For 1,183 reviews, this critic has graded:
  • 52% higher than the average critic
  • 6% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.8 points higher than other critics. (0-100 point scale)

Noel Murray's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 L'Enfant (The Child)
Lowest review score: 0 Is That a Gun in Your Pocket?
Score distribution:
1183 movie reviews
    • 75 Metascore
    • 83 Noel Murray
    Patience reveals through images and tone as well as through the interviews how Sebald yearned for restorative meaning in the places he toured, only to end up lost in thought.
    • 82 Metascore
    • 83 Noel Murray
    Copti and Shani show characters of different backgrounds interacting peacefully as individuals, then show how those characters subtly change when their affiliation with a group becomes an issue. And always the threat of violence looms.
    • 72 Metascore
    • 83 Noel Murray
    deWitt's script is much better than anything Jacobs has worked on before, with a story that gets richer as it goes.
    • 72 Metascore
    • 83 Noel Murray
    Anyone could make a film about a theater full of naked women; only Wiseman would take equal interest in the person who handles the ticket-ordering, and the one who makes sure there's a bottle of champagne on every table.
    • 81 Metascore
    • 83 Noel Murray
    Wajda makes the murders look horrific and jangled, like something out of "Hostel," then ends Katyn with extended darkness and silence, allowing the audience to mourn for the death of a nation.
    • 75 Metascore
    • 83 Noel Murray
    Crude is so crammed with facts and figures that it can be a little dizzying, but what’s more important is what Berlinger records between all the talking-head interviews and vérité footage.
    • 73 Metascore
    • 83 Noel Murray
    If nothing else, Ti West’s retro “Satan rules!” thriller The House Of The Devil gets the look and tone of early-’80s horror schlock exactly right.
    • 81 Metascore
    • 83 Noel Murray
    The truths revealed in this film have more to do with the North Korean government’s self-consciousness about how they’re perceived by foreigners. Here, they seem desperate to appear productive, congenial, devoted, and above all, happy.
    • 64 Metascore
    • 83 Noel Murray
    All told, Ellison is a fascinating person to spend 96 minutes with. But you probably shouldn't risk that 97th.
    • 74 Metascore
    • 83 Noel Murray
    Welcome To Pine Hill is a short, docu-realistic film, with very little plot and scenes that play like loose improvisations. Miller is mainly interested in the various spaces Harper inhabits, and how he inhabits them.
    • 74 Metascore
    • 83 Noel Murray
    Prodigal Sons comes packed with multiple hooks. Aside from the sex-change angle, the movie takes a turn when Marc---whom Reed’s parents adopted before she was born--learns that he’s the biological son of Rebecca Welles, and the grandchild of Orson Welles and Rita Hayworth.
    • 84 Metascore
    • 83 Noel Murray
    Ultimately, the film is just a smart caper picture with some good performances, but at times it's VERY smart, and Hoffman's performance in particular is one of the most natural and unexpectedly affecting that he's given in years.
    • 78 Metascore
    • 83 Noel Murray
    This is a movie about the casual ways people know each other, even when their relationships are hard to explain-or perhaps even justify.
    • 81 Metascore
    • 83 Noel Murray
    Mostly though, the movie feeds off Rourke, who plays a genuinely decent guy who never lets his dawning self-awareness interfere with his responsibility to give the fans a show.
    • 71 Metascore
    • 83 Noel Murray
    The movie ends abruptly, setting up an epilogue that viewers will have to provide for themselves. Jerichow's sparseness, tiny cast, and minimal plot can make the film seem a little elusive, but there’s a certain elegance to Petzold's concision, too. He shows all he wants us to see.
    • 82 Metascore
    • 83 Noel Murray
    Hunger may be criticized for being willfully arty, or for reducing a complex political situation to a broadly allegorical vision of martyrdom, but it's never less than visually stunning.
    • 70 Metascore
    • 83 Noel Murray
    Because the audience isn’t privy to the hero’s thoughts, the final 15 minutes or so of Big Fan are white-knuckle.
    • 70 Metascore
    • 83 Noel Murray
    Comes closer than most to seeing the whole picture.
    • 68 Metascore
    • 83 Noel Murray
    If nothing else, Scheinfeld captures the essence of the Nilsson experience, and how, according to his attorney, "He would turn up at your door at 4 in the morning, and you knew that the next three days were going to be an adventure."
    • 75 Metascore
    • 83 Noel Murray
    Rosefeldt’s visual panache and Blanchett’s astonishing versatility bring cinematic verve to something that could’ve easily come off as too dryly conceptual.
    • 69 Metascore
    • 83 Noel Murray
    Peepli Live has a lot in common with Billy Wilder's black comedy Ace In The Hole, in that it explores the cynicism of modern life with wit and honesty.
    • 71 Metascore
    • 83 Noel Murray
    Sheridan pares his story and characters down to their barest essentials, making a movie that comes off sometimes as slight, but which ultimately delivers the goods for those who like smart takes on life-or-death macho adventure.
    • 84 Metascore
    • 83 Noel Murray
    Typically, Leigh withholds his own judgment as to whether Hawkins is a delight or a terror. But he does create a noticeable tension between the audience's expectations and the way the story plays out.
    • 76 Metascore
    • 83 Noel Murray
    Well-plotted, with a strong lead performance by Michael Shannon, and a fair amount of authentic regional flavor. It isn't really meant to be a treatise on Southern life. At heart, it's a country-fried genre film, minus the peppery white gravy.
    • 78 Metascore
    • 83 Noel Murray
    If nothing else, Afghan Star offers a reminder of how much has changed in Afghanistan from the late ’70s--when Kabul was a secular-oriented city with co-ed universities and a thriving nightclub scene--to the rise of the Taliban.
    • 85 Metascore
    • 83 Noel Murray
    Vincere starts to run dry of stunning visual gambits and become redundant in its second hour, as the madhouse sequences dominate, but Bellocchio’s central premise retains its power and poignancy throughout.
    • 91 Metascore
    • 83 Noel Murray
    It's also poetic and meditative in a way that never feels pretentious.
    • 74 Metascore
    • 83 Noel Murray
    While some of the trappings and even some of the plot elements could easily be called unoriginal, Bayona and screenwriter Sergio G. Sánchez arrange them in a fresh way, crafting an emotionally resonant, nerve-jangling experience.
    • 60 Metascore
    • 83 Noel Murray
    Besides the restless style, Dans Paris is remarkable for being more about familial bonds than French cinema tends to be.
    • 80 Metascore
    • 83 Noel Murray
    Tonally, The Band's Visit steps gingerly on the line between “sweetly humane” and “cloyingly quirky.”

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