Owen Gleiberman, Entertainment Weekly
Select another critic »
For 2,243 reviews, this critic has graded:
-
66% higher than the average critic
-
2% same as the average critic
-
32% lower than the average critic
On average, this critic grades 6.1 points higher than other critics.
(0-100 point scale)
Owen Gleiberman's Scores
- Movies
| Average review score: | 65 |
|---|---|
| Highest review score: |
Critic Score
100
|
| Lowest review score: |
Critic Score
0
|
Score distribution:
-
Positive: 1,400 out of 2243
-
Mixed: 598 out of 2243
-
Negative: 245 out of 2243
2,243
movie reviews
- By critic score
-
-
Owen Gleiberman 100
Mark Wahlberg, in a star-making performance, has the kind of electric ingenuousness that John Travolta did in "Saturday Night Fever." -
-
-
Owen Gleiberman 100
Memento, which may be the ultimate existential thriller, has a spooky repetitive urgency that takes on the clarity of a dream. -
-
-
-
-
Owen Gleiberman 100
Carries so much impacted menace and visual narrative gamesmanship that it brought back some of the excitement I felt nearly a decade ago watching Quentin Tarantino's ''Reservoir Dogs.'' -
-
-
-
Owen Gleiberman 100
The first animated feature produced entirely on computer is a magically witty and humane entertainment, a hellzapoppin fairy tale about a roomful of suburban toys who come to life when humans aren't around. -
-
-
Owen Gleiberman 100
In this brilliantly sustained climax, Coppola unveils a vision of corruption that embraces the entire world, but he's also reveling in sheer theatrical magic in a way that only a master can. -
-
-
-
Owen Gleiberman 100
The movie is so hilariously sly about something so fetishistically trivial that at times it appears to take in an entire culture through a lens made of cheese. -
-
-
Owen Gleiberman 100
A gripping documentary that uses voluminous period evidence — unedited news footage, tape recordings of SLA leader Cinque's rants — to brilliantly reconstruct the entire freak event. -
-
-
Owen Gleiberman 100
An extraordinary film; it may be the most haunting documentary since ''Crumb.'' -
-
-
-
Owen Gleiberman 100
Titanic floods you with elemental passion in a way that invites comparison with the original movie spectacles of D.W. Griffith. -
-
-
Owen Gleiberman 100
Spielberg restages the Holocaust with an existential vividness unprecedented in any nondocumentary film: He makes us feel as if we're living right inside the 20th century's darkest-and most defining-episode. -
-
-
Owen Gleiberman 100
A beautifully sinister and transfixing entertainment-age daydream. -
-
-
Owen Gleiberman 100
True art is a journey to somewhere you've never been, and there has never been a movie quite like Breaking the Waves. -
-
-
Owen Gleiberman 100
A comedy of the ridiculous in which the ridiculous turns unexpectedly sublime. -
-
-
Owen Gleiberman 100
It's a scrumptious and dizzy-spirited lark, a what-the-hell-let's-rob-the-casino flick made with so much wit and brains and dazzle and virtuosity that the sheer speed and cleverness of the caper hits you like a shot of pure oxygen. -
-
-
Owen Gleiberman 100
Jim Carrey's performance is an impersonation on the level of genius. -
-
-
Owen Gleiberman 100
The film is at times harrowing to watch, yet it's also wry and delicate and absorbing. It's infused with the messy excitement of imperfect passion. -
-
-
-
Owen Gleiberman 100
The new film, which unfolds in real time over the course of 80 minutes, is a deeper, darker, altogether more memorable experience. It doesn't extend the characters so much as fulfill them. -
-
-
Owen Gleiberman 100
Watching Eternal Sunshine, you don't just watch a love story -- you fall in love with what love really is. -
-
-
Owen Gleiberman 100
By the end, Campion views all her characters with a compassion bordering on grace, a humanity-like her heroine's-as dark, quiet, and enveloping as the ocean. -
-
-
Owen Gleiberman 100
May be the first movie to fully capture the way that drugs dislocate us from ourselves. -
-
-
Owen Gleiberman 100
The School of Rock was made by gifted veterans of the American indie scene, but it's still the most unlikely great movie of the year. -
-
-
Owen Gleiberman 100
With an authenticity that is tender and merciless, the movie shows you what it looks like when youth rebellion becomes a form of fascism. -
-
-
Owen Gleiberman 100
In spirit, Open Water reduces us to children peering through our fingers, waiting for the horrid deliverance we're not quite sure we want to see. -
-
-
Owen Gleiberman 100
The most exhilarating movie so far this year. It's made up of many familiar elements -- think ''Monsoon Wedding'' meets ''My Beautiful Laundrette'' meets ''Personal Best'' -- yet before long, you catch on to how buoyant and funny and original it is. -