For 1,183 reviews, this critic has graded:
  • 52% higher than the average critic
  • 6% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.8 points higher than other critics. (0-100 point scale)

Noel Murray's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Under the Shadow
Lowest review score: 0 Is That a Gun in Your Pocket?
Score distribution:
1183 movie reviews
    • 68 Metascore
    • 91 Noel Murray
    Bullhead is well-plotted, with a powerful ending, but its most brutal scene comes early, explaining why for Schoenaerts, life has been one long wince.
    • 80 Metascore
    • 91 Noel Murray
    Stone and his crew get the audience hooked on the mystery of this charismatic crank, and then take their time before they answer some of the bigger questions.
    • 85 Metascore
    • 91 Noel Murray
    It's a sports film unlike any other, and a political film that makes the personal profound.
    • 67 Metascore
    • 91 Noel Murray
    Even though I'm not sure I understand what Stillman was going for minute-to-minute, I was swept away by how original Damsels is, and how funny.
    • 90 Metascore
    • 91 Noel Murray
    A Prophet has been compared to American TV series like "Oz" for its episodic plot and large cast, but it’s more like a Gallic "Goodfellas": thoroughly absorbing, exciting, even poetic. It’s a full evening’s entertainment.
    • 72 Metascore
    • 91 Noel Murray
    The gut-churningly nasty Pusher III practically justifies the whole series, as it digs deep into the angst of a drug kingpin—a junkie himself—nagged by a thousand little business details and taunted by all the young, carefree libertines he sees enjoying themselves at his drug dens.
    • 62 Metascore
    • 91 Noel Murray
    For the most part, Willmott succeeds thrillingly.
    • 80 Metascore
    • 91 Noel Murray
    The effect of Room 237 is intense. It’s a deep dive into the rabbit hole of semiotics, designed to train viewers to become alert to what they’re really seeing.
    • 96 Metascore
    • 91 Noel Murray
    Manchester by the Sea is the kind of movie that doesn’t seem to be headed anywhere in particular for long stretches. And then, almost unexpectedly, it arrives.
    • 76 Metascore
    • 91 Noel Murray
    Because the movie plays on so many common fears - including fears of being in a remote house with big windows when intruders arrive - the confusion of Martha Marcy May Marlene proves effective, not sloppy.
    • 86 Metascore
    • 91 Noel Murray
    The Red Turtle nevertheless remains throughout a simple, gripping story of survival, deriving its sense of adventure from the most basic plot imaginable: Here’s a human being, stranded in a strange place, using his strength, intelligence, and courage to forge some kind of a life for himself.
    • 77 Metascore
    • 91 Noel Murray
    By the time Feuerzeig gets to his final shot--an artful portrait of Johnston's parents, with their son looming over them like a curse--he's emerged with the most harrowing and aesthetically keen portrait of madness and artistic inspiration since "Crumb."
    • 98 Metascore
    • 91 Noel Murray
    After two hours of dazzlingly fantastical images and stomach-turning gore, del Toro winds around, and finds his story's center.
    • 80 Metascore
    • 91 Noel Murray
    I Wish is still amply Kore-eda-esque, full of life, heart, and funny little details about daily existence, as it meanders its way toward moments of real profundity.
    • 64 Metascore
    • 90 Noel Murray
    What emerges is a rich portrait of one of 20th century pop culture’s great facilitators, whose keen observations, quirky personality and natural affinity for the outré helped greatness happen.
    • 80 Metascore
    • 90 Noel Murray
    Movies can't exactly replicate the feeling of reading a book, but Jun Ichikawa's adaptation of Haruki Murakami's short story Tony Takitani comes remarkably close.
    • 75 Metascore
    • 90 Noel Murray
    Collectively, the mixed approaches illuminate a complicated man, at once spiritual and temperamental.
    • 80 Metascore
    • 90 Noel Murray
    Gets most of its legs from the acting and the dialogue, which has such a rhythmic grace that scenes from the movie can be played and replayed with no loss of thump.
    • 91 Metascore
    • 90 Noel Murray
    The film is best treated as a one-of-a-kind wonder: an ingenious contraption that dazzles, teases, attracts, and repels with all the mystery and sublimity of a miniature world.
    • 78 Metascore
    • 90 Noel Murray
    The extraordinary achievement of Under The Skin is that while Laura develops some human qualities, Glazer resists the temptation to turn this alien’s story into the story of what it means to be human.
    • 88 Metascore
    • 90 Noel Murray
    The digressiveness of Y Tu Mamá También is its masterstroke.
    • 85 Metascore
    • 90 Noel Murray
    The sociological angle of Festival Express is a narrow one--perhaps too narrow--and doesn't overwhelm the film's real selling point, which is some of the best-looking and best-sounding footage of counterculture icons ever screened.
    • 86 Metascore
    • 90 Noel Murray
    Part period piece and part coming-of-age story, King Of The Hill balances an incident-packed script with muted tones, painting a rich, absorbing picture of one boy’s struggle to live by his wits.
    • 100 Metascore
    • 90 Noel Murray
    If the movie is about any one idea in particular, it’s about how parents do their best to stay on top of how their children grow, by taking pictures and documenting the memorable occasions, only to learn too late that most of life happens between the posing.
    • 92 Metascore
    • 90 Noel Murray
    Maitland’s experimental approach to a tricky subject leaves viewers with a deeper understanding of a terrible moment in American history.
    • 89 Metascore
    • 90 Noel Murray
    The Act Of Killing raises all kinds of provocative questions about the sins of nations in transition, and about how important it is for those in power to control the narrative.

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