Nikola Grozdanovic

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For 66 reviews, this critic has graded:
  • 54% higher than the average critic
  • 1% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4 points higher than other critics. (0-100 point scale)

Nikola Grozdanovic's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 The Trip to Italy
Lowest review score: 0 Rage
Score distribution:
  1. Positive: 41 out of 66
  2. Negative: 9 out of 66
66 movie reviews
    • 75 Metascore
    • 100 Nikola Grozdanovic
    By the time the curtains draw to a bittersweet close, you’ll walk out feeling rejuvenated, satisfied, well replenished in humor and culture, and already planning your own trip to Italy.
    • 87 Metascore
    • 100 Nikola Grozdanovic
    A work of immense and intense emotional vigor, sprinkled with fun-loving traits and intellectually stimulating prowess, The Duke of Burgundy is the stuff dreams are made of.
    • 86 Metascore
    • 100 Nikola Grozdanovic
    It’s a searing series of accounts from dignified patriots, weary politicians, and desperate civilians stuck in a frantic situation, and a remarkable piece of work that should be seen by everyone who thinks they know everything about the Vietnam War.
    • 63 Metascore
    • 91 Nikola Grozdanovic
    Like an epic sonnet, with beautiful accompanying music and songs, “Eleanor Rigby” deals with memory, perception and the emotional toll a relationship can have on an individual as much as it deals with the more grandiose themes of love and loss.
    • 67 Metascore
    • 91 Nikola Grozdanovic
    It’s a finely tuned and tenderly detailed love story of two people told on a cosmic scale.
    • 65 Metascore
    • 91 Nikola Grozdanovic
    Metro Manila is a horror story in its own unflinching way.
    • 90 Metascore
    • 91 Nikola Grozdanovic
    Petzold distills a familiar atmosphere to create a work veiled in vibrant, cohesive, sensitively stimulating power.
    • 76 Metascore
    • 91 Nikola Grozdanovic
    It's a wonderful thing to experience a film unshackled from Hollywood conventionality and unburdened by the necessity for simplistic storytelling.
    • 82 Metascore
    • 91 Nikola Grozdanovic
    Ultimately, the main source of power behind The Second Mother is found in its effortless skips between character study, family drama, and silent socioeconomic warfare. The final result is a gleaming cinematic treasure as heartwarming as the film's final reassuring smile.
    • 63 Metascore
    • 83 Nikola Grozdanovic
    Carefully balancing stereotypes with tasteful comedy, De Felitta has his three leads and a generally refreshing screenplay to thank for making Rob The Mob a joy to watch.
    • 55 Metascore
    • 83 Nikola Grozdanovic
    Still The Water is at its enchanting best when depicting the mysteries of death and the conflicts of trying to come to terms with it.
    • 67 Metascore
    • 83 Nikola Grozdanovic
    Alive Inside contains a tiny revolution within its message, and will likely end up being one of the most important documentaries of the year.
    • 87 Metascore
    • 83 Nikola Grozdanovic
    The theories in Level Five simultaneously thrive in realms of computer science, ethnography, and cognitive psychology, while the picture remains cloaked by the emotional weight of a historical tragedy that marked an entire nation.
    • 82 Metascore
    • 83 Nikola Grozdanovic
    This isn’t a story of success and fortune, but a slice of life with a personal rhythm and a universal beat.
    • 48 Metascore
    • 83 Nikola Grozdanovic
    With a unique blend of style and content, an escalating discomfort in atmosphere, a score that sounds like it was spawned from the nether regions of hell, and three ferocious performances, Hungry Hearts is this year’s most unique horror film.
    • 85 Metascore
    • 83 Nikola Grozdanovic
    Tremendously evocative and inherently enchanting, Horse Money is one of the year’s most profound films and an essential step forward for both Ventura the Cape Verdean, and Pedro Costa the artist.
    • 56 Metascore
    • 83 Nikola Grozdanovic
    Ullmann’s version of Miss Julie exists in a special cinematic category; it’s toxic, it’s hypnotic, and passionately translates Strindberg’s genius instinct for enlightening the multi-layered psychological spectrums of human desire for lust and power. It’s unforgettable in every sense of the word.
    • 86 Metascore
    • 83 Nikola Grozdanovic
    If you have the patience to play the role of silent witness for the full two hours, Maidan is a rewarding experience and an alarmingly important wake-up call for those still in the dark about one of today's most critical situations.
    • 70 Metascore
    • 83 Nikola Grozdanovic
    This is a film that should, at the very least, make one appreciate the all-encompassing breadth of cinema, and, at most, provoke deeper thought of transcendental existence in correlation with nature and The Idea of Man.
    • 79 Metascore
    • 83 Nikola Grozdanovic
    Once it becomes clear that this is no mere murder mystery, and the bizarre turns into the ludicrous and into the depraved, Dumont’s analysis of life’s toughest questions (reaching for an understanding of the very essence of evil) as told through the simplest of ways becomes tremendously captivating. And it’s worth noting, again, just how laugh-out-loud funny this is.
    • 70 Metascore
    • 83 Nikola Grozdanovic
    Dior And I succeeds in bringing this exclusive world down to earth, knitting the viewer with its needles and threads and making a highly relatable story, no matter where you come from or how you feel about fashion.
    • 57 Metascore
    • 83 Nikola Grozdanovic
    Katz, with the help of an inspired cast and an emotionally intelligent and mature screenplay, has succeeded in depicting the trials and tribulations of adults who, all for respectfully different yet equally weighty reasons, often make a three-year-old the most mature person in the room.
    • 87 Metascore
    • 83 Nikola Grozdanovic
    This is Brando on Brando, and it's scintillating stuff.
    • 75 Metascore
    • 83 Nikola Grozdanovic
    Two actors. Two locations. Two laptops. One bittersweet movie.
    • 81 Metascore
    • 83 Nikola Grozdanovic
    Twinsters is an enjoyable ride, made with vigorous love and creativity, which is more than enough reason to recommend it. Especially to siblings.
    • 61 Metascore
    • 83 Nikola Grozdanovic
    Hayek's passion project is a stimulating success for the senses.
    • 85 Metascore
    • 83 Nikola Grozdanovic
    Cary Bell’s Butterfly Girl is no reality TV show segment, it’s painstaking reality itself, told in confident style.
    • 66 Metascore
    • 75 Nikola Grozdanovic
    Last Passenger is a good antithesis to the overloaded and cluttered action Hollywood seems to love nowadays. If you're not feeling especially picky on plot or character, you won't go wrong with this compelling and stylish train thriller.
    • 62 Metascore
    • 75 Nikola Grozdanovic
    On both technical and thematic levels, the filmmakers have succeeded in using the tools of cinema to carve out an authentic look at troubled youth, and the choices we have to make in order to steer away from the wrong path.
    • 35 Metascore
    • 75 Nikola Grozdanovic
    While the performances are the key to the success of Lullaby, it is Levitas’ heartfelt and personal story (his inspiration for writing it came from his own family experience) that provides the necessary tools for these actors to work with.

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