Nikola Grozdanovic
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For 34 reviews, this critic has graded:
  • 58% higher than the average critic
  • 0% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Nikola Grozdanovic's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Trip to Italy
Lowest review score: 0 Rage
Score distribution:
  1. Positive: 20 out of 34
  2. Negative: 5 out of 34
34 movie reviews
    • 75 Metascore
    • 100 Nikola Grozdanovic
    By the time the curtains draw to a bittersweet close, you’ll walk out feeling rejuvenated, satisfied, well replenished in humor and culture, and already planning your own trip to Italy.
    • 88 Metascore
    • 100 Nikola Grozdanovic
    A work of immense and intense emotional vigor, sprinkled with fun-loving traits and intellectually stimulating prowess, The Duke of Burgundy is the stuff dreams are made of.
    • 63 Metascore
    • 91 Nikola Grozdanovic
    Like an epic sonnet, with beautiful accompanying music and songs, “Eleanor Rigby” deals with memory, perception and the emotional toll a relationship can have on an individual as much as it deals with the more grandiose themes of love and loss.
    • 67 Metascore
    • 91 Nikola Grozdanovic
    It’s a finely tuned and tenderly detailed love story of two people told on a cosmic scale.
    • 65 Metascore
    • 91 Nikola Grozdanovic
    Metro Manila is a horror story in its own unflinching way.
    • 93 Metascore
    • 91 Nikola Grozdanovic
    Petzold distills a familiar atmosphere to create a work veiled in vibrant, cohesive, sensitively stimulating power.
    • 80 Metascore
    • 83 Nikola Grozdanovic
    This isn’t a story of success and fortune, but a slice of life with a personal rhythm and a universal beat.
    • 63 Metascore
    • 83 Nikola Grozdanovic
    Carefully balancing stereotypes with tasteful comedy, De Felitta has his three leads and a generally refreshing screenplay to thank for making Rob The Mob a joy to watch.
    • 67 Metascore
    • 83 Nikola Grozdanovic
    Alive Inside contains a tiny revolution within its message, and will likely end up being one of the most important documentaries of the year.
    • 55 Metascore
    • 83 Nikola Grozdanovic
    Still The Water is at its enchanting best when depicting the mysteries of death and the conflicts of trying to come to terms with it.
    • 87 Metascore
    • 83 Nikola Grozdanovic
    The theories in Level Five simultaneously thrive in realms of computer science, ethnography, and cognitive psychology, while the picture remains cloaked by the emotional weight of a historical tragedy that marked an entire nation.
    • 44 Metascore
    • 83 Nikola Grozdanovic
    With a unique blend of style and content, an escalating discomfort in atmosphere, a score that sounds like it was spawned from the nether regions of hell, and three ferocious performances, Hungry Hearts is this year’s most unique horror film.
    • 68 Metascore
    • 75 Nikola Grozdanovic
    The film is a boilerplate biopic, but with stunning cinematography and a couple of fierce performances, The Theory of Everything is nothing if not an accomplished and emotional work of cinema.
    • 72 Metascore
    • 75 Nikola Grozdanovic
    What it lacks in cinematic girth, it makes up for in factual appeal.
    • 62 Metascore
    • 75 Nikola Grozdanovic
    On both technical and thematic levels, the filmmakers have succeeded in using the tools of cinema to carve out an authentic look at troubled youth, and the choices we have to make in order to steer away from the wrong path.
    • 66 Metascore
    • 75 Nikola Grozdanovic
    Last Passenger is a good antithesis to the overloaded and cluttered action Hollywood seems to love nowadays. If you're not feeling especially picky on plot or character, you won't go wrong with this compelling and stylish train thriller.
    • 35 Metascore
    • 75 Nikola Grozdanovic
    While the performances are the key to the success of Lullaby, it is Levitas’ heartfelt and personal story (his inspiration for writing it came from his own family experience) that provides the necessary tools for these actors to work with.
    • 47 Metascore
    • 67 Nikola Grozdanovic
    So the story is relentlessly rudimentary and it’s directed in an expected, uncomplicated, formulaic manner.
    • 57 Metascore
    • 67 Nikola Grozdanovic
    You’ll walk away almost certain that you’ve seen a decent thriller, but your thoughts may stumble on the word “thrill.”
    • 57 Metascore
    • 67 Nikola Grozdanovic
    The Grand Seduction reeks of a pleasantness that makes for a very soothing watch. The lack of character depth and the contrived plot won’t be placing it near any top ten lists, but there are far worse ways to spend two hours in a theatre these days.
    • 50 Metascore
    • 58 Nikola Grozdanovic
    While the execution may be somewhat of a misfire, the obvious effort and thought put into making the concept work is worthy.
    • 54 Metascore
    • 42 Nikola Grozdanovic
    Camp X-Ray is as transparent in its message as the title suggests, and the scan shows a malignant tumor in the very bones of the film’s structure. An on-the-nose approach smothers all subtext into submission and leaves nothing of interest alive.
    • 44 Metascore
    • 42 Nikola Grozdanovic
    This is one of those mind games that lean too heavily on the mindless to be thoroughly enjoyable, turning sadistic pleasure into harmless boredom.
    • 38 Metascore
    • 42 Nikola Grozdanovic
    As far as the spy genre goes, Pierce Brosnan’s The November Man is more filler than thriller.
    • 57 Metascore
    • 42 Nikola Grozdanovic
    Perez appears content with representing UFW's past strikes and boycotts like a segment from the History Channel, while having the interviewees—relatives, people who worked closely with Chavez—focus on how much good Chavez has done, rather than how he has impacted them.
    • 50 Metascore
    • 42 Nikola Grozdanovic
    Perhaps through time this hallucinatory quasi-dream of a biopic will grow in stature, but as first impressions go, the film loves itself so much it renders itself beautiful, but utterly shallow.
    • 46 Metascore
    • 42 Nikola Grozdanovic
    There are moments when the fabrication behind Claire’s arc breaks to reveal a real person, and the filmmaker’s have Aniston to thank for this, because it’s certainly not the bland dialogue or unremarkable events.
    • 49 Metascore
    • 42 Nikola Grozdanovic
    Some intriguing dialogue, and a closet full of fantastic frocks, can’t help an impressive ensemble cast save A Little Chaos from being a lackadaisical picture, far removed from anything remotely exciting as chaos.
    • 61 Metascore
    • 42 Nikola Grozdanovic
    All of that star-making and directorial grace Scherfig possesses is substituted for a bludgeoning attempt at provoking the British elite into taking a long hard look at themselves through a cracked mirror. She retains her confrontational sensibilities with none of the subtlety, and hammers a single message to mind-numbing effect.
    • 48 Metascore
    • 33 Nikola Grozdanovic
    The acting is as inspired as the screenplay allows, which just isn't enough to add any kind of conviction to the events that transpire on screen.