Owen Gleiberman
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For 2,347 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.4 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Piano
Lowest review score: 0 She Hate Me
Score distribution:
2,347 movie reviews
    • 83 Metascore
    • 100 Owen Gleiberman
    Up in the Air is light and dark, hilarious and tragic, romantic and real. It's everything that Hollywood has forgotten how to do; we're blessed that Jason Reitman has remembered
    • 83 Metascore
    • 100 Owen Gleiberman
    With its virtuoso tomfoolery, Fantastic Mr. Fox is like a homegrown Wallace and Gromit caper. To Wes Anderson: More, please!
    • 79 Metascore
    • 100 Owen Gleiberman
    It's a potent and moving experience, because by the end you feel you've witnessed nothing less than the birth of a soul.
    • 86 Metascore
    • 100 Owen Gleiberman
    In The Beaches of Agnès, you get addicted to watching Agnès Varda watch the world.
    • 76 Metascore
    • 100 Owen Gleiberman
    It's a feat of star acting, and it helps make (500) Days not just bitter or sweet but everything in between.
    • 83 Metascore
    • 100 Owen Gleiberman
    Raimi has made the most crazy, fun, and terrifying horror movie in years.
    • 89 Metascore
    • 100 Owen Gleiberman
    Ferguson spotlights two massive mistakes: the looting that was allowed to continue, destroying Iraqi infrastructure and morale; and--far more revelatory -- the apocalyptically stupid decision to disband the Iraqi army, sending half a million angry soldiers into the streets.
    • 94 Metascore
    • 100 Owen Gleiberman
    It whisks you to another world, then makes it every inch our own.
    • 65 Metascore
    • 100 Owen Gleiberman
    Along the way, Black Dynamite blends satire, nostalgia, and cinema deconstruction into a one-of-a-kind comedy high.
    • 80 Metascore
    • 100 Owen Gleiberman
    Food, Inc. is hard to shake, because days after you've seen it, you may find yourself eating something -- a cookie, a piece of poultry, cereal out of the box, a perfectly round waxen tomato -- and you'll realize that you have virtually no idea what it actually is.
    • 82 Metascore
    • 100 Owen Gleiberman
    Keira Knightley, in a witty, vibrant, altogether superb performance, plays Lizzie's sparky, questing nature as a matter of the deepest personal sacrifice.
    • 82 Metascore
    • 100 Owen Gleiberman
    A triumph -- Demme's finest work since "The Silence of the Lambs," and a movie that tingles with life.
    • 88 Metascore
    • 100 Owen Gleiberman
    Until Once, I'm not sure that I'd ever seen a small-scale, nonstylized, kitchen-sink drama in which the songs take on the majesty and devotion of a musical dream.
    • 87 Metascore
    • 100 Owen Gleiberman
    Brokeback Mountain is that rare thing, a big Hollywood weeper with a beautiful ache at its center. It's a modern-age Western that turns into a quietly revolutionary love story.
    • 81 Metascore
    • 100 Owen Gleiberman
    The Wrestler is like "Rocky" made by the Scorsese of "Mean Streets." It's the rare movie fairy tale that's also a bravura work of art.
    • 78 Metascore
    • 100 Owen Gleiberman
    Zodiac never veers from its stoically gripping, police-blotter tone, yet it begins to take on the quality of a dream.
    • 70 Metascore
    • 100 Owen Gleiberman
    By far the best Judd Apatow comedy that Judd Apatow had nothing at all to do with.
    • 82 Metascore
    • 100 Owen Gleiberman
    It's a hilarious, and unexpectedly moving, documentary about the greatest metal band you've probably never heard of.
    • 81 Metascore
    • 100 Owen Gleiberman
    Relaunches the series by doing something I wouldn't have thought possible: It turns Bond into a human being again -- a gruffly charming yet volatile chap who may be the swank king stud of the Western world, but who still has room for rage, fear, vulnerability, love.
    • 66 Metascore
    • 100 Owen Gleiberman
    The Girlfriend Experience is one of Steven Soderbergh's bite-size, semi-improvised, shot-on-DV doodles (like Bubble or Full Frontal), and it's the best one he's made.
    • 64 Metascore
    • 100 Owen Gleiberman
    Nimble, engrossing, and journalistically eye-opening, a movie that pulls into focus 30 years of porn in America. It also pulls no punches.
    • 56 Metascore
    • 100 Owen Gleiberman
    It's been a while since a movie made the game of love this winning.
    • 82 Metascore
    • 100 Owen Gleiberman
    A deeply straightforward yet beautifully crafted documentary.
    • 73 Metascore
    • 100 Owen Gleiberman
    Fast, convulsive, and densely exciting new British gangster thriller.
    • 56 Metascore
    • 100 Owen Gleiberman
    Lords of Dogtown is a docudrama, rare in its grit and authenticity, that also strives for the mythical youth-rebel excitement of something like "8 Mile."
    • 82 Metascore
    • 100 Owen Gleiberman
    Pawlikowski has made a romance that becomes a horror movie in which love, more than anything around it, is a delusionary fever to fear.
    • 72 Metascore
    • 100 Owen Gleiberman
    Those Oompa-Loompas are the beat, and soul, of Burton's finest movie since "Ed Wood": a madhouse kiddie musical with a sweet-and-sour heart.
    • 80 Metascore
    • 100 Owen Gleiberman
    It's a quiet dream of a movie, a vision of loneliness giving way to love, then to loneliness again; it's like "Vertigo" remade in a sedately haunted style of Japanese lyricism.
    • 80 Metascore
    • 100 Owen Gleiberman
    Amy Adams in a performance as deep as it is delightful, is the film's heart and also its flaky, wonderstruck soul.
    • 80 Metascore
    • 100 Owen Gleiberman
    Rapt, heady, and startling: the most profound documentary I've seen this decade.