Oliver Lyttelton
Select another critic »
For 89 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 8.5 points higher than other critics. (0-100 point scale)

Oliver Lyttelton's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Alps
Lowest review score: 0 Grace of Monaco
Score distribution:
  1. Positive: 61 out of 89
  2. Negative: 10 out of 89
89 movie reviews
    • 54 Metascore
    • 33 Oliver Lyttelton
    Kiefer Sutherland feels somewhat miscast as the mentor, but nowhere near as badly as Hudson is as the love interest. In all fairness, it’s a nightmare of a part, an artist (whose art is, as it turns out, is terrible) haunted by the recent death of her boyfriend, and seemingly unable to read basic human feelings and emotion. But Hudson doesn’t really help things, coming across more often than not as unintentionally funny.
    • 36 Metascore
    • 33 Oliver Lyttelton
    Leconte’s never been the edgiest of filmmakers, but A Promise is so free of anything close to an edge that it’s like watching a beige sphere for ninety-odd minutes—and it feels much longer.
    • 57 Metascore
    • 25 Oliver Lyttelton
    The meat of the film is sadly, a tedious misstep for a director who, even when he's experimented in the past, has generally come up with something more interesting than this. It is, however, still better than "9 Songs"
    • 41 Metascore
    • 25 Oliver Lyttelton
    Perhaps hardcore Jet Li fans will be able to get some joy out of it, but we'd suspect that even they will struggle with this one.
    • 50 Metascore
    • 25 Oliver Lyttelton
    The whole thing feels sort of tossed off, like it was made by film students over a couple of weekends.
    • 53 Metascore
    • 25 Oliver Lyttelton
    The film, like the original, feels very haphazardly structured, a hotchpotch collection of scenes rather than a unified whole. There's also no tonal consistency, with Webb lurching awkwardly from quippy comedy to brooding drama to high tragedy in short spaces of time, undercutting all three modes as a result.
    • 36 Metascore
    • 25 Oliver Lyttelton
    One can’t fault Hazanavicius’ motivations too much, especially given the lack of attention given to the events in Chechnya over the past fifteen years... It’s just a shame that he does it such a banal and trite way.
    • 51 Metascore
    • 16 Oliver Lyttelton
    There's a pleasing egalitarianism to the film's history-through-the-eyes-of-the-ordinary-man concept, but the script rarely makes the case that their versions are compelling enough to warrant a film.
    • 40 Metascore
    • 16 Oliver Lyttelton
    The film isn't bad enough to be some kind of potential cult classic: it's tedious, with even the stranger moments and plot developments failing to raise the pulse.
    • 21 Metascore
    • 0 Oliver Lyttelton
    Rarely competent, unintentionally hilarious and borderline reprehensible in both its politics and its take on gender roles.

Top Trailers