease malevolent mysteries and deliver satisfyingly unexpected, unsettling payoffs.
    • 67 Metascore
    • 90 Nick Schager
    Practically guaranteed to elicit tears within its first five minutes, Alive Inside... is nonetheless more than just a tearjerker.
    • 89 Metascore
    • 90 Nick Schager
    Like so much of his celebrated work, documentarian Frederick Wiseman's National Gallery is long, leisurely paced, wide-ranging, meticulously crafted, intellectually intricate, and touched with profundity.
    • 72 Metascore
    • 90 Nick Schager
    Striking in its evocation of a demanding time and place, this intimate drama about individual and national transformation heralds the arrival of an arresting new filmmaking voice.
    • 81 Metascore
    • 88 Nick Schager
    At first glance, Tuesday, After Christmas seems, in both form and content, only a modestly ambitious endeavor. Yet the singular attention with which it carries out its aims-and the rigorous success it ultimately attains-is nonetheless unsparing, and bracing.
    • 72 Metascore
    • 88 Nick Schager
    Evan Glodell's debut has the sweetness of a lullaby reverie and the blazing ferocity of a monster-car nightmare, a first-comes-elation, then-comes-madness structure that resembles that of "Blue Valentine," another tale focused on the commencement, and then collapse, of an affair.
    • 95 Metascore
    • 88 Nick Schager
    Barriers both transparent and persistently present encase the characters of A Separation, constricting them in ways social, cultural, religious, familial, and emotional.
    • 82 Metascore
    • 88 Nick Schager
    El Velador doesn't pass judgment or manipulate emotionally, instead choosing simply to consider the arduousness of survival in a land wracked by slaughter.
    • 79 Metascore
    • 88 Nick Schager
    Israel's fractured psyche is plumbed via narrative splintering in Policeman, Nadav Lapid's compelling drama about his homeland's burgeoning social unrest.
    • 81 Metascore
    • 88 Nick Schager
    Humor and sorrow are equally immediate emotions throughout, whether in the writer-director's traditionally structured setup-punchline scenes or his strange non sequiturs
    • tbd Metascore
    • 88 Nick Schager
    Lino Brocka's portrait of familial treachery and societal abandonment channels its melodrama through the filter of neorealism.
    • 68 Metascore
    • 83 Nick Schager
    Steeped in centuries of custom and dependent on the ever-fickle relationship between soil, weather, and human craftsmanship, the work is likened by Francis Ford Coppola to a “miracle,” and one that tells a story about the time, place, and circumstances that gave each vintage its birth.
    • 66 Metascore
    • 83 Nick Schager
    [The] aesthetic structure creates a haunting sense of the simultaneously wonderful and sad feelings both men have about lives and loves now gone, never to be recaptured.
    • 76 Metascore
    • 83 Nick Schager
    Aided by three-dimensional performances that exude a convincing mixture of bitterness, selfishness, desperation, and hate, Ayouch film casts a sharp gaze on tragedy, and the larger socio-economic issues that beget fanaticism.
    • 63 Metascore
    • 83 Nick Schager
    This understated indie deepens its portrait of growing up by suggesting, ultimately, that anyone who thinks wasting time is a reasonable course of action needs to wake up.
    • 71 Metascore
    • 83 Nick Schager
    The camera tracks every emotional up and down, through tests and surgery, with an unfussy precision that allows the themes to arise naturally.
    • 68 Metascore
    • 83 Nick Schager
    For the most part, writer-director Sophie Fillières’ If You Don’t, I Will strikes an engaging tone of melancholic humor through its portrait of a French marriage slowly falling to pieces.
    • 55 Metascore
    • 83 Nick Schager
    It may not be a complete return to form for the once-revered auteur, but as an unexpectedly chilling horror concoction defined by skillful scares, it’s a significant step in the right direction.

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