For 896 reviews, this critic has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 7.1 points higher than other critics. (0-100 point scale)

Noel Murray's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 To Be and to Have
Lowest review score: 10 P.S. Your Cat Is Dead!
Score distribution:
  1. Negative: 27 out of 896
896 movie reviews
    • 85 Metascore
    • 91 Noel Murray
    A documentary that doubles as a comic thriller, and it’s as entertaining as it is thought-provoking.
    • 78 Metascore
    • 91 Noel Murray
    Some people might find it distasteful to make a movie about guilty rich folks who give themselves permission to splurge. Others will rightly appreciate the honesty.
    • 85 Metascore
    • 91 Noel Murray
    Restrepo can be tedious at times and nerve-racking at others, but why shouldn't it be? That's exactly what Junger and Hetherington saw on the front lines, so that's what they show, with very little filter.
    • 68 Metascore
    • 91 Noel Murray
    So what happens when people forget about all those people he stalked and snapped? Will his collection still be seen as an invaluable store of late 20th-century art, or the work of a celeb-obsessed hoarder?
    • 86 Metascore
    • 91 Noel Murray
    In the propaganda-filled realms of politics, sports, and the military, that kind of no-bullsh-- -allowed truth feels cathartic. No wonder the Tillman family has spent much of the last 10 years fighting for it.
    • 82 Metascore
    • 91 Noel Murray
    The result is one beautiful movie-and no less so for making a strong case that beauty is a lie.
    • 77 Metascore
    • 91 Noel Murray
    Louder Than A Bomb is a different kind of high-school movie, brimming with life and hope instead of social-climbing, bullying, and furtive first kisses.
    • 81 Metascore
    • 91 Noel Murray
    More about well-observed moments of everyday life than it is about heightened melodrama.
    • 67 Metascore
    • 91 Noel Murray
    The Future's main characters are, undeniably, dopes. But July and Linklater turn their ineptitude into a funny running joke, which becomes surprisingly affecting in the second half.
    • 76 Metascore
    • 91 Noel Murray
    Because the movie plays on so many common fears - including fears of being in a remote house with big windows when intruders arrive - the confusion of Martha Marcy May Marlene proves effective, not sloppy.
    • 76 Metascore
    • 91 Noel Murray
    In keeping with Jóhann Jóhannsson's score - alternately ominous, triumphant, and elegiac - The Miners' Hymns plays on the broader emotions of the subject. The film is all about the mysterious world down below, how camaraderie turned to conflict, and the nagging feeling of loss.
    • 68 Metascore
    • 91 Noel Murray
    Bullhead is well-plotted, with a powerful ending, but its most brutal scene comes early, explaining why for Schoenaerts, life has been one long wince.
    • 72 Metascore
    • 91 Noel Murray
    What binds the entertaining crime movie to its YouTube-ready musical interludes is the unspoken yearning of its two leads: he for the world of silence in which he'd rather live, and she for all the sounds that slip by every second, uncontrolled and unappreciated.
    • 67 Metascore
    • 91 Noel Murray
    Even though I'm not sure I understand what Stillman was going for minute-to-minute, I was swept away by how original Damsels is, and how funny.
    • 80 Metascore
    • 91 Noel Murray
    The result is a movie that's poignant, bittersweet, and true.
    • 80 Metascore
    • 91 Noel Murray
    I Wish is still amply Kore-eda-esque, full of life, heart, and funny little details about daily existence, as it meanders its way toward moments of real profundity.
    • 86 Metascore
    • 91 Noel Murray
    It's undoubtedly something extraordinary: like a live-action Miyazaki film, with Days Of Heaven narration, set in a dirt-poor community at an unspecified time of crisis.
    • 80 Metascore
    • 91 Noel Murray
    To an extent, Greenfield tries to have it both ways with her film: she allows us to enjoy the fantasy of being rich, while also letting us see the bastards suffer a little.
    • 84 Metascore
    • 91 Noel Murray
    Looper is a remarkable feat of imagination and execution, entertaining from start to finish, even as it asks the audience to contemplate how and why humanity keeps making the same rotten mistakes.
    • 79 Metascore
    • 91 Noel Murray
    Photographic Memory is less wry and more melancholy than McElwee's earlier documentaries; it's a lot like his superb 2003 film "Bright Leaves," which was also concerned with family history and the shifting meaning of images.
    • 71 Metascore
    • 91 Noel Murray
    Neil Barsky's Koch doesn't try to do anything radical as a piece of filmmaking, but Barsky - a former newspaper reporter - covers Koch's story magnificently as a journalist.
    • 81 Metascore
    • 91 Noel Murray
    Anyone who enjoys overpowering cinematic sensation and watching people do a job will be predisposed to like Leviathan, Lucien Castaing-Taylor and Véréna Paravel’s avant-garde documentary about life aboard a commercial fishing vessel. Leviathan is an immersive experience, plunging viewers into darkness and chaos, amid a rush of vivid color and rapid movement.
    • 81 Metascore
    • 91 Noel Murray
    It’s a bright, lively movie, with a vision of New York as a multicultural free-for-all, where everybody’s always looking to see what they can take from everybody else.
    • 80 Metascore
    • 91 Noel Murray
    The effect of Room 237 is intense. It’s a deep dive into the rabbit hole of semiotics, designed to train viewers to become alert to what they’re really seeing.
    • 72 Metascore
    • 91 Noel Murray
    All the way up to the stunning final shot, Ozon urgently asks whether, for storytellers, it’s better to be on the outside looking in, or the inside looking out.
    • 91 Metascore
    • 90 Noel Murray
    The film is best treated as a one-of-a-kind wonder: an ingenious contraption that dazzles, teases, attracts, and repels with all the mystery and sublimity of a miniature world.
    • 80 Metascore
    • 90 Noel Murray
    Gets most of its legs from the acting and the dialogue, which has such a rhythmic grace that scenes from the movie can be played and replayed with no loss of thump.
    • 85 Metascore
    • 90 Noel Murray
    The sociological angle of Festival Express is a narrow one--perhaps too narrow--and doesn't overwhelm the film's real selling point, which is some of the best-looking and best-sounding footage of counterculture icons ever screened.
    • 80 Metascore
    • 90 Noel Murray
    Movies can't exactly replicate the feeling of reading a book, but Jun Ichikawa's adaptation of Haruki Murakami's short story Tony Takitani comes remarkably close.
    • 89 Metascore
    • 90 Noel Murray
    The Act Of Killing raises all kinds of provocative questions about the sins of nations in transition, and about how important it is for those in power to control the narrative.

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