Owen Gleiberman
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For 2,348 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.3 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Once
Lowest review score: 0 Assisted Living
Score distribution:
2,348 movie reviews
    • 62 Metascore
    • 91 Owen Gleiberman
    Turns the tricks of psychology into duplicitous high play.
    • 89 Metascore
    • 91 Owen Gleiberman
    Days after I saw The Artist, I was still thinking (and grinning) about it, because the movie's real romance is the one between us, the jaded 21st-century audience, and the mechanical innocence of old movies, which here becomes new again.
    • 73 Metascore
    • 91 Owen Gleiberman
    The movie also captures Thompson's tragedy: the haze of drugs and bad writing that consumed him for no less than his last 30 years.
    • 73 Metascore
    • 91 Owen Gleiberman
    It takes skill these days, if not nerve, to put a vital, happy nuclear family on screen and to invite us to share in every quiet tremor, every gentle jostle and smile of their steady, deep-flowing contentment.
    • 69 Metascore
    • 91 Owen Gleiberman
    A rowdy, richly offbeat biopic.
    • 61 Metascore
    • 91 Owen Gleiberman
    Deconstructing Harry is Woody Allen's naughty-boy confessional movie, a disquietingly candid and funny portrait of a pathological narcissist.
    • 68 Metascore
    • 91 Owen Gleiberman
    Romantic comedies usually strike one or two moods, but in Afterglow, the writer-director Alan Rudolph runs through rainbows of feeling in a single scene.
    • 82 Metascore
    • 91 Owen Gleiberman
    Moving and marvelous new cross-cultural family saga.
    • 75 Metascore
    • 91 Owen Gleiberman
    There have, over the years, been a lot of terrific undersea documentaries, but if you want to know what distinguishes this new one, it comes down to a single word: technology.
    • 83 Metascore
    • 91 Owen Gleiberman
    The clever and infectious reboot of the amazingly enduring sci-fi classic, director J.J. Abrams crafts an origin myth that avoids any hint of the origin doldrums. That's because he rewires us back into the original Star Trek's primal appeal.
    • 75 Metascore
    • 91 Owen Gleiberman
    An Inconvenient Truth can't, of course, reveal a future that is still up to us, but by the time you're done watching, the real question is, Which way on God's green earth would you want to err?
    • 78 Metascore
    • 91 Owen Gleiberman
    The film defuses all preconceptions about the ''issues'' of transsexual identity to arrive at a place of tremulous human power.
    • 82 Metascore
    • 91 Owen Gleiberman
    Requiem is drawn from an incident that was also the basis for last year's demon-seed hit, "The Exorcism of Emily Rose."
    • 85 Metascore
    • 91 Owen Gleiberman
    A spectacular windup toy of a thriller -- a contraption made by an artist.
    • 63 Metascore
    • 91 Owen Gleiberman
    It's scary good fun.
    • 69 Metascore
    • 91 Owen Gleiberman
    The film may be bloody, but it's also bloody gorgeous: a grandly fetishized epic of cinematic aggression. It's a tale of vengeance that hinges on Tarantino's love of ferocity as spectacle -- his immersion in action and exploitation, his addiction to the jazzy catharsis of junk-film kicks.
    • 87 Metascore
    • 91 Owen Gleiberman
    The supersmart and rousing Moneyball, which may be the best baseball movie since "Bull Durham," is also about talk, but in a coolly heady and original inside-the-front-office way.
    • 75 Metascore
    • 91 Owen Gleiberman
    A sprightly, lovingly researched, rather misty-eyed sports documentary that's steeped in ethnic pride.
    • 71 Metascore
    • 91 Owen Gleiberman
    On the eve of Wuornos' 2002 execution, Broomfield digs deep into her abusive hell of a background (beatings, incest, sleeping homeless in the frozen Michigan woods) as well as her quasi-psychotic defense mechanisms.
    • 90 Metascore
    • 91 Owen Gleiberman
    The Passenger isn't finally the masterpiece some have made it out to be, but it retains a singular intrigue: It's the first, and probably the last, thriller ever made about depression.
    • 51 Metascore
    • 91 Owen Gleiberman
    Acting doesn't get more personal, or much greater.
    • 70 Metascore
    • 91 Owen Gleiberman
    Hoffman plays Dan Mahowny's addiction to instant money as something dirty and private and, at the same time, soul-quickening.
    • 80 Metascore
    • 91 Owen Gleiberman
    The nature of silent comedy was to elevate its heroes into myths, but after ''Charlie'' I can't wait to see Chaplin's movies again, this time to glimpse the man on the other side of the icon.
    • 63 Metascore
    • 91 Owen Gleiberman
    The Great Buck Howard is in love with kitsch, the backwaters of showbiz, and true magic. It's a wee charmer that left me enchanted.
    • 78 Metascore
    • 91 Owen Gleiberman
    Godzilla is still the most awesome of tacky movie monsters.
    • 49 Metascore
    • 91 Owen Gleiberman
    In the end, the most impressive performance may be Spike Lee's. He uses skill without gimmickry, flash without fuss, to tap the mesmerizing soul of this pulp.
    • 86 Metascore
    • 91 Owen Gleiberman
    A movie of tough excitement and surprise, even grace.
    • 66 Metascore
    • 91 Owen Gleiberman
    On the Outs parses the hopes and terrors of blasted lives with an empathy that never cheapens into pity. The movie wounds as much as it heals, and that's its true power.
    • 82 Metascore
    • 91 Owen Gleiberman
    The end will haunt you.
    • 54 Metascore
    • 91 Owen Gleiberman
    Agreeably skewed fun.

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