Owen Gleiberman

Select another critic »
For 2,395 reviews, this critic has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 5.3 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Bloody Sunday
Lowest review score: 0 Isn't She Great
Score distribution:
2395 movie reviews
    • 12 Metascore
    • 33 Owen Gleiberman
    The movie doesn't so much extend Schwartzman's antic outsider persona from ''Rushmore'' as uglify it, reducing him to the ultimate Uncool Anti-WASP.
    • 11 Metascore
    • 16 Owen Gleiberman
    Fragmented and monotonous, without a semblance of the gymnastic cleverness that at least made the first Mortal Kombat film into watchable trash, Mortal Kombat Annihilation is as debased as movies come.
    • 11 Metascore
    • 0 Owen Gleiberman
    Benigni's Pinocchio is meant to be adorable, but he comes off as less an enchanted puppet than as a harmlessly deranged middle-aged man prancing about in the kind of froufrou cream-colored pantsuit that Dinah Shore retired to her back closet in 1977.
    • 10 Metascore
    • 0 Owen Gleiberman
    The trouble with Whipped isn't that its characters are dirty mouthed horndog jerks -- it's that they're phony dirty mouthed horndog jerks.
    • 9 Metascore
    • 25 Owen Gleiberman
    Just a lumbering, poorly photographed piece of derivative sci-fi drivel, full of grunting extras scampering around in animal pelts and more dank, trash-strewn sets than I ever care to see again.
    • 7 Metascore
    • 25 Owen Gleiberman
    Writer-director-stars Zach Cregger and Trevor Moore, of the Whitest Kids U'Know, here prove the crassest, most maladroit moviemakers you know.
    • 7 Metascore
    • 0 Owen Gleiberman
    It's a shrill, stupid, brickbat-blatant piece of hackwork that practically sweats to be ''commercial.''
    • 7 Metascore
    • 33 Owen Gleiberman
    The Farrelly brothers could burp out a movie funnier than The Hottie & the Nottie, a farce of corrupt stereotypes that's never more grotesque than when it pretends to be more than skin-deep.
    • 5 Metascore
    • 0 Owen Gleiberman
    The only thing shocking about it, however, is the degree to which self-congratulatory gutter exhibitionism has become the degraded ash end of indie ''edge.''
    • 2 Metascore
    • 10 Owen Gleiberman
    "Hillary’s America” is a slow-motion seizure of ideological rancor, served up in the filmmaker’s trademark style of wide-eyed schoolbook infamy. The only novelty here is that there’s been a subtle shift of emphasis in the D’Souza vision. It’s now really all about him.

Top Trailers